Results
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£99.99
Return to Muse - Jacob de Haan
The divine muse of music could not be served through togetherness during the Covid pandemic. Giving even more reason to celebrate the fact that we can make music together now, back in the lap of the muse. In this work, various emotions are expressed: vulnerability, despair, but mostly hope, euphoria, and gratefulness as muse, music, and musicianship come together beautifully.
Estimated dispatch 7-14 working days
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£127.30
Mitt hjerte er ditt - Geir Holmsen
"Mitt hjerte er ditt" ("My Heart is Yours") is primarily known with this Norwegian lyrics and melody from Maj Britt Andersen's recording of the song, first released in 1992. Andersen's husband, Geir Holmsen, composed the new music for this recording, a version that has since been performed by numerous other artists, including Anna of the North on "Hver gang vi mtes" in 2022.The lyrics are Alf Prysen's Norwegian translation of Nils Ferlin's Swedish text, originally written to a Swedish folk tune.This is an arrangement written for a vocal soloist and wind orchestra, but it can also be played with instrumental soloists or purely instrumentally. The song has only two verses, so the middle section of this arrangement is an orchestral verse where the melody begins in the lower instruments.
Estimated dispatch 7-14 working days
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£211.80
Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£225.99
Los Libros Olvidados - Johan de Meij
1. Barcelona 19452. Los Libros Olvidados - El Cementerio3. Las Ramblas - Els Quatre Gats4. Coubert - El Hombre sin Rostro5. Bea (Beatriz)6. El Inspector Fumero7. La Ciudad de las SombrasThis is a story wrapped within a story that unfolds in Barcelona 1945, following World War II. The protagonist, Daniel Sempere, is the teenage son of an antiquarian book dealer, who one day takes him to the Cemetery of Forgotten Books, a mysterious place with labyrinthine corridors where rare and banned books are stacked in massive dusty piles. His father tells Daniel to select a book, but it will be his responsibility to protect it. Daniel picks La Sombra del Viento (The Shadow of the Wind), a novel by a forgotten author Julin Carax. Daniel immediately starts reading the book, and the story unwinds itself into a compelling and complicated plot. As he reads, Daniel finds himself and his own life merging into the story's plot. It transpires that there is a mysterious man named Lan Coubert ('the man without a face') who is determined to destroy all copies of Carax's books. Daniel is threatened by Coubert and is determined to find out what happened to Carax, who fled to Paris and subsequently disappeared. Daniel finds that his own life has much in common with the author's. The book mixes magic realism, page-turning mystery, and Daniel's own real life. Daniel's once ordinary teenage existence is now filled with larger-than-life colorful and at times, terrifying characters. Among them are Fermn Romero de Torres, a beggar who Daniel and his father befriend and employ in the family bookstore; the evil police inspector Javier Fumero, who could be compared to Scarpia in Puccini's opera Tosca or Javert in Les Misrables. The corrupt Fumero uses the war as an excuse to practice his sadism and is widely feared in Barcelona. He is represented in the music by a fascist military march. The city of Barcelona becomes a character in the book and in the music. The Ramblas, the boulevard running through Barcelona's Gothic Quarter and the famous caf Els Quatre Gats (the four cats) come alive in the score through a Cobla, the traditional wind ensemble playing a sardana, typical Catalan folk music. Two parallel love stories turn up the heat: Julin Carax's passionate, forbidden love for Penlope, and Daniel's equally passionate and forbidden love for Beatriz (Bea). Bea's sultry love theme is based on the first three letters of her name, with the ascending intervals B-E-A. Johan de Meij New York, October 17th, 2023
Estimated dispatch 7-14 working days
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£79.99
Chorale for Peace - Thierry Deleruyelle
Chorale for Peace is a song of hope and peace for humanity. In commissioning this work, the wind band of Le Portel (France) wanted to pay tribute to the victims of 8 September 1943, when around 100 Allied planes dropped more than 5,000 bombs on the town of Boulogne and the surrounding area. In fact, this operation was nothing more than a diversion to make the enemy believe that a landing was imminent in the north of France. This music is slow, an adagio commemorating the human sacrifice of this operation. But more broadly, the composer also wanted to express his support for the peoples who, even today, suffer oppression. This set includes an optional choir part that offers the possibility of making an even deeper impression on the listener.
Estimated dispatch 7-14 working days
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£54.99
Antz - Carol Brittin Chambers
Are you ready to groove with some tiny, but mighty creatures? Then you won't want to miss out on Antz, by composer Carol Brittin Chambers! This upbeat and playful composition captures the lively spirit of ants as they march and scurry about, each with a purpose and determination that is sure to inspire. From the catchy melodies to the dynamic rhythms, Antz is the perfect addition to any band's repertoire.
Estimated dispatch 7-14 working days
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£60.50
And the Lions Roared - Carol Brittin Chambers
Carol Brittin Chambers opens with a roar (literally) in this new work for developing band. Fun, fast, and full of great teaching opportunities, And the Lions Roared will be a hit with both your musicians and audiences, but especially your percussion section!
Estimated dispatch 7-14 working days
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£106.00
Plasma - Gauthier Dupertuis
When asked by the city of Biberist (Switzerland), to compose a piece for its 150th anniversary, Gauthier Dupertuis thought of a frenetic work, possessed with energy and a constant pulsation from the first to the last note. In this sense the composer was inspired by "plasma", the fourth state of matter (after the solid, liquid, and gaseous states) which makes up, for example, lightning or the sun. Like a plasma ball, whose colors and shapes constantly vary, the musical material of the work is gradually transformed, both in the rhythmic signatures and harmonies and in its atmospheres: it is the same material, but always under a different shape. Sometimes rhythmic and dancing, sometimes solemn and majestic, or soft and lyrical, the work finds its unity in the omnipresence of an ostinato and similar rhythmic and melodic structure. Plasma was premiered in September 2024.
Estimated dispatch 7-14 working days
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£115.60
Romjulsdrm - Thoralf Borg
The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -
Estimated dispatch 7-14 working days
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£128.60
Seven Seas - Rolf Ågrim Tekerø
A Norwegian Heavy Rock classic from the band TNT. Published for the first time in 1984 as a part of their record album "Knights of the New Thunder"TNT collaborated with the Royal Norwegian Navy Band in 2007. The occasion was TNT's 25th Anniversary, held at Sentrum Scene in Oslo. This arrangement was written for that concert.The arrangement is scored for Vocal Soloist with Concert Band, but it's also possible to perform instrumental without soloist.
Estimated dispatch 7-14 working days