Results
-
£53.00A Certain Slant of Light
A Certain Slant of Lightis inspired by the introspective moodcreated by the rays of light on a dark cloudy day. A colorful, murmuring introduction is followed by a rich main theme in a minor key. It is a well-scored and fresh-sounding piece that will help young bands enhance their musicality.
Estimated dispatch 12-14 working days
-
£53.00Arachnophobia and Fugue
Imagine Bach trying to compose in his studio while being pestered by a spider! Arachnophobia and Fugue exposes students to the Baroque style of music using dramatic contrasts, light articulation, chorale-style sections, and multiple references to Bach's works. The spider is represented by the xylophone and/or marimba supported by the flutes. As a humorous bonus, auxiliary percussion includes rolled-up newspapers to swat the pesky spider throughout the piece.
Estimated dispatch 12-14 working days
-
£84.00Alexander's Ragtime Band - Irving Berlin
One of Irving Berlin's most popular songs is given the big band treatment by Jerry Nowak. It starts out with an up tempo swing, dense with harmony, and leads to a jazz ballad in the middle of the piece. This is then followed by a swing roll-off and a catchy Dixieland treatment of the tune by a brass quintet. It finishes up with the full band swingin' at the end. Great for pops concerts and for community bands.
Estimated dispatch 12-14 working days
-
£133.00Sasha Takes a Train - Kim Portnoy
This large full score (11" x 17") is available for this entry in our Wind Band Select series at normal discount. Sasha Takes a Train, commissioned by the USAF Band of Mid-America, was inspired by a memorable overnight train ride in Eastern Europe taken by the composer's family. The music is intended to evoke the motion and sounds of the train and the noisy, scary, surprising and joyous character of the journey. Sasha refers to the composer's then 13 month old son Alexander who managed to sleep through much of his first train adventure.
Estimated dispatch 12-14 working days
-
£72.00Manhattan Beach
This timeless Sousa classic has been given the Andrew Balent treatment. The music is Sousa at his best and Andy has just tamed this wonderful march to be more playable by today's bands. You can't go wrong with a march by Sousa arranged by Balent. It is a winning combination!
Estimated dispatch 12-14 working days
-
£29.00Masquerade Variations - Stephen Gryc
A popular rental work for wind ensemble, Masquerade is now available for purchase in a full score edition that is perfect for study. This composition, written in 1997 and commissioned by the New Mexico Wind Symphony, is based on the second piece from Fugitive Visions, a work that is comprised of 20 short piano pieces written by the young Sergei Prokofiev in 1915-17. Gryc, intrigued by the contrasting elements and moods in this short piece, expands upon Prokofiev's original theme and creates a truly dynamic work that include five variations in various musical styles.
Estimated dispatch 12-14 working days
-
£139.99The Epic Rise - Tim Kleren
"The Epic Rise" is a work by Tim Kleren, commissioned by the music school "Union Grand-Duc Adolphe" (UGDA) for the 2025 Wind Orchestra and Fanfare Competition in Luxembourg. Composed with a focus on the specific demands of competitions, this piece combines epic sounds with essential criteria such as intonation, rhythm, and ensemble playing. By successfully blending cinematic musical aesthetics with precise competition requirements, "The Epic Rise" aims not only to enrich the practice process but also to inspire musicians for competitions.
Estimated dispatch 7-14 working days
-
£139.99Landscapes - Georges Sadeler
Landscapes" is a three-movement work by composer Georges Sadeler, capturing different landscapes and their unique atmospheres through music.The first movement, Ancient Castle", takes us back to the early Middle Ages, where a majestic castle towers over the landscape. Sadeler brings the grandeur and fortitude of the ancient walls to life - from dark, powerful sounds of the fortress to heroic fanfares that speak of past battles.In the second movement, Magic Forest", we enter an enchanted world created by Mother Earth. A river winds its way through a valley surrounded by towering cliffs, deep gorges, and lush, mystical nature. Through gentle, flowing melodies and mysterious harmonies, Sadeler invites listeners to dive deep into the magic of the forest.The third movement, Old Train Station", leads us to an old railway station from the early 20th century. Today it is a lively and cheerful place, but Sadeler's music takes us on a journey through time: the rhythmic pounding of the steam locomotive, the hustle and bustle of the platform, and the longing for distant travels come together to form a sonic snapshot of a bygone era.With Landscapes", Georges Sadeler creates a musical panorama that unites history, nature, and human development - a journey through three fascinating worlds, experienced purely through sound.
Estimated dispatch 7-14 working days
-
£204.00The Light of Resistance - Franco Cesarini
Franco Cesarini was commissioned to write The Light of Resistance by the Filarmonica di Villadossola APS (Piedmont, Italy) for its 125th anniversary. The Villadossola revolt was an uprising that took place in November 1943 in the homonymous municipality during World War II. The partisans, with the support of local workers, managed to temporarily liberate the town from nazi-fascist forces. It was one of the first acts of armed resistance against the German occupation in Italy but was harshly repressed by nazi-fascist troops who regained control of the territory. Although it was suppressed, the uprising remained a symbol of courage and determination.The slow introduction of the composition creates an atmosphere of latent tension, which gradually intensifies until it explodes in a rapid movement, symbolizing the struggle. Two contrasting musical themes collide, embodying the conflict between opposing forces. In the central section, a prayer rises delicately, then evolves into a heroic parade celebrating the temporary triumph of the revolt. However, this victory is fleeting; dissonant harmonies interrupt the scene, representing the brutal repression of the insurrection. In the finale, the heroic theme reemerges, evoking sacrifice as a spark of unshakeable hope. A moment of contemplation closes the composition, honouring the lives broken and reaffirming hope for a future of peace and regained freedom.The premiere of The Light of Resistance took place on 30th March, 2025 in Villadossola, performed by the Filarmonica di Villadossola, Franco Cesarini conductor.
Estimated dispatch 7-14 working days
-
£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
View Music