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£154.99Guernica - Jan Hadermann
Guernica, a peaceful town in the Basque region of Spain, was reduced to ruins on the 26th of April 1937 by Nazi bombers. It was a totally unexpected attack that happened while the crowded open-air market was in progress. Over 1600 innocent citizens were killed.This was one of the most senseless and abhorrent war crimes in history. In this new work by Jan Hadermann the music of the Basque region can clearly be heard, with street musicians adding lustre to the open-air market with dance music. Spring is in the air when suddenly from behind the mountaintops, the death squad appears and all hell breaks loose. The work ends with an intense plea to never let anything like this happenagain. A moving and contemplative new work for concert band.
Estimated delivery 7-14 working days
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£47.50
The Road to Chancellorsville - Bryan Kidd
This is one to get excited about! In the style of a "patrol" march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee's most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later.Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE.
Estimated delivery 7-14 working days
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£91.99
Clash of the Ironclads - James L. Hosay
The mighty conflict between the great Civil War ships, the Monitor and the Merrimac, plays out once again on your concert stage! Dramatic and inventive, heroic themes and rhythmic undercurrents bring the historic battle to life. It's a programmatic work with powerful percussion, effective use of dissonance, and distinguished writing for the entire band. It's also quite playable for bands at the medium-easy level!
Estimated delivery 7-14 working days
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£118.99A Tribute to Harry James - Eric Coates
Prior to the second world war Harry James was a 'name'. In 1939 this trumpet player/composer founded his own orchestra with which he undertook a series of successful tours. Naohiro Iwai wrote this solo for trumpet with wind band accompaniment as an ode to Harry James, making use of the golden oldies Sleepy Lagoon and Ciribiribin.
Estimated delivery 7-14 working days
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£60.99Colditz March - Robert Farnon
Acclaimed Canadian composer/arranger Robert Farnon penned this distinctive march theme for the 1970s BBC television drama Colditz telling the story of prisoners held at Colditz Castle in Germany during World War II.Philip Sparke's extended concert version is expertly scored for band and an elegant and powerful addition to any program.
Estimated delivery 7-14 working days
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£73.60Bella Ciao - Manu Pilas
Bella Ciao is an Italian battle song, which became popular in Italy during World War II among partisans resisting fascism and national socialism. The song became a global resistance song against oppressive powers. In 2018, the song became known again through the Spanish Netflix series La Casa de Papel, in which the song was used multiple times. Jan van Kraeydonck wrote a skillful arrangement for concert band, fanfare and brass band.
Estimated delivery 7-14 working days
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£72.99March of the Belgian Parachutists - Pierre Leemans
This immensely popular march, completed in Belgium near the end of World War II, is a lyrically upbeat European walking march. Newly researched by Col. John R. Bourgeois, former conductor of the U.S. Marine Band, this editioncontains several strains omitted from a previous edition. Delightful! Dur: 4:15
Estimated delivery 7-14 working days
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£76.99
Revolutionary Anthem - Douglas Court
William Billings' beloved song Chester, the adopted theme of the Continental Army during America's war for independence, forms the musical core of this fine work for young bands. Great for concert or contest, this adaptation is short and sweet, but does not skimp on style or emotional impact.
Estimated delivery 7-14 working days
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£123.40Starship Battle - Roar Minde Fagerli
Startship Battle is a catchy composition inspired by music written for film an series who describes war in space.The form of the composition is a typical ABA structure. It starts with a fast A-part with a transition to a slow choral in the B-part and ends with a repetition of the A-part. With a duration of approx. five mins, this is a quite long composition from the composer at this grade level. The piece will fit to any contest- or concert use.
Estimated delivery 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated delivery 7-14 working days
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