Results
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£8.95Khvarena - The City of Light (Concert Band - Score Only) - Mau, Alga
Khvarenah: The city of light is Alga's second wind orchestra piece. Written in 2015 for a competition held by the Abingdon Concert Band in Oxfordshire, UK, it tries to capture the spirit of 'Khvarenah', an Avestan word for the Zoroastrian concept of 'royal glory' and 'splendour'. It opens with a quiet, steady layering of woodwind and brass, depicting an ancient desert city in the vast lands as the sun emerges from the horizon. We are then taken through the bazaars of the city as the markets are filled with joyful shouting and music and dance before entering the central courtyards, the royal army saluting their newly crowned king, heralding in a new era of glory.
Estimated dispatch 7-14 working days
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£106.99Flowerdale (from Hymn of the Highlands) (Piccolo Trumpet Solo with Concert Band - Score and Parts) - Sparke, Philip
for Bb Piccolo Trumpet or Eb Cornet/TrumpetThe seven-movement suite (originally written for brass band), Hymn of the Highlands was commissioned by David King and the Yorkshire Building Society Band and provides a series of themed movements which can act as a half-concert featuring a band's soloists. Flowerdale is one of the solo movements.Duration: 4.00
Estimated dispatch 7-14 working days
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£62.95Rhythm of the Nations - David Marlatt
The Dragon King, China's first emperor, was crowned in 221 BC. He unified the various states throughout the country and led with an iron hand. His ambitions saw no boundaries. Some of the massive projects he ordered were the construction of the Great Wall of China, a new palace, and an enormous tomb containing the famous Terracotta Army. This work captures the grandeur and boldness of this leader and features colorful percussion parts to support the big sustained brass and wind writing. The use of the pentatonic scale gives this piece an Asian feel, perfect for your next concert or contest.
Estimated dispatch 3-5 working days
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£69.95Keep Me Praising
Based on the melodies 'Give me joy in my heart, keep me praising' and 'Praise my soul, the King of Heaven', the music is largely light-hearted with some interesting interplay between the two tunes.
Estimated dispatch 7-14 working days
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£64.35Lead On, O King Eternal
A majestic and inspirational treatment of the famous hymn that is guaranteed to send chills up and down your spine! Swearingen's lush and powerful scoring will make your band sound very impressive and for special occasions, there are optional parts included for antiphonal brass, choir and organ. A remarkable and memorable arrangement that is sure to impress! Very highly reccommended!
Estimated dispatch 7-14 working days
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£69.95
Keep Me Praising - Score and Parts - Andrew Mackereth
Program NotesBased on the song melodies "Give Me Joy in My Heart, Keep Me Praising" and "Praise, My Soul the King of Heaven," the music is largely light-hearted in nature with some florid semi-quaver work overlaying the melodic lines and some interesting interplay between the two selected tunes. We believe that it will have wide appeal both to players and listeners.Andrew Mackareth originally wrote this piece for The Salvation Army's Symphonic Wind Ensemble, but it was first published in a rescored version for brass band. We are please to be able to release it in its original form in this collection of wind band music.
Estimated dispatch 7-14 working days
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£13.95
Keep Me Praising - Score only - Andrew Mackereth
Program NotesBased on the song melodies "Give Me Joy in My Heart, Keep Me Praising" and "Praise, My Soul the King of Heaven," the music is largely light-hearted in nature with some florid semi-quaver work overlaying the melodic lines and some interesting interplay between the two selected tunes. We believe that it will have wide appeal both to players and listeners.Andrew Mackareth originally wrote this piece for The Salvation Army's Symphonic Wind Ensemble, but it was first published in a rescored version for brass band. We are please to be able to release it in its original form in this collection of wind band music.
Estimated dispatch 7-14 working days
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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£206.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts)) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£110.00I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul
I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.
Estimated dispatch 7-14 working days
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