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  • £46.95

    Come the Brave (Concert Band - Score and Parts) - Wagner, Douglas E.

    Inspired by demonstrated courage, this original work is intended as a confidence-building piece for a young ensemble's first Spring concert. It serves as a perfect gateway into articulation and varying dynamics: the three most commonly occurring articulation marks (staccato, accent, and tenuto) have been included, as have the middle three dynamic markings (mezzo piano, mezzo forte, and forte) building and declining in intensity. These musical concepts can be experienced individually and within the ensemble. A bold musical statement!

    Estimated dispatch 7-14 working days

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  • £179.99

    Equestrian Symphonette (Concert Band - Score and Parts) - Cesarini, Franco

    Equestrian Symphonette was written for the Orchestre d'Harmonie de Laval, France. Laval is the capital town of the department of Mayenne, and the surrounding countryside is home to many thoroughbred race horse stables. The composition incorporates the principal gaits of the horse (walk, trot, canter and gallop) as the musical cornerstones of this work and incorporates into the composition colourful depictions of the natural environment and surroundings as well as the characteristics of each stride. Interesting rhythmical patterns, together with rich melodies, are interwoven throughout this original piece which makes it an excellent choice for a contest or as an enterprising part of your concert.Duration: 12.00

    Estimated dispatch 7-14 working days

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  • £60.99

    The Willow Tree (Concert Band - Score and Parts) - Ni Uallachain, Padraigin - Sweeney, Michael

    Although this haunting tune has the flavor and sentiment of a traditional Irish folk song, it was composed in 1995 by multifaceted artist P?draig?n N? Uallach?in. Her inspiration for the song was the idea that when we are happy or sad, the elements and the natural world are aligned with our feelings. From the wistful lyrics of the song; "Down by the river there's a tall willow tree, who weeps all night for you and me." This evocative setting for band follows this sentiment through peaks and valleys of sound and emotion. Duration: 3:15

    Estimated dispatch 7-14 working days
  • £225.00

    Birthday Madrigals (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul

    Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.

    Estimated dispatch 7-14 working days

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  • £75.00

    All Things Bright and Beautiful (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    The delicate melody befitting this familiar text gains gentle momentum by a continual movement in instrumental groups, vibraphone and optional harp. A quintessential piece for spring from renowned composer John Rutter. This arrangement for Concert/Wind Band and Chorus follows the original setting for small orchestra and chorus, but is also adapted to be performed by band alone.

    Estimated dispatch 7-14 working days

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  • £140.00

    Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)

    Estimated dispatch 7-14 working days

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  • £75.00

    Christmas Night (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Christmas Night is John Rutter's setting of a traditional French Carol, with words by John Rutter. It became the theme of one of his Christmas albums, focusing on the central event of the Christmas story, the birth at Bethlehem, and on the characters in that story: the angels, the shepherds, the wise men, and the mother with her child. This arrangement is written for combined Concert Band and Chorus, but may be performed by Band alone. The arrangement is technically very easy, and is a showpiece of the colours and textures of the families of band instruments.

    Estimated dispatch 7-14 working days

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  • £90.00

    Come Live with Me (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.

    Estimated dispatch 7-14 working days

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  • £75.00

    Esta Noche (Trumpet Solo or Soprano & Choir with Concert Band - Score and Parts) - Rutter, John - Noble, Paul

    This folk-carol is known throughout the Spanish-speaking world for its melody and dance-like spirit. John Rutter's arrangement captures this perfectly, pairing soloist and chorus, with exuberance and fun. This arrangement adheres to the original orchestration by John Rutter, for Solo Soprano and chorus, but also offers the option of a delightful showcase for Solo Trumpet and band.

    Estimated dispatch 7-14 working days

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  • £90.00

    It was a Lover and his Lass (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.

    Estimated dispatch 7-14 working days

     PDF View Music