Results
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£174.10Opening Night in Las Vegas - Reid Gilje
A very entertaining concert opener in Las vegas-style. An enjoyable piece of music for the band and the audience.The piece was written for Norwegian Brass Band Eikanger-Bjrsvik Musikklag for their participation at the 2019 Siddis Brass competition.
Estimated dispatch 7-14 working days
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£68.80Big Bass - Scott Rogers
Every beginning low brass player deserves a big bassline. With a rhythmic focus on quarter- and eighth notes and a range of a fourth, this piece is easily accessible for all beginning low brass players - and mastery breeds motivation, and that's something young musicians on trombone, baritone and tuba need.There is also a short chromatic motive that appears at B. This is written to lie well on the slide and valves and can be a good way to teach the important difference between concert E and Eb.
Estimated dispatch 7-14 working days
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£60.99Variations on Jerusalem the Golden - Charles E. Ives
For Brass Band of Old Instruments (or modern brass quintet or sextet) and Concert Band. Arranged by Keith Brion. Grades 4-5.
Estimated dispatch 7-14 working days
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£64.99Little Fugue (Little Fugue in G Minor) - Johann Sebastian Bach
We are proud to present this edition in the Canadian Brass Concert Band Series. Over the years, Bach's exquisite fugue has become an audience favorite of the Canadian Brass and is now available for concert band with this skillful transcription by Calvin Custer. A wonderful addition for your library!
Estimated dispatch 7-14 working days
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£109.99Toward The Bright Future - Naoya Wada
Naoya Wada's style is characterised by a positive and optimistic undertone. This is also the case in this composition, with the expressive title Towards the Bright Future. The opening fanfare is played by the brass and immediately provides the basis for the themes in a composition where melodious passages alternate with blaring brass and several flashing changes of time. This work was composed on commission to the Kokura Nishi High School Band for its 110th anniversary. The composer dedicated it to Hirofumi Matsumoto, the school''s director.
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£184.99
Il Cantico - Oliver Waespi
Commissioned by the Stadtharmonie Zurich Oerlikon-Seebach for the 2005 WASBE Conference in Singapore"Il Cantico" was inspired by the poem "Cantico di Frate Sole" (Canticle of Brother Sun) by St. Francis of Assisi. In this famous mystic poem, St. Francis expresses his gratitude to God for the creation of nature, the sun, the earth and the living beings."Il Cantico" is based on specific parts of St. Francis's poem. A slow, dreamlike song in the flute leads gradually to the appearance of the sun, the light energy of which is expressed by radiant, powerful music in the brass instruments. The next, slower part of the work is dedicated to the moon (sora luna), a sort of mirror of thesun, and to the stars (le stelle). The music becomes more thoughtful, leads to a calm sound field in the woodwinds and later to a mystic horn solo. Still during the slow part, several chord fragments flash up, thereby announcing the fast ultimate part of the work. This part is about the fire (frate focu) illuminating the night, some sort of representative of the sun on earth. Towards the end of the work, the sun theme is combined with the fire theme.Besides these images, a purely musical structure guides the development of Il Cantico. Almost the entire piece evolves from a basic four-tone cell which appears in the horns and flute at the beginning. Consequently, the work is mainly monothematic and structured in the form of a metamorphosis. The basic cell gradually leads to a rich melodic and harmonic development. This basic material is later completed by a new chord series belonging to the fire theme. In the conclusion both approaches are combined.
Estimated dispatch 7-14 working days
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£104.99The Flood - Filip Ceunen
The Flood was commissioned by Music Society Maris Sonores from Biddinghuizen, the Netherlands, on the occasion of its 55th anniversary. In this colourful composition, the name of the society has been inventively woven into the music - Maris Sonores meaning sounds of the sea - by means of key clicks in the flutes and clarinets, wind effects in various brass and woodwind instruments along with timpani, as well as sound effects in the small percussion. In addition, the history of the town is also reflected musically. Many centuries ago, around the year 800, a hamlet by the name of Bidningahusum already existed; unfortunately, it fell victim to the water of the then Zuiderzee. Later, the catastrophic flood of 1170 dealt the final blow. In the 1960s, there was a call for pioneers to once more build a town carrying the name Biddinghuizen in the polder of Eastern Flevoland - and so it happened. This versatile work, which is available for concert band as well as fanfare band, has been written in such a way that many bands will be able to play it. Each instrument group comes out well, so that The Flood will be a joy for players and listeners alike.
Estimated dispatch 7-14 working days
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£141.99Pulcinella - Philip Sparke
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
Estimated dispatch 7-14 working days
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