Results
-
£16.95FANFARE FOR A FESTIVAL (Prestige Concert Band Extra Score) - Arnold, Malcolm - McDermott, Michael
Extra Score. The work has no opus number but was written between his famous Tam O'Shanter overture for orchestra (opus 51) and his John Clare Cantata (opus 52) and completed in April 1955. Originally scored for 4 horns, 3 trumpets, 1 cornet, 3 trombones, timpani and 3 percussion. This new version for concert band by Michael McDermott was made in celebration of Malcolm Arnold's 80th birthday. Performance time 2'00"
Estimated dispatch 7-14 working days
-
£82.95FANFARE FOR A FESTIVAL (Prestige Concert Band Set) - Arnold, Malcolm - McDermott, Michael
Score and Parts. The work has no opus number but was written between his famous Tam O'Shanter overture for orchestra (opus 51) and his John Clare Cantata (opus 52) and completed in April 1955. Originally scored for 4 horns, 3 trumpets, 1 cornet, 3 trombones, timpani and 3 percussion. This new version for concert band by Michael McDermott was made in celebration of Malcolm Arnold's 80th birthday. Performance time 2'00"
Estimated dispatch 7-14 working days
-
£76.80Vale De Cambra - Carlos Marques
The march 'Vale de Cambra' was commissioned on the occasion of the centenary celebration of the band of Vale de Cambra (Portugal). Conducted by the composer, was premiered in October 2011, in Vale de Cambra, with about hundred musicians. It begins with a fanfare, rhythmical, thence to the first section, which traditionally develops. With a grand final, as is fitting for a celebration as important as a centenarian, the march creates either in the audience and in the musicians, and during all its duration, an effect of power and excitement to which no one stays indifferent.
Estimated dispatch 7-14 working days
-
£93.50Christmas Exaltations - Rob Romeyn
As a celebratory and festive holiday concert opener or finale, "Christmas Exaltations" is guaranteed get your audience in the holiday spirit. It begins with a sparkling fanfare featuring creative snippets of familiar carols. Amid festive flourishes, the music then moves to a powerful statement of "Angels From the Realms of Glory" before transitioning into a grooving rock treatment of "God Rest Ye Merry Gentleman." A very creative and moving setting of "Silent Night" is next, featuring the tasteful use of contemporary harmonies. The work closes with powerful and strong segments of familiar carols ultimately leading to an ending that will bring the house down. Don't miss this festive holiday celebration!This work is not yet in print. Please check back later to view the conductor score and for purchasing information. In the meantime, please enjoy this recording performed by The Washington Winds, conducted by Edward S. Petersen.
Estimated dispatch 7-14 working days
-
£91.99
Rejoissant! - David Shaffer
As the title suggests, is a celebration of life's conquering obstacles, specifically of the composer's own personal battle against cancer. Written for the Upper Sandusky High School (Ohio) Wind Ensemble and with the thanks from the composer for the support and opportunity to compose this piece during a very difficult period of time, "Rejoissant!" opens with a slower dramatic fanfare in the brass and percussion. The simple but forceful melody is repeated in several forms throughout the piece, including the beautiful and melodic middle section. This exceptionally emotional and energetic composition is suitable for all concerts and especially festival performances.
Estimated dispatch 7-14 working days
-
£54.95 -
£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
-
£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
-
£84.00Rejoissant! (Concert Band - Score and Parts) - Shaffer, David
As the title suggests, is a celebration of life's conquering obstacles, specifically of the composer's own personal battle against cancer. Written for the Upper Sandusky High School (Ohio) Wind Ensemble and with the thanks from the composer for the support and opportunity to compose this piece during a very difficult period of time, "Rejoissant!" opens with a slower dramatic fanfare in the brass and percussion. The simple but forceful melody is repeated in several forms throughout the piece, including the beautiful and melodic middle section. This exceptionally emotional and energetic composition is suitable for all concerts and especially festival performances. Duration: 6.00
Estimated dispatch 7-14 working days
-
£98.20San Carlo - Lorenzo Pusceddu
Ugo Papurello, president of the ''I Filarmonici'' band from San Carlo Canavese (Turin), commissioned this piece to celebrate the group's twentieth anniversary. The opening fanfare is an eloquent and fitting introduction to a solemn celebration. It is followed by the allegro, which has a modal feel and is characterised by a succession of rhythms representing the liveliness ad enthusiasm that have always characterised this band. The andante symbolises a moment of reflection and nostalgic reminiscence. The allegro is repeated as an expression of the hope that the band will continue to set itself increasingly ambitious goals. The fanfare brings back the joyous atmosphere of this special occasion and sets a formal seal on the band's twentieth anniversary.
Estimated dispatch 7-14 working days
