Results
-
£76.99Hymnus Antverpiae (Flexible Ensemble - Score and Parts) - Van der Roost, Jan
This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00
Estimated dispatch 7-14 working days
-
£154.99Deux Mouvements (Alto Saxophone Solo with Concert Band - Score and Parts) - Waignein, Andre
Early in 1989 Jean Baily, director of the Royal Conservatoire in Bruxelles, asked his very close friend Andre Waignein to compose a piece which could be performed by the conservatoire's saxophone class. Andre Waignein was readily agreeable. Not only was his father a saxophone player, but himself felt strongly attracted to the instrument and he was further encouraged into accepting the commission by his friend Alain Crepin, saxophone teacher at the Bruxelles Conservatoire.The piece he composed consists of two movements, hence the title. An elegy is expressed by means of a melody which is full with pronounced magnanimity, full of spectacular musical freedom enabling the soloist to express himself to the full. In this movement the melodic element is of the utmost importance.The capriccio, the second movement is musically disconcerting. The band's accompaniment is particularly important. Due to the high notes, the soloist brings this capriccio to a close with enthusiastic virtuosity.Duration: 9:15
Estimated dispatch 7-14 working days
-
£134.99Rhapsody (Flugel Horn or Trumpet Solo with Concert Band - Score and Parts) - Waignein, Andre
As a trumpet player Andre Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players, and more demanding works for professionals.With his rhapsody Andre Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity, sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult, it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore, with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity and offers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.Duration: 6:00
Estimated dispatch 7-14 working days
-
£70.00Creed (Concert Band - Score and Parts) - Himes, William
A creed is a statement of belief. This piece, while not literally programmatic, seeks to convey a sense of affirmation and trust, ideals considered to be the basis of humanity. The result is music which is descriptive and atmospheric, conjuring a variety of moods ranging from reflection to exultation.Duration: 4.45
Estimated dispatch 7-14 working days
-
£76.99Discoduction (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan especially composed this piece for the by now well-known C.D. Soli Brass. Not just a C.D. opener, this piece is an excellent concert starter. The title is a combination of the words Introduction and Disco. The composition is made up of a majestic opening, following in a section in disco style based on the same themes.Duration: 1:30
Estimated dispatch 7-14 working days
-
£89.95First Blow - Level 1 (Value Set) - Waites, Ernie
The Value Set includes a score and 1 of each part.The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
-
£19.95
First Blow - Level 1 (Piano Conductor Score) - Waites, Ernie
The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
-
£73.50El Aguila de Oro (The Golden Eagle) (Concert Band - Score and Parts) - Bullock, Jack
Subtitled "The Golden Eagle," this dynamic march has a Latin flavor to spice up your program. Included is a charming Mariachi section to compliment the style. A dynamic choice that really sparkles, not a 'regular' march! Duration: 3.00
Estimated dispatch 7-14 working days
-
£154.99Achnaton Wind Band Set (Score & Parts)
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered in a revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at his side. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyed himself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reign Achnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was the centre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping to forget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the 'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'. 09:00
Estimated dispatch 7-14 working days
-
£59.40
America Exultant (Concert Band - Score and Parts) - Fillmore, Henry - Glover, Andrew
Sousa said, "A march should make a man with a wooden leg step out," and Henry Fillmore's "America Exultant" is exactly the kind of march he had in mind! Trombones are featured throughout, along with a trumpet-and-drum motif and a woodwind obbligato. The very unique trio is based on "America." Not difficult, but highly impressive!
Estimated dispatch 7-14 working days
View Music