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  • £8.95

    Khvarena - The City of Light (Concert Band - Score Only) - Mau, Alga

    Khvarenah: The city of light is Alga's second wind orchestra piece. Written in 2015 for a competition held by the Abingdon Concert Band in Oxfordshire, UK, it tries to capture the spirit of 'Khvarenah', an Avestan word for the Zoroastrian concept of 'royal glory' and 'splendour'. It opens with a quiet, steady layering of woodwind and brass, depicting an ancient desert city in the vast lands as the sun emerges from the horizon. We are then taken through the bazaars of the city as the markets are filled with joyful shouting and music and dance before entering the central courtyards, the royal army saluting their newly crowned king, heralding in a new era of glory.

    Estimated dispatch 7-14 working days
  • £64.95

    Pioneers of the Medway (Concert Band - Score and Parts) - Phillips, Richard

    The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.

    Estimated dispatch 7-14 working days
  • £12.95

    Pioneers of the Medway (Concert Band - Score Only) - Phillips, Richard

    The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.

    Estimated dispatch 7-14 working days
  • £34.95

    Rosehill (Concert Band - Score and Parts) - Jakeway, Albert H. - Horner, Kevin

    March - Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Army's Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.

    Estimated dispatch 7-14 working days
  • £6.95

    Rosehill (Concert Band - Score Only) - Jakeway, Albert H. - Horner, Kevin

    March - Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Army's Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.

    Estimated dispatch 7-14 working days
  • £79.95

    Celestial Prospect (Concert Band - Score and Parts) - Heaton, Wilfred - Wheeler, Alastair

    Wilfred Heaton's compositions have a worldwide appreciation and although his output was small it is work of the highest integrity and calibre. The history surrounding 'Celestial Prospect' is somewhat sketchy. The composer describes it as a 're-casting' of an earlier work written sometime in the 1940's the score of which is now lost. The theme 'Come comrades dear' has been known from Christian Mission days and reflects the composer's penchant for old Salvation Army tunes which are simple and direct in character. The following 5 variations contain much interest and originality including a beautiful 'elegy to departed comrades.

    Estimated dispatch 7-14 working days
  • £15.95

    Celestial Prospect (Concert Band - Score Only) - Heaton, Wilfred - Wheeler, Alastair

    Wilfred Heaton's compositions have a worldwide appreciation and although his output was small it is work of the highest integrity and calibre. The history surrounding 'Celestial Prospect' is somewhat sketchy. The composer describes it as a 're-casting' of an earlier work written sometime in the 1940's the score of which is now lost. The theme 'Come comrades dear' has been known from Christian Mission days and reflects the composer's penchant for old Salvation Army tunes which are simple and direct in character. The following 5 variations contain much interest and originality including a beautiful 'elegy to departed comrades.

    Estimated dispatch 7-14 working days
  • £64.50

    Pass in Review (Concert Band - Score and Parts) - Wagner, Douglas E.

    A Medley of British Military Band March ThemesAlways regal and stately, this collection of British military marches includes; The British Grenadiers, Royal Air Force March Past, A Life on the Ocean Wave, The Vanished Army (They Never Die) and finishes with Colonel Bogey.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £60.99

    Heroic Fanfare (Concert Band - Score and Parts) - Murtha, Paul

    Originally composed for the acclaimed U.S. Army Band Herald Trumpets, Paul Murtha's dramatic fanfare pays tribute to the heroic men and women of the New York City Fire Department who lost their lives in 2001.Duration: 1:00

    Estimated dispatch 7-14 working days
  • £32.95

    Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob

    The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30

    Estimated dispatch 7-14 working days

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