Results
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£141.60Story Book - Daniele Carnevali
The piece, commissioned in 2001 by the Banda Civica di Soncino, is one of several works that have been specifically written for this prestigious wind orchestra by a number of well-known North European composers. "Story Book" is inspired by a group of tales that are a mixture of history and legend- the former based on historical facts, the latter on traditional beliefs- all connected with life in Soncino (a farming and industrial community in the Cremona plain). The tales are all involves events in the castle (which is still in very good condition) and life at court during the late Middle Ages and early Renaissance period. As the piece develops, it recounts the legend of strange presences in the castle tower (Phantom of the red tower), the bloody battle against invaders (The battle), the foggy landscape and strange female figures seen floating over marshland where there was once a lake (Enchanted lake), and finally the ceremony in the castle's Piazza d'Armi to celebrate victory over the invaders.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£106.99Lady Claus - Thierry Deleruyelle
The Christmas festive season is a time for sharing the most wonderful stories. There are few female characters in these tales. And yet, they do exist in many countries. In Italy, Mother Christmas is associated with the Befana; in Russia with Babushka; and with Lucia in Scandinavia, Frau Holle in Germany, Mari Lwyd in Wales, and Tante Arie in France. What these women have in common is that they too hand out presents to children.The music begins with a majestic introduction that draws us into the heart of the Christmas legends. The timpani and sleigh bells then launch into a fast, joyful, and dynamic section. Finally, the music softens. A Christmas chorale is first played by the brass section, then taken up by the woodwinds. The piece ends in a hushed atmosphere, as if all that remained was a Christmas tree twinkling in the darkness.Lady Claus was commissioned by the Montbliard Municipal Wind Band, conducted by Laurent Zemp, to mark its 150th anniversary. This work pays tribute to those legendary women who contribute to the beauty and magic of Christmas, not only by delivering presents but also by passing on the human values they embody.[
Estimated dispatch 7-14 working days
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£79.99Spark! - Robert Buckley
The title says it all. This work for more advanced concert bands is nothing but electricity. Sweeping woodwind lines, fiery brass, driving percussion and biting rhythmical intensity!
Estimated dispatch 7-14 working days
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£60.99Welcome Christmas - Joseph Snyder
This arrangement of the heartfelt song about the true spirit of Christmas from one of the most beloved holiday tv movies packs a lot of musical range. Opening with a fanfare and moving to the soft and expressive melody, this will showcase the versatility of your ensemble. All sections enjoy great parts.
Estimated dispatch 7-14 working days
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£103.20Eternal Harmony - Kevin Houben
In memory of Ralph Lenssen - dedicated to the Royal Wind Orchestra St. Philomena Chevremont on the occasion of its 125th anniversaryEternal Harmony is a restrained yet powerful tribute in which memory, connection, and musical tradition come together. The work was composed in memory of Ralph Lenssen and dedicated to the Royal Wind Orchestra St. Philomena Chevremont, which celebrates an impressive musical legacy with this anniversary.At the heart of the composition lies an intensely lyrical melody that runs like a guiding thread throughout the piece. This musical core is continuously illuminated, deepened, and transformed, giving rise to a rich and layered sound world.Throughout the work, an expressive journey unfolds, filled with subtle and enchanting turns. The wind orchestra is used in all its facets: from intimate, transparent passages to full, sustained soundscapes. This interplay creates a spectrum of contrasts in which musicality, balance, and tone color take center stage.Warm harmonies and organically flowing chord progressions contribute to an atmosphere of serenity and reflection. At the same time, the music builds toward moments of intensity and emotional depth, in which the orchestra reveals its full sonic richness.Eternal Harmony is thus more than a composition: it is a musical remembrance, a quiet dialogue between past and present, and a tribute to both a cherished individual and an orchestra that has embodied music and community for 125 years.
Estimated dispatch 7-14 working days
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£60.99Hip, Hip, Jorge! - Jorge L. Vargas
This percussion leads the party in this sensational Latin work with a catchy title and even catchier melody that will keep your kids practicing and your audience dancing. Based on the son clave rhythm, this work is full of syncopations and salsa rhythms and covers a wide variety of dynamics and articulations. All sections enjoy amazing parts. A must-have in every library!
Estimated dispatch 7-14 working days
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£57.50Fantasia on Barbara Allen
Beautiful solo and ensemble playing highlights this lovely folk song treatment from Gene Milford. The work features interesting parts for all players and demonstrates a mastery of concert band sonority.
Estimated dispatch 7-14 working days
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£65.99Winter Holidays - Sandy Feldstein
This unique medley combines four beloved Christmas and Hanukkah songs into a festive musical celebration! The songs can be heard individually and together throughout the piece, and at one point, are combined all at once!
Estimated dispatch 7-14 working days
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£60.50The Ash Grove - Sandy Feldstein
Designed to give your best Trumpet, Trombone, Euphonium, or Tuba player an opportunity to play a solo with Band accompaniment. It should serve as the culmination of study for the soloist upon completion of "The Yamaha Advantage" Book 1, or any comparable method. The piece has all of the solo material cued in the Band, so if a soloist is not available, the piece can be performed with Band alone.
Estimated dispatch 7-14 working days
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