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  • £57.50

    Between Earth and Sky - Michael Oare

    Myths and legends of dragons have stirred our imaginations down through the ages. Between Earth and Sky is a programmatic work opening with mystical strains and haunting melodies. The pace quickens as our beast takes flight and soars over the countryside; musically propelled by a driving 3/4 pulse and powerful thematic statements. All beautifully paced with variations in textures and dynamics, this is an effective and appealing work for young players.

    Estimated dispatch 7-14 working days
  • £38.50

    The Blue Iguana - Robert Longfield

    Here is a solid teaching piece for beginning bands featuring an infectious rhythmic groove and a contemporary Latin feel. The tuneful melody is passed around to all sections, and the percussion section is featured throughout. The First Concepts Series features simplified instrumentations, unison bass lines, optional advanced snare drum parts, and optional piano accompaniments.

    Estimated dispatch 7-14 working days
  • £137.99

    Eldorado - Thierry Deleruyelle

    The myth of El Dorado ("the golden one") stems from the story of a powerful chief who used to cover himself with gold dust before bathing in a sacred lake where he threw precious objects as offerings to the gods. The myth was soon relayed to the Spanish conquistadors and inspired many expeditions, although the invaders didn't bring back nearly as much gold as they expected, if any at all. Eldorado is a mysterious and dynamic work that illustrates the myth of the golden man and the European expeditions that followed. With a touch of exotic influences, the music is varied and rich. This piece was commissioned by the French Cultural Association Lille 3000 as part of theirEldorado-themed festival in 2019.

    Estimated dispatch 7-14 working days

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  • £72.70

    Makalaka Boom! - Haakon Esplo

    With rock beats and fun rhythms you can let the young musicians have fun in this simple and captivating rock song! It has challenges and small solo parts in all parts, including percussion, and allows you to add your own improvisations if you want. You can repeat sections, especially after measure 14, and give individual musicians the task to create small solo motifs or to be creative in other ways.

    Estimated dispatch 7-14 working days
  • £115.60

    Gabriellas Song - Dan Nilsson

    "Gabriellas song" is a ballad song with music by Stefan Nilsson and lyrics by Py Bckman. Recorded by Helen Sjholm & Stefan Nilsson. The song became famous with the 2004 film "As It Is in Heaven." After this, Gabriellas Song has become a very popular scandinavian hymn-tune, used in all kinds of settings.

    Estimated dispatch 7-14 working days

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  • £89.60

    Quando, Quando, Quando - Tony Reins

    The song was originally with Italian lyrics, recorded by Tony Renis and Emilio Pericoli in 1962. American entertainer Pat Boone recorded the song the same year, with English lyrics; "Tell Me When Will You Be Mine". The song is one of the best-selling singles of all time. It has been used by many artists and in many different arrangements, including Engelbert Humperdinck in 1968, Connie Francis in 1963, Michael Bubl in 2005. "Quando, Quando, Quando" is arranged in a samba rhythm style, and gives an opportunity to add some Latin hand percussion to the group, such as Chocalho (shaker), Cabasa, Tamborim (Hand Drum), Agogo bells, etc.

    Estimated dispatch 7-14 working days
  • £79.99

    Finale from Symphony No. 5 - Ludwig van Beethoven

    The year 2020 marks the 250th anniversary of the birth of Ludwig van Beethoven. While the first movement of his famous fifth symphony is more often performed, the majestic and triumphant finale beautifully exemplifies thecraftsmanship and genius of one of the greatest composers of all time. Slightly truncated in form, this masterful adaptation for concert band still retains the thematic material, power, and excitement found in the original.(MusicWorks)

    Estimated dispatch 7-14 working days
  • £53.50

    A Million Dreams (from The Greatest Showman) - Benj Pasek

    Songs from the movie The Greatest Showman have a way of appealing to all ages. This easy arrangement of A Million Dreams is sure to be enjoyed by students and parents alike.

    Estimated dispatch 7-14 working days
  • £435.40

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £174.10

    Waltz for Debby - Bill Evans

    "Waltz for Debby" was written by American jazz pianist and composer Bill Evans (1929-1980). It was heard for the first time on his 1956 debut record "New Jazz Conceptions". This recording made the tune his most famous one, included on several later recordings both for solo piano and his usual trio format. It also became a favorite on almost all his concerts. The tune is a kind of a musical portrait of Evans' niece, Debby Evans. In Scandinavia, Swedish singer Monica Zetterlund made it popular for a wider audience through her 1964-recording accompanied by Evans and his trio. On this recording, the song was renamed "Monicas vals".

    Estimated dispatch 7-14 working days