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£122.50Suite - Istvan Bogar
Istvn Bogr's series of movements intended for youngsters is colourfully instrumented, evocative music, rich in melodic invention; in character it is most closely akin to Tchaikovsky's Nutcracker ballet music. In the opening movement (Little march), little boys wearing paper shakos on their heads and carrying wooden swords play at soldiers. The following movement, Humming, is the only movement in the suite that is calm and in odd-numbered rhythm; in it the children gather flowers in their little baskets, and meanwhile hum pleasant tunes. The third movement is a funny game, with its tempo sometimes speeding up, sometimes slowing down, but by the end really going wild.The title of the finale is Game of tag. The tiny formal sections and interludes in this lively, cheerful music are linked together by a recurring rondo theme, and the chase ends with a brief coda.
Estimated dispatch 7-14 working days
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£51.60Sakura Variations - Kees Vlak
The blooming of the cherry trees each spring is a great event in Japan. In the evening friends meet under the pink and white cherry blossoms for a picnic. It is a striking sight, especially in big cities. Vendors sell Japanese food, entertainers andclowns perform, and the typically cautious Japanese seem to be more relaxed during the cherry blossom, or "Sakura". Kees Vlak captured this atmosphere with his "Sakura Variation"; its theme employs a subtle drum rhythm. The first variation is titled"clowns" and opens with three bass drum strikes. The theme appears in 3/4 time and is repeated several times with surprising changes. An impetuous tempo with dissonant elements suggests a clown's mischievous behaviour. The second variation in a minormode sounds very sad and dramatic. Is this the sadness when thinking of the end of the cherry blossom, as all the petals "snow" down from the trees? The cherry trees will bloom again next year, so the finale celebrates a joyful "Sakura".
Estimated dispatch 7-14 working days
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£150.00East Coast Pictures - Nigel Hess
These three short 'pictures' were inspired by several visits to a small part of the American East Coast, an area which provides great extremes in the geography and the people.'Shelter Island' is a small island situated almost atthe end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap but in the winter it is gloriously deserted, and bravely faces the onslaught of the turbulent Atlantic, shrouded in seamists and driving rain. In upstate New York lie 'The Catskills' Mountains, an extraordinary combination of tranquillity and power, peace and majesty. Once seen they call you back again and again.New York - or to be moreprecise,Manhattan. For anyone who is familiar with this bizarre and wonderful city, this 'picture' needs no explanation. For those not yet hooked, here is a small foretaste of things to come!
Estimated dispatch 7-14 working days
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£134.99Madurodam - Johan de Meij
Madurodam is a small scale miniature town at Scheveningen (near The Hague) and is since many years one of the most important tourist attractions of the conurbation of Western Holland (called "Randstad"). On a scale 1:25 a charming picture of The Netherlands is given in bird's eye view: several important buildings, churches and townscapes are reconstructed up to the smallest details. There is also a fine transport system: a network of railroads, harbours and motorways covers the park and Madurodam Airport enables air traffic with all continents. The miniature suite Madurodam consists of eight short parts presenting a musical impression of the smallest town in The Netherlands. IReveille the piccolo flute and the side drum announce a new day; II Toy Soldiers there is a military parade in front of the George Maduro Barracks; III Binnenhof/Buitenhof a solemn melody is the main theme of the suite and depicts the state buildings and the nearby lake "Hofvijver" at The Hague; IV Small Windmills everything that moves or whirls at Madurodam is described in this barrel organ waltz; V Intermezzo/Nocturne Madurodam by night is described by a solemn passage played in unison by the lower instruments; VI The Westerkerk Church also the capital Amsterdam is represented with the chimes of the famous Westerkerk church; VII The Muiderslot Castle an elegant pavane recalls medieval atmospheres; VIII "Grande" Finale the windmill theme comes back and then the suite comes to an end with the "Binnenhof" theme, decorated by the first strains of the national hymn "Wilhelmus".
Estimated dispatch 7-14 working days
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£179.99Outback - Thomas Doss
This work was commissioned by the "-sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans markedtheir decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with theworld around them. Maintaining the delicate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era calledDreamtime - the Aborigines' creation myth - play an important role in not only their beliefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this veryday.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also knownas Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although itdid not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, theywere unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions ofyears. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire.
Estimated dispatch 7-14 working days
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£176.50Masquerade - Philip Sparke
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
Estimated dispatch 7-14 working days
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£60.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 7-14 working days
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£104.99Variations on Shalom Chaverim - Andreas Ludwig Schulte
Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.'Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!).
Estimated dispatch 7-14 working days
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£149.99Jericho - Bert Appermont
Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan, the promised land. An emotional lamentation for the yearning for a home, for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day, they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However, there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation, the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms, often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.
Estimated dispatch 7-14 working days
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£89.95First Blow - Level 1 (Value Set) - Waites, Ernie
The Value Set includes a score and 1 of each part.The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
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