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  • £78.00

    Interlude - Wilhem Stenhammar

    Wilhelm Stenhammar (1871-1927) was a Swedish pianist, conductor and composer. His compositions include incidental music, operas, concerts, two symphonies and choral works. Initially influenced above all by Wagner and Bruckner, Stenhammar increasingly welcomed in his music a Nordic colour as well as melodic and rhythmic characters typical of Swedish folklore. Completed in 1921, the cantata Sngen (The Song) was Stenhammar's last major work, and its combination of harmonic richness and contrapuntal dexterity ensured it a warm reception.The Interlude connecting the two halves of the work is the only part frequently performed today. It begins by creating a serious and intimate atmosphere, then the music gradually unfolds in increasingly powerful sonorities. Towards the middle a noble brass chorale emerges, but neither this nor the following finely crafted climax manage to change the prevailing mood of subtle melancholy typical of late Romantic Scandinavian composers. This arrangement by Franco Cesarini will allow your audience to get to know this great composer unknown to most.

    Estimated dispatch 7-14 working days
  • £420.99

    Symphony of Freedom - Thomas Doss

    "All men are born free and equal in dignity and rights. They are endowed with reason and conscience and are to meet one another in a spirit of brotherhood." This article 1 of the Universal Declaration of Human Rights forms the basic idea behind this majestic Symphony of Freedom. In each of the three movements, the composer picks another angle on this universal theme of freedom. In the first 'Cry for Freedom' it's the Dalai Lama of which the composer is a great admirer. The second movement 'Dream of Freedom' takes the photograph of the deceased three-year-old refugee boy Ailan Kurdi on the beach at Bodrum as a basis. The finale 'Freedom Above All' refers, besides a Bruckner quote, to the music of Ludwig van Beethoven. This movement should be seen first and foremost as an affirmation of life, faith and hope for a better world.

    Estimated dispatch 7-14 working days

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  • £83.50

    Cathedral Music - Anton Bruckner

    With its bare fifths at the opening, the rapid harmonic transitions to none-related chords, the modal harmonies, and the majestic ceremonial mood, "Ecce Sacerdos Magnus" is one of Bruckner's most powerful works. Originally a liturgical choral piece, this setting is skillfully arranged for band, so they too may experience the solemnity, mysticism and deep religious feeling of Bruckner's work. Compelling!

    Estimated dispatch 7-14 working days
  • £78.99

    Three Preludes - Anton Bruckner

    Estimated dispatch 7-14 working days
  • £107.70

    Kleine Orchesterstcke - Anton Bruckner

    Estimated dispatch 7-14 working days

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  • £239.20

    Symphony nr. 4 E-flat major - Anton Bruckner

    Estimated dispatch 7-14 working days

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  • £72.70

    Adagio - Anton Bruckner

    Estimated dispatch 7-14 working days

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  • £239.20

    Symphony nr. 5 B-flat major - Anton Bruckner

    Estimated dispatch 7-14 working days

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  • £149.99

    Jello, The Colours Of My Soul - Ben Haemhouts

    Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.

    Estimated dispatch 7-14 working days

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  • £76.00

    Locus Iste - Anton Bruckner

    Estimated dispatch 7-14 working days