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  • £105.00

    A Summer Place - Max Steiner - Peter King

    Estimated dispatch 10-14 working days

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  • £84.99

    A Summer Place - Max Steiner

    Estimated dispatch 7-14 working days

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  • £84.99

    A Summer Place (Concert Band - Score and Parts)

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    Estimated dispatch 7-14 working days

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  • £73.50

    The Last Rose of Summer (from The Irish Suite) (Concert Band - Score and Parts) - Anderson, Leroy - Wagner, Douglas E.

    The fifth movement of Leroy Anderson's The Irish Suite, "The Last Rose of Summer," has never been transcribed for concert band. Skilfully scored by Douglas Wagner in Anderson's charismatic characteristic style, this work features an emotional alto saxophone solo in place of the orchestra version's violin solo. This dramatic work is performable as a stand-alone work or in tandem with the rest of the movements.All movements are now available:The Irish WasherwomanThe Minstrel BoyThe Rakes of MallowThe Wearing of the GreenThe Last Rose of SummerThe Girl I Left BehindDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £68.00

    As Summer Was Just Beginning (Song for James Dean) (Concert Band - Score and Parts) - Daehn, Larry

    This is the big beautiful piece for that special quiet place in your next concert or festival. Inspired by the inscription on a James Dean statue. Unforgettably moving! Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £72.95

    Ceremony of the Stones - Amy Webb

    Ceremony of the Stones, a work written in d minor, pays homage to the celebrations that have become synonymous with the arrival of the summer solstice, which attracts thousands of people to watch the sunrise over the Stonehenge every year. The summer solstice takes place on the longest day of the year, marking the only day on the calendar that the sun rises perfectly in the center of the stones at Stonehenge. Only the first clarinet crosses the break. 1st trumpet's highest note is E.

    Estimated dispatch 7-14 working days
  • £170.00

    Second Symphony - Alfred Reed

    Commissioned in the late Fall of 1975, work on the SECOND SYMPHONY was not begun until the Summer of 1977, when the score was completed in sketch form in three months, July through September. The instrumentation was begun in the late Winter of that same year and the Full Score completed on March 27th, 1978. The first performance took place in Fairchild Auditorium on the campus of Michigan State University on May 6th, 1978, by the Michigan State University Symphonic Band under the direction of Kenneth G. Bloomquist. The symphony is a single-movement work embracing three distinct sections. The first, marked is a freely constructed passacaglia built on a flowing theme derived from the tone row that underlies the entire score: Bb-F-E-Ab-G-D-Db-C-Cb-Gb-Eb-A, and which is developed in alternating variations leading to a powerful climax at its close. The second section is, in reality, a tense, hard-driving double fugue characterized by a constant march-like rhythm underlying the further development of the original theme and its countersubject in both duple and triple meters. This section, marked also ends in an overwhelming climax and then dies away, preparing for the third and final section. This final portion of the music, marked is based upon two long, lyric themes, also derived from the row, that alternate with occasional reminders of some of the thematic material from the second section, now transformed into a rich, glowing and relaxed tonal tapestry woven together from the myriad of tonal colors available in contemporary scoring practice for the winds. At the very end, after a fortissimo re-statement of the theme in its original form as derived from the row, there is a gradual ebbing of the flood of tone from the full ensemble as the various choirs drop out one by one, leaving only a dark, warm color of low Clarinets, Baritone and Tuba, hinting at the opening of the symphony, together with a last reminder of the original motif in the Bells and Vibraphone, suggesting, for the work as a whole, an arch-form.

    Estimated dispatch 3-5 working days
  • £84.99

    Walking on Sunshine - Kimberley Rew

    Walking on Sunshine has earned its place among the all-time favorite summer classics. Kimberley Rew, lead guitarist for the pop group Katrina and the Waves, wrote the song in 1985 and never looked back. Whether at a club or a cafe, everybody seems to smile when this song is heard. Bring sunshine to your next concert with Sefan Schwalgin's arrangement of this unforgettable classic!

    Estimated dispatch 7-14 working days

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  • £59.80

    Solnedgang over Hendanes (Sunset over Hendanes) (Flexible Ensemble - Score and Parts) - Torskangerpoll, Idar

    This piece describes a sunset over Hendanes, a viewpoint near Torskangerpoll, the composer's home village. From this place one has a 180-degree view over the North sea, and one can see the sun setting into the ocean in the west. On hot summer s nights this is a particular beautiful spectacle. This piece is for bands looking for a calm and expressive item to play. There is melodic material in all parts and this is building a contrasted expression throughout the piece.Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £84.99

    Walking on Sunshine (Concert Band - Score and Parts) - Rew, Kimberley - Schwalgin, Stefan

    Walking on Sunshine has earned its place among the all-time favorite summer classics. Kimberley Rew, lead guitarist for the pop group Katrina and the Waves, wrote the song in 1985 and never looked back. Whether at a club or a cafe, everybody seems to smile when this song is heard. Bring sunshine to your next concert with Sefan Schwalgin's arrangement of this unforgettable classic!Duration: 3:30

    Estimated dispatch 7-14 working days

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