Results
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£72.00Passerine - Newfoundland Folk Song
Based on a Newfoundland folk song, Passerine refers to "the swallow" found in the lyric of this song of lost love. Carl Strommen gives us an exceptionally beautiful setting of this folk song that contains a transparent orchestration to begin the work, contrasted nicely with the later entrance of the full ensemble. Your ensemble will enjoy reflecting the romantic sentiment of Passerine broadly and with great expression.
Estimated dispatch 12-14 working days
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£40.00Storm Chaser
Off in the distance we hear the storm begin, the thunder roar, and see the the lightning strike as we take off with this dramatic piece, depicting the sounds of a violent thunderstorm. Educator and composer Kevin Mixon gives us a bold new piece that includes the sound of finger snapping (to mimic rain and thunder) to add to the overall effectiveness of this dynamic piece. Students will love the angular, strong melody and will sound great in contest or festival.
Estimated dispatch 12-14 working days
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£42.00First Carols of Christmas - Traditional
Let your beginning band shine with a delightful new arrangement for your next holiday concert, featuring popular tunes Up on the Housetop and O Come Little Children. All sections of the band share important melodic material, including the low brass and woodwinds,who begin the piece! Inspire all of your students with this arrangement.
Estimated dispatch 12-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£118.99Princess Mononoke, Medley - Joe Hisaishi
Series: New Sounds in Brass (NSB); Duration: approx.8'50"; Composed by Joe Hisaishi; Arranged by Takashi Hoshide. Arranger Takashi Hoshide says, "I have selected beautiful melodies from the soundtrack of 'Princess Mononoke' (1997, directed by Hayao Miyazaki) and arranged them into a medley. What can be said about these songs as a whole is that they combine a grand continental scale with the delicacy that reflects Japanese emotions. Since there are no upbeat songs in this selection, I had to work hard on the arrangement, but this allowed for creating contrasts and transitions between each scene in the performance. 'Ashitaka Sekki (English title: The Legend of Ashitaka)' - 'Sekki' means a story that is not recorded but passed down orally. In this anime, this can be considered a sub-main theme. The song starts with a feeling that the story is about to begin and, once the theme kicks in, aim for a grand performance to convey its scale. 'Encounter' - This is the music that plays during the scene where the protagonist Ashitaka meets San. Interestingly, the motif of the main theme 'Princess Mononoke' is used in this melody. Here, let's pursue the shifts in the timbre of individual phrases, creating a beautiful and aesthetic soundscape. 'Princess Mononoke' - This is the main title of the anime. The melody line is carried by horns and trumpets."
Estimated dispatch 7-14 working days
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£53.95High Desert March - Steve Hodges
High Desert March, by Steve Hodges, is a march that captures the excitement and occasional drama of a long hike in the high desert. Adventure awaits as the young hikers begin their trek, prepared to overcome any obstacles that may come their way.
Estimated dispatch 7-14 working days
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£159.99A Viking's Tale - Kevin Houben
A Viking's Tale tells the story of Gelmel, the watchman of a Northern king. It is a suite distilled from Kevin Houben's large musical spectacle Gelmel, containing the most beautiful themes and interesting passages. As in all legends andfairytales, various elements including war, love, princesses and fortresses occur. Beautifully orchestrated for a medium sized band. Let the tale begin!
Estimated dispatch 7-14 working days
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£54.99And All The Bells Shall Ring! - Rob Romeyn
Based on the traditional carol "Ding, Dong, Merrily on High," this festive arrangement for bands with unique instrumentation is the perfect opening or closing statement for your holiday concert! The sparkling introductory theme is contrasted by the dramatic middle section of "The Ukrainian Bell Carol" making this selection musically rewarding for a variety of age groups. Sure to be a favorite. Let the holiday season begin!
Estimated dispatch 7-14 working days
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£72.99Fantasy on a Flemish Carol
A joyous and uplifting work, elegantly arranged by Tom Wallace. Soft subtleties and glorious moments share the stage in this moving arrangement. A great choice to begin your holiday concert!
Estimated dispatch 7-14 working days
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£67.95Medieval Festival - Randy Navarre
Imagine it is the 12th century. You are of the nobility. You are going down the street to the castle for the festival. It will be a grand time. In the meantime, the poor are, as usual, left out. You pass them along the street. There is sadness, but then you are there, at the gates of the castle. You enter, the festivities begin, and you have a wonderful evening. Enjoy a bit of medieval festival humor. 1st trumpet's highest note is D. No clarinets cross the break.
Estimated dispatch 7-14 working days
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