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  • £54.99

    The Centurions - James Curnow

    The final bars of CENTURIONS take Grade 1 music to new heights of excitement! Artful composition for the first year band with limited ranges and rhythms makes this one you'll use again and again. Some easy use of 16th notes (for the Snare Drum only) helps to generate that extra bit of energy that lifts this one over the top while keeping the Percussion parts interesting for the players. Flute fingerings are kept easily manageable throughout and Brass ranges are carefully controlled.Appropriate for any program, CENTURIONS will inspire your young musicians to a bold and dramatic performance. Excellent for cross-curriculum teaching with history

    Estimated dispatch 7-14 working days

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  • £53.50

    Scenes of Russia - Elliot Del Borgo

    The well-known folksong Meadowlands is the basis for this spectacular Russian fantasy. The cantabile opening is particularly nice for the woodwinds, and all the parts are quite playable for bands at the easy level. The bold nature of the melody allows the brass to open up their sound a bit, while the con spirito section offers interesting counterpoint and exciting rhythms. A general sense of the bleakness of a Russian landscape in winter, and the strength and determination of the Russian people, comes through.

    Estimated dispatch 7-14 working days

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  • £84.99

    Kiwanisca - Stephen Bulla

    A bright technical flourish in the introduction, a toe-tapping theme following in the Woodwinds, fanfare-like syncopation from the Brass, and even a Piccolo solo in the Trio section make Stephan Bulla's KIWANISCA a sure winner. The fresh timbres and exhilarating melodies will add zest to your next concert whether you choose to program it as your closer or at any other time in the concert. The vitality is contagious! Don't miss it!

    Estimated dispatch 7-14 working days

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  • £52.50

    Aardvark Parade - Graydon A. Toms

    You can almost smell the aardvarks! Oh, no, wait. The kids had P.E. just before band rehearsal. Never mind.Seriously though, this cheerful and engaging new piece by Graydon Toms is a sure winner for every Grade 1 1/2 band. Big areas of contrast between the upper Woodwinds and the Brass and Saxophone combination ensure that each player feels important to the group, while an easy change of tempo near the end helps the piece sound harder than it plays.Whimsical!

    Estimated dispatch 7-14 working days

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  • £64.99

    Heroic Tribute - James Curnow

    The grand and energetic opening, contrasting styles, careful attention to articulations, and rich harmonies make this one sound more advanced than it actually is. Consider using Heroic Tribute as the opening piece for your young band festival performance. The easy but bright and colorful Percussion, along with excellent use of the Woodwind and Brass sections, make this an ideal contest piece. There are plenty of teaching opportunities packed into this majestic new mini-overture for young bands. In fact, even if your band usually plays higher grade level music you should still give this one serious consideration. Occasionally it's good idea to rehearse a high-quality easiercomposition, where your entire ensemble can concentrate fully on ensemble playing, phrasing, tone quality, etc. and not worry about just chasing notes. This piece provides great cross-curricular teaching opportunities with history.A great teaching piece as well as a gem in performance!

    Estimated dispatch 7-14 working days

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  • £174.99

    Toccata Festiva - Jan Van der Roost

    'Toccata Festiva' was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the 'Toccata Festiva': on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

    Estimated dispatch 7-14 working days

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  • £134.99

    The Enemy God and the Dance of the Spirits - Sergei Prokofiev

    The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance ". . . The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, createdby the blaring brass, on account of his sick wife and three children . . .".

    Estimated dispatch 7-14 working days

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  • £76.99

    Solitaire - Neil Sedaka

    Many artists have performed solitaire over the years, but it is probably Neil Sedaka's interpretation that makes this song a true classic. This classic arrangement for brass band gives every player something of interest to play.

    Estimated dispatch 7-14 working days
  • £84.99

    Sometime, Somewhere - George Shutack

    An arrangement of George Shutack piano piece Sometime, Somewhere for Cornet solo and brass band. In this 'Rock Ballad' the soloist is given the opportunity to show off his musical talent leaving the audience to float off on a romantic cloud.

    Estimated dispatch 7-14 working days

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  • £204.99

    Credentium - Jan Van der Roost

    A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.

    Estimated dispatch 7-14 working days

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