Results
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£53.50Guadalcanal March (Concert Band - Score and Parts) - Rodgers, Richard - Curnow, James
Here's a playable treatment of the march from Richard Rodgers' Emmy-winning score to 'Victory At Sea.' Its rousing and inspiring themes are audience favourites.
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£89.50The City in the Sea (Euphonium Solo with Concert Band - Score and Parts) - Clarke, Nigel
The composer's re-working of his legendary brass score, an atmospheric, dramatic and haunting depiction of the tragedy of Dunwich, the medieval city engulfed by the remorseless forces of nature.Duration 18:00
Estimated dispatch 7-14 working days
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£64.99Mission: Impossible, Music from (Concert Band - Score and Parts) - Bocook, Jay
The action-packed suspense thriller of the season is backed by a dramatic score by Danny Elfman and includes Lalo Schrifin's 5/4 theme from the classic TV series. Jay's medley is bold, evocative and a thrill to play.Includes:ClaireMission: Impossible ThemeTrouble
Estimated dispatch 7-14 working days
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£53.95Mystic Legacy (Concert Band - Score and Parts) - Clark, Larry
Listen to this work before you look at the score, and you won't believe it contains only the first six notes that are taught in most beginning method books! The crowning achievement is the harmonic and rhythmic content that 'stretches' the young player, drives the enthusiasm in your rehearsals and ultimately thrills the audience. Your musicians will beg to play this piece every day! Duration: 2.30
Estimated dispatch 7-14 working days
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£62.95The Empire Strikes Back Medley (Concert Band - Score and Parts) - Williams, John - Cook, Paul
Man's fascination with space has been dramatically increased with the ongoing saga of Star Wars. Fortunately for all of us, this brilliant series of films is also a showcase for the genius of composer John Williams, whose musical score has captivated millions. Here we have "The Imperial March (Darth Vader's Theme)" and "Han Solo and the Princess" in an easy-play audience pleaser. A very 'spacial' arrangement! Duration: 2.45
Estimated dispatch 7-14 working days
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£72.99Lip Benders (Concert Band - Score and Parts) - Ebbs, Frederick C. - Cramer, Ray E.
Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the Essentials of Musicianship series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can maximize this time, and focus on specific areas that are important to the performance of the music being prepared. This product is sold as a standard concert band set (score and parts).
Estimated dispatch 7-14 working days
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£86.50Star Wars Medley (Concert Band - Score and Parts) - Williams, John - Burden, James H.
The world welcomes the George Lucas revitalization of the Star Wars motion pictures. These magnificent films transport us to an unknown galaxy thousands of light-years from earth. The soundtracks by John Williams have become legendary. This medley chooses representative portions of both the main and end titles of Star Wars, using their major themes to capture the action, the fire and excitement, and the tension and exuberance of the original score.Duration: 8:30
Estimated dispatch 7-14 working days
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£179.99Fantasy Tales (Concert Band - Score and Parts) - Swerts, Piet
This work, reminiscent of a film score, describes the history of the Dutch town Horn. A broad lyrical theme, played by the horns, depicts the history of this town on the river Meuse. A cheerful Allegro represents rural life around the town and its castle. Following this the horn theme returns and the music changes dramatically. A drum roll symbolises the times of war that the town and castle have known. The threatening music eventually develops once more into the hopeful horn theme, a sign of reconstruction and the future.Duration: 10:45
Estimated dispatch 7-14 working days
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