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  • £84.99

    Melodia Blues - Peter Kleine Schaars

    Melodia Blues, a swinging composition by PeterKleine Schaars begins with a robust intro. Fourbars follow, which can be repeated ad lib. toallow for an optional announcement (this is theso-called VAMP). The blues theme follows alongwith two written-out improvisations. These can beexpanded - depending on the resources withinyour band. After a richly scored reprise of thetheme, the sparkling final chords close the piece instyle. Bring a great jazz feel to any concert withthis fine new work.Grade 3

    Estimated dispatch 7-14 working days
  • £332.99

    Cantica de Sancto Benedicto - Jacob de Haan

    Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.

    Estimated dispatch 7-14 working days

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  • £84.99

    Pastorale - J.G. Brouwer

    A sonorous work with a pastoral atmosphere. This composition is not based on a Christmas song, but fits very well in the program of a Christmas concert! drum-part ad lib.

    Estimated dispatch 7-14 working days

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  • £214.80

    Missa Solemnis - Serge Lancen

    This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introtus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.

    Estimated dispatch 7-14 working days

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  • £131.30

    Hymns And Dances II - J. Slothouwer

    In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.

    Estimated dispatch 7-14 working days

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  • £61.00

    Largo Alla Barocco - Ted Huggens

    The slow 'Airs' are a Ted Huggens speciality. LARGO ALLA BAROCCO is written completely in the style of the majestic 'Air from the New Baroque Suite' which was a worldwide success. At the end an ad libitum organ part has been added; this part allows the organ player to improvise according to his fantasy.

    Estimated dispatch 7-14 working days

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  • £61.00

    Bone Pastor-Guter Hirte - Franz Krenn

    Music: Franz Krenn, Text: Ferry Krauss, Arrangement: Franz WatzFranz Krenn (1816 - 1897) was an organist, a conductor and later also teacher at the Conservatory of music of the 'Gesellschaft der Musikfreunde' in Vienna. The Graduale is part of the Roman Catholic liturgy: the vocal soloist sings a psalm or part of a psalm and the audience answers by singing the chorus 'Responsorium' (a kind of answer). The pastoral text is clearly related to the Christmas story. Krenn has written this piece for one male voice, choir and string accompaniment. This version can be performed with singers and orchestra, without singing or with a mixed instrumentation. The solo male voice can also be performed by a tenor instrument. The four-part score for mixed choir has been arranged for wind ensemble (at least a quartet). The original score for strings has been arranged for large wind orchestra, but thanks to the cue notes the piece can also be performed by smaller ensembles in a most satisfactory way. The numerous instrumentation possibilities are clearly indicated in the instrumentation list and range from a wind quartet to a full band. The percussion parts are 'ad libitum'.

    Estimated dispatch 7-14 working days

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  • £61.00

    Ich Weiss ein Httlein

    This song has three stanzas and describes the modest though grateful family life of the infant Jesus with his parents Mary and Joseph. The choral melody is four-part and can be performed harmoniously by a quartet. The score has however been arranged for large orchestra. So, it is possible to realize the most varied sound combinations between woodwind and brass groups, even without singing. All percussion instruments can be used 'ad libitum'. The text can be sung as four-part choir singing or by one solo voice with accompaniment of winds. A simple piano score has been added for singing rehearsals or small scale performances.

    Estimated dispatch 7-14 working days

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  • £86.80

    Wild Horses - Geert Schrijvers

    This short, descriptive work was composed to commemorate the 10th anniversary of the dutch wind ensemble 'Vakantieorkest Ad Hoc', on their tour to the south of France. The work is a reference to the accommodation where the orchestra has often stayed. 'Wild Horses' is an rip-roaring composition, which brings forth images of the sometimes harsh and exciting world of the Wild West. This work is also a tribute to one of the most influential film score composers of all time: Ennio Morricone. The trampling of the wild stallions, the expansive wasteland and the exquistie beauty of the prairie at sunset form the main inspiration sources for this spectacular work.

    Estimated dispatch 7-14 working days

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  • £92.00

    Chocolat - Carlos Pellicer

    Chocolat! is a piece written for solo trumpet, two percussionists and concertband with style inspired by funk and jazz music. The name, comes from the nickname of trumpet player Ral Garcia Chocolate. It consists of a main part that is repeated in the third part of the work and a central part where percussionists and solo trumpet can openly vary the music, totally ad libitum. A completely open improvisation space. It is an ideal piece to complete a concert.Download the solo part: Trumpet in Bb solo part

    Estimated dispatch 7-14 working days

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