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£79.99Elegy in the Baroque Style - James Barnes
Cast in G minor, ELEGY IN THE BAROQUE STYLE is a somber work written in memory of the composer_x001A_s mentor and lifelong friend Kenneth Bloomquist. Its emotional introduction eventually eases into a baroque-style chaconne. A chaconne is a set of variations based on a repeated chord progression, as opposed to a passacaglia, which is a set of variations over a ground bass. In this case, the core of the piece is structured over eleven repetitions (variations) of the chord progression that is initially stated in trombones and tubas. Each variation is distinct in structure and scoring. The work concludes with an extended coda, finally settling on a low-voiced g minor chord in low brass and bassoons.
Estimated dispatch 7-14 working days
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£59.99Maximus Fanfare - Thierry Deleruyelle
Maximus Fanfare is a dazzling, energetic work for wind band, conceived as a short, percussive overture in which brass and percussion impose their power from the outset. From the very first bars, an explosion of sound captures attention before giving way to vibrant orchestral development, leading to a triumphal conclusion.This fanfare was inspired by the majestic golden lion that sits atop the belfry in the Place des Hros in Arras, a town with a rich architectural heritage listed by UNESCO. A symbol of strength and grandeur, the lion finds a musical echo in this brilliant work full of panache.Commissioned by the Orchestre d'Harmonie d'Arras, the piece owes its name to Maxime Lavoine, its conductor since 2011, in tribute to his commitment to and passion for wind band music.With Maximus Fanfare, Thierry Deleruyelle has created an intense and luminous work, a musical tribute to the significance of Arras' heritage and the enthusiasm of the musicians who keep it alive.
Estimated dispatch 7-14 working days
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£109.99Front Burner - Dana Wilson
As the title implies, this short yet dynamic work is intended as a fast-paced burner and quite possibly positioned at the front of any concert program. Filled with dynamic twists and turns, along with cascading woodwind passages and splashes of brass and percussion, there is a sense of almost being out of control as it reaches an exciting and dramatic finish. Dur: ca. 3:00 (Recorded live by the Eastman Wind Ensemble - Mark Scatterday, conductor)
Estimated dispatch 7-14 working days
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£104.50Ascendant - Tyler Arcari
This triumphant fanfare comes out of the gate swinging! Full of infectious woodwind licks and brass sections, this fanfare has it all, and in a compact package of 2 minutes! Fast & furious and fit for any concert opener or a fiery closer, Tyler Arcari has knocked this one out of the park!
Estimated dispatch 7-14 working days
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£118.99Princess Mononoke, Medley - Joe Hisaishi
Series: New Sounds in Brass (NSB); Duration: approx.8'50"; Composed by Joe Hisaishi; Arranged by Takashi Hoshide. Arranger Takashi Hoshide says, "I have selected beautiful melodies from the soundtrack of 'Princess Mononoke' (1997, directed by Hayao Miyazaki) and arranged them into a medley. What can be said about these songs as a whole is that they combine a grand continental scale with the delicacy that reflects Japanese emotions. Since there are no upbeat songs in this selection, I had to work hard on the arrangement, but this allowed for creating contrasts and transitions between each scene in the performance. 'Ashitaka Sekki (English title: The Legend of Ashitaka)' - 'Sekki' means a story that is not recorded but passed down orally. In this anime, this can be considered a sub-main theme. The song starts with a feeling that the story is about to begin and, once the theme kicks in, aim for a grand performance to convey its scale. 'Encounter' - This is the music that plays during the scene where the protagonist Ashitaka meets San. Interestingly, the motif of the main theme 'Princess Mononoke' is used in this melody. Here, let's pursue the shifts in the timbre of individual phrases, creating a beautiful and aesthetic soundscape. 'Princess Mononoke' - This is the main title of the anime. The melody line is carried by horns and trumpets."
Estimated dispatch 7-14 working days
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£252.10The Cosmographic Mystery - Ingebjørg Vilhelmsen
"The Cosmographic Mystery" outlines the great mysteries and secrets of the universe. The musical foundation is a tribute to composer Gustav Holst, and his suite "The Planets". Each movement from the suite is quoted in the course of the piece. The title is taken from a book by the German astronomer Johannes Kepler, which was published in the 17th century. The book explains Kepler's cosmological theory that the distance relationship between the planets could be understood in light of the five Platonic solids. The theory proposes that the solids dictate the structure of the universe through geometry. "The Cosmographic Mystery" is supported by the Norwegian Composers' Fund, and was commissioned by Oslofjord brass.
Estimated dispatch 7-14 working days
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£119.60In Flanders Fields - Guillaume Détrez
"In Flanders Fields" is a play recounting the Battle of Vimy Ridge (France) which took place from April 9 to 12, 1917. The introduction refers to the thousands of graves found at the site of Notre-Dame de Lorette. Then begins the episode of preparation and fierce battle. Thanks to the Canadian Expeditionary Force that came as reinforcements, the battle was won and the site secured at 6 a.m. (brass choir accompanied by 6 bells). The title of this work also refers to a poem by John Mac Rae located at the entrance to the memorial museum."In Flanders Fields"By Col. John McCrae,In Flanders Fields The poppies blowBetween the crosses row on rowThat mark our place; and in the skyThe larks, still bravely singing, flyScarce heard amid the guns below.We are the dead, short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved and now we lieIn Flanders Fields.Take up our quarrel with the foeTo you, from failing hands, we throwThe torch, be yours to hold it high.If ye break faith with us, who dieWe shall not sleep, though poppies growIn Flanders Fields
Estimated dispatch 7-14 working days
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£149.40Song for Frances - Øystein Olsen Vadsten
"Song for Frances" is a classic love ballad, written for concert band and brass band, with a soloist on euphonium.The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of "Song for Frances", the basic melody is clearly presented, while the rest of the piece is more of a written "as if improvisation" with various melodic and technical "whims". The piece will be perfect for any euphoniumist looking for a challenge.
Estimated dispatch 7-14 working days
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£78.00
Interlude - Wilhem Stenhammar
Wilhelm Stenhammar (1871-1927) was a Swedish pianist, conductor and composer. His compositions include incidental music, operas, concerts, two symphonies and choral works. Initially influenced above all by Wagner and Bruckner, Stenhammar increasingly welcomed in his music a Nordic colour as well as melodic and rhythmic characters typical of Swedish folklore. Completed in 1921, the cantata Sngen (The Song) was Stenhammar's last major work, and its combination of harmonic richness and contrapuntal dexterity ensured it a warm reception.The Interlude connecting the two halves of the work is the only part frequently performed today. It begins by creating a serious and intimate atmosphere, then the music gradually unfolds in increasingly powerful sonorities. Towards the middle a noble brass chorale emerges, but neither this nor the following finely crafted climax manage to change the prevailing mood of subtle melancholy typical of late Romantic Scandinavian composers. This arrangement by Franco Cesarini will allow your audience to get to know this great composer unknown to most.
Estimated dispatch 7-14 working days
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£94.99Majesty - Thierry Deleruyelle
Majesty is a powerful and spectacular overture. Right from the start, the brass open the work brilliantly before making way for a majestic hymn mostly played by the woodwind. The end of the piece repeats the opening fanfare as a monumental finale in the style of an American symphonic march. This work was commissioned by the Bourbourg Wind Orchestra (France), conducted by Claude Deconinck, on the occasion of its 230th anniversary. This piece was premiered by the commissioning orchestra on 19 November 2022, just two months after the death of Queen Elizabeth II. Naturally, this work is dedicated to her.
Estimated dispatch 7-14 working days
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