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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£174.10Waltz for Debby - Bill Evans
"Waltz for Debby" was written by American jazz pianist and composer Bill Evans (1929-1980). It was heard for the first time on his 1956 debut record "New Jazz Conceptions". This recording made the tune his most famous one, included on several later recordings both for solo piano and his usual trio format. It also became a favorite on almost all his concerts. The tune is a kind of a musical portrait of Evans' niece, Debby Evans. In Scandinavia, Swedish singer Monica Zetterlund made it popular for a wider audience through her 1964-recording accompanied by Evans and his trio. On this recording, the song was renamed "Monicas vals".
Estimated dispatch 7-14 working days
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£139.99Golden Peak - Thierry Deleruyelle
Golden Peak is a concert piece that takes us deep into the world of volcanoes of the Auvergne in central France. They are dormant volcanoes whose origins date back from 7,000 to over 65 million years ago. Among the most well-known are the 80 volcanoes of the Chane des Puys, a spectacular natural environment ranking among the most fascinating landscapes in the world. The title of this dynamic and rhythmic piece is a reference to the local spa town of Mont-Dore and calls upon all sections of the orchestra. The central theme is very mellow yet riveting and the music depicts both the dynamism and tranquillity of the region.
Estimated dispatch 7-14 working days
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£69.99Hula Hoop - Marc Jeanbourquin
With Hula Hoop, Marc Jeanbourquin has created a magnificent piece inspired by the famous twirling hoop that can provide an immense amount of fun for people of all ages. Bright and playful themes follow one another at a breakneck pace. Hula Hoop is like a collection of childhood cheer and fond memories!
Estimated dispatch 7-14 working days
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£84.99Georgia On My Mind
This jazz ballad from 1930 is probably one of the most covered standards of all times. The most famous interpretation dates back from 1960, covered by the one and only Ray Charles. Since then, in 1979 the song was declared the official state anthem for Georgia in the United States. Top arranger Peter Kleine Schaars has now made an amazing arrangement for band using the Ray Charles version it's so close to the original that you can still feel the vibe of the 60s.
Estimated dispatch 7-14 working days
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£84.99Easy Lover
This song, performed by Phil Collins and Philip Bailey, was a smash hit in most of Europe and North America. The peculiar video - a video making a video of making a video stood out from the crowd and helped elevate the song to a No. 1 and all-time hit. Collins' legendary songwriting talent and longstanding career in the music industry has made him a name known by all generations. An ideal song for any concert!
Estimated dispatch 7-14 working days
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£53.50Never Too Late - Elton John
Here's the catchy and upbeat song composed specifically for the 2019 film The Lion King. Johnnie Vinson's version for younger players is easy to learn and features interesting parts for all players.
Estimated dispatch 7-14 working days
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£154.99Hidamari - Jan Van der Roost
Edelweiss Brass Orchestra is a Japanese concert band based in the heart of Tokyo, Japan. Founded in 1978, the ensemble has grown from musical strength to strength and in 2018 they commissioned a new work with Jan Van der Roost for their 40th anniversary concert. The title Hidamari could loosely be translated as "In the Sunshine". A short quote from the famous musical The Sound of Music (you got it, 'Edelweiss'!) is a subtle nod to the name of the commissioning ensemble. Hidamari reflects the idea that EBO is like a home for all musicians: together, they are one big family.
Estimated dispatch 7-14 working days
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£79.99Commemoration - James Barnes
Commemoration was commissioned by the members of the Northwest North Carolina Bandmasters Association to recognize the distinguished career of Dr. William A. Gora, the longtime Director of Bands at Appalachian State University, who passed away in 2015. Bill was loved by his students, respected by his peers and cherised by his many friends. A brilliant musician, a fine conductor and a warm human being with a marvelous sense of humor, Bill has been sorely missed by all. Gora was friends with composer James Barnes for over 40 years. They met when Barnes was still in graduate school at Kansas and Gora had just finished his DMA at the University of Florida. When the NNCBDA asked Barnes to compose a work in Bill's honor, he was honored to do so. He decided to write a cheerful work for Bill, full of energy, color and melody, because he knew this is what he would have wanted; no funeral dirges for Bill Gora. The soft middle portion of the work, a hymn-like tune scored in saxophone choir, was included because Bill was a fine saxophonist and, for many years, the saxophone teacher at ASU.
Estimated dispatch 7-14 working days
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£104.99The Source - Bert Appermont
At the heart of this piece are several elements that inspired the composer. First of all: nature, infinite and inexhaustible, giving life and power, something bigger than humans can grasp. The composer used the Gregorian hymn 'Veni Creator Spiritus' as a leitmotiv to reflect this idea. A second element was the passing of David Maslanka, a dear friend of the composer, honoured in the work by a few musical 'echoes'. At the end of the work, there is a passage for optional choir in different possible settings. The Source was commissioned by the Banda Giovanlie Regionale ANBIMA FVG, Italy, and is an impressive, stirring and moving piece of music.
Estimated dispatch 7-14 working days
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