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  • £36.83

    A Joyful Noel - Wind Band (Andrew Wainwright)

    Based on "Joy to the World" and 'The First Noel," this spectacular work opens with a majestic brass fanfare, before breaking in a Celtic-style dance which builds to a dramatic conclusion. Originally commissioned by the Elgin Symphony Orchestra to open their "Magical Holidays" concert series in 2017, this work is now available for wind band. PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon 1-2 Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone 1-2 Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days

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  • £129.00

    Red Lines (CB) - Stijn Aertgeerts

    Red Lines was commissioned by the Swiss Army Brass Band and their conductor Philipp Werlen. The title is a reference to their very distinctive black uniforms with Red vertical lines. Switzerland is a country with a tremendously rich brass band culture and have some of the best bands in the world. The individual level of musicians is also of incredibly high quality. The work begins very bombastically with continuous 8th notes. This immediately sets the drive for the entire first movement where the low brass and woodwinds can also show off huge sounds several times. It culminates in a grand tutti before the music calms down in the second movement where the euphonium can show its solistic qualities and the band can show a big difference in dynamics and sound. The final movement is driven by the drums and timpani that provide a solid boost to keep moving the thematic material forward in the band and through the percussion solo a big build-up to a glorious finale.

    Estimated dispatch 7-14 working days
  • £103.00

    Stations of the Cross (CB) - Dominique Fonteyn

    Stations of the Cross tells the story of a real tragedy. In the dramatic opening, we hear the euphonium announce the bad news. The character is trying to process all but doesn't succeed, lots of emotions result in a lament. An inner conflict arises between the emotional and the rational. Over time, he manages himself to take back control but events keep him bother. This is reflected by the continued drums until we suddenly arrive in the lento abbandono. We are witnessing a redemptive event and the grandioso that follows reflects a lot of happiness. Life can finally go on.

    Estimated dispatch 7-14 working days

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  • £29.95

    Commitment

    An arrangement, for euphonium solo, of a setting by Lloyd Scott of words by Richard Slater, 'And is it so? a gift from me dost thou, dear Lord, request?'.

    Estimated dispatch 7-14 working days
  • £34.95

    Rosehill

    Composer: Albert JakewayDuration: 3:30Series: TradeWinds SilverGrade/Difficulty: 64Arranger: Kevin HornerAlbert Jakeway was born in the Welsh town of Aberdare. Before entering the International Training College in 1914 to become a Salvation Army officer he developed as a musician through the playing of the cornet and euphonium of the Corps band. In 1926 he was transferred to the Music Editorial Department and also became a member of the International Staff Band. During a period of 9 years he was the Bandmaster of the Rosehill Band with whom he made many recordings and broadcasts. Later he directed a number of other significant Salvation Army bands and also served time abroad in Czechoslovakia.Programme NoteMarch Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Armys Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.

    Estimated dispatch 7-14 working days
  • £82.00

    Sesenta

    Sesenta was composed to celebrate the 60 years of leadership by Dr. Guy Foreman with the Michigan City Municipal Band. The piece opens with an exciting and energetic theme, with the tempo staying brisk throughout. The dynamic shifts and rhythmic patterns reflect both the celebratory nature of the anniversary and the progression of time. Solos from soprano saxophone, flute, and euphonium add color to the piece, while the final fanfare-like coda provides a majestic conclusion.

    Estimated dispatch 12-14 working days
  • £49.00

    Camelia City March

    Written to celebrate the "Camelia City" (Quitman, Georgia), this traditional style march is written in the style of Henry Fillmore. Starting with a light, happy woodwind melody with simple flourishes in the low brass, the march then moves through dynamic changes before a trio that features low clarinets and euphonium with a unique woodblock percussion accompaniment. Ending with a return to brass flourishes, this classic march is perfect for learning the traditional musical form.

    Estimated dispatch 12-14 working days
  • £56.00

    Many Moons

    A poignant balladic description of a memory of a New Mexico night sky, this lyrical piece encapsulates the feeling of wonder and humility felt when we stare out at a sky seemingly filled with hundreds of little moons. Beginning with subtle percussion and a cross-cued euphonium solo, a wistful theme is developed and passed throughout the ensemble. Multiple expressive demands related to phrasing, balance, listening, and tone let you teach these in a composition that sounds harder than it is. Use this ballad as a contrast to your opener in concert or as a second selection in festival or contest performances.

    Estimated dispatch 12-14 working days
  • £139.90

    Tempo di Marcia from Symphony No. 1 - Einar Englund

    Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass

    Estimated dispatch 7-14 working days
  • £206.99

    Omaggio - Philip Sparke

    Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.

    Estimated dispatch 7-14 working days

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