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£52.50
Aardvark Parade - Graydon A. Toms
You can almost smell the aardvarks! Oh, no, wait. The kids had P.E. just before band rehearsal. Never mind.Seriously though, this cheerful and engaging new piece by Graydon Toms is a sure winner for every Grade 1 1/2 band. Big areas of contrast between the upper Woodwinds and the Brass and Saxophone combination ensure that each player feels important to the group, while an easy change of tempo near the end helps the piece sound harder than it plays.Whimsical!
Estimated dispatch 7-14 working days
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£94.99
Finale for a Winter Festival - James Curnow
A trumpet duet fanfare beckons the band to join in on the opening bars of this dignified, elegant finale for holiday concerts. Staging opportunities abound with optional antiphonal brass parts, and the celebratory mood of the featured carols, Once In Royal David's City and Tomorrow Shall Be My Dancing Day, make this a wonderfully versatile work.
Estimated dispatch 7-14 working days
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£64.99Heroic Tribute - James Curnow
The grand and energetic opening, contrasting styles, careful attention to articulations, and rich harmonies make this one sound more advanced than it actually is. Consider using Heroic Tribute as the opening piece for your young band festival performance. The easy but bright and colorful Percussion, along with excellent use of the Woodwind and Brass sections, make this an ideal contest piece. There are plenty of teaching opportunities packed into this majestic new mini-overture for young bands. In fact, even if your band usually plays higher grade level music you should still give this one serious consideration. Occasionally it's good idea to rehearse a high-quality easiercomposition, where your entire ensemble can concentrate fully on ensemble playing, phrasing, tone quality, etc. and not worry about just chasing notes. This piece provides great cross-curricular teaching opportunities with history.A great teaching piece as well as a gem in performance!
Estimated dispatch 7-14 working days
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£67.50Swingin' at the Riverside - Stephen Bulla
Feature anywhere from one Saxophone up to the entire Sax section in Stephen Bulla's jazzy new arrangement titled Swingin' at the Riverside. The quick, rhythmic swing-style music is catchy to say the least! It's the perfect opportunity to "lighten up" during the next concert performance. In addition, it's a good piece to program just before or after that large work that's taxing for the Brass players. It's lots of fun for Brasses to play but gives them plenty of short rests throughout so they can refresh their chops. Now's the time to let the Saxes shine!Light-hearted and fun!
Estimated dispatch 7-14 working days
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£174.99
Toccata Festiva - Jan Van der Roost
'Toccata Festiva' was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the 'Toccata Festiva': on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).
Estimated dispatch 7-14 working days
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£134.99
The Enemy God and the Dance of the Spirits - Sergei Prokofiev
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance ". . . The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, createdby the blaring brass, on account of his sick wife and three children . . .".
Estimated dispatch 7-14 working days
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£84.99
Sometime, Somewhere - George Shutack
An arrangement of George Shutack piano piece Sometime, Somewhere for Cornet solo and brass band. In this 'Rock Ballad' the soloist is given the opportunity to show off his musical talent leaving the audience to float off on a romantic cloud.
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£109.99
Metalla - Jan Van der Roost
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures inthe brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece.
Estimated dispatch 7-14 working days
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£154.99
Castellum - Jan Van der Roost
This work, in two movements, was written for the 50th anniversary of "Harmonie St. Cecilia" in Oudenburg, Belgium, and is dedicated to its conductor, Arne Wyntin.The first part is rather quiet and pastoral in character, and is written in a gently rocking 12/8 time. The tranquility of the area around the medieval town of Oudenburg, a rustic region not far from the North Sea, is expressed in a striking fashion. After a beautiful orchestral climax, the second part begins, which is inspired by the Roman past of Oudenburg. A somewhat oppressive and impending introduction leads to the musical reflection of an army parade: Oudenburg was a so-called "castellum," and the remains ofthe fortress are still visible in the current town plan. A more dynamic passage follows featuring the low brass. After that, the solemn rhythm of the parade is recaptured, culminating in a triumphant ending.
Estimated dispatch 7-14 working days
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