Results
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£68.99The Castle on the Hill - Philip Sparke
The Castle on the Hill was commissioned by the Harmonie l'Abeille de Lucens, based in western Switzerland, and premiered by them in their 2025 Spring Concert on April 12th in the Grande Salle in Lucens. The band has a proud history dating back to 1883 and boasts a separate youth band as well as a music school. The march is in traditional form. After a brief introduction the main theme unfolds on the full band. This is followed by a bold theme in the bass, decorated with woodwind flourishes. A bridge passage leads to a second theme on clarinets and saxophones, repeated by the full band. A change of key heralds the trio section featuring a legato melody, again on clarinets and saxophones and taken up in a fresh key by the full band. This leads directly back to a recall of the opening material in a slightly abridged and decorated version, leading to an emphatic close.
Estimated dispatch 7-14 working days
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£140.80Cinquantieme - Serge Lancen
Cinquantieme, the fiftieth composition for symphonic band by Serge Lancen, was composed in the fall of 1993. It is written in an overture form and built on four distinct themes. First there is a merry and dynamic March, followed by a Waltz of the same character; then comes a small melody and finally the March turns up again, but this time it ends with a triumphant theme. The overture is dedicated to Alain Thiery and his Symphonic Band of Pont-Ste-Marie/La-vau/Creney. It was premiered during the gala concert closing the 120th anniversary celebrations of that band. The number in the title 'Cinquantieme' (Fiftieth), indicates the richness of Lancen's wind band repertoire. Fascinated by the symphonic band's extremely rich range of tone colours, Lancen has devoted all his talent and passion to it. For this type of orchestra he has written symphonies, rhapsodies, several concertos and even religious compositions with choirs and soloists.
Estimated dispatch 7-14 working days
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£140.80Belvedere Suite - Wilhelm Koenen
Part One: 'Danse mditerranenne'This part is composed of stylized folkmusic elements from several regions of Mediterra-nean countries. If this music recalls memories of your holidays on the sunny beaches, the composer will have reached his goal.Part Two: 'Impression'This part is meant as a contrast with the first and the third parts. The conductor should not stick to the metronome tempo, but he can express his own interpretation by means of 'rubato playing'. This 'impression' was inspired by the Provence landscape.Part Three: 'Marche grotesque'We deliberately used non-typical characteristics of the traditional march. The underlying idea is: A band starts playing a march at the ordinary marching tempo. There is already a mistake at measure 4 when some musicians play the wrong bar which causes the fifers to start too early with the drum and fife signals. A grumpy 'Stop' brings and end to the false start by means of a pathetic quaver (eighth note). The drummers however continue to play their drum beats, so the fifers start again and play very quickly in order to catch up with the drummers. They even manage to do so, thanks to that late quaver (eighth note). The band now also starts to play again and reacts to this chaos by laughter. The march that comes next does not match the metric characteristics of the usual march. The woodwinds, dreaming of holidays, get caught in a Tarantella. A compelling signal by the trumpets and the horns, soon joined by all band registers, leads the band back to reality. We deliberately chose well-known 'secondary parts' in order to make the audience accept the 'out-of-tune playing'. Original themes would not have had the same effect. The whole composition is just one great musical joke. If the audiance chuckles the composer will have achieved his aim. The third part is extremely well suited to end a concert or to be used as encore.
Estimated dispatch 7-14 working days
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£164.99Trumpet Concerto - Satoshi Yagisawa
Commissioned by Japan's Central Air Self Defense Force BandWhen I received this commission, I thought of a regular piece for wind band, but as my preparations continued I heard so much about the band's outstanding trumpeter Kenichi Kurisu that I ended up writing a concerto for him. The Self Defense Force audience includes those without much chance to otherwise hear live music. With that in mind I realized I also had the challenge of creating a melody that was compelling.Using the classical sonata as a model I made this song with simple movements and included a signature chorus in the middle section. Although this piece is performed with band, a version for piano accompaniment was created by pianist Orimo Manabu for the 20th Anniversary of "The Trumpet Concert."This edition of Trumpet Concerto was offered for an American Premier at the 2013 Midwest International Band and Orchestra Clinic, Robert Sullivan soloist with the Kagoshima Joho High School Wind Orchestra.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£76.99Towards the Future - Hayato Hirose
Towards the Future was commissioned by the Nagoya City Fire Bureau for the 50th anniversary of the Nagoya City Fire Bureau Band (Nagoya, Japan). It was premiered by the band on 7 February 2009, conducted by Masuo Nakamura. This concert march was conceived to lift up the spirits of the firemen who save people's lives. The solemn and heart-warming melodies express their braveness when faced with danger and the tenderness shown towards the people they protect.It is an ideal march to open a concert and to inspire both performers and audience.
Estimated dispatch 7-14 working days
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£91.99Guardians of the Waves - Philip Sparke
Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditional march form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into a second theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional 'bass strain', played twice with varying accompaniments. A quieter trio section follows, delicately scored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.Recorded by the Kobe College Wind Orchestra and its conductor Osama Matsuura
Estimated dispatch 7-14 working days
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£76.99Playday! - Benjamin Yeo
Playday! is a concert march for wind band that displays the composer's sheer joy at writing music. He was in fact writing another piece of serious music when a sudden burst of inspiration came to him - he knew he had to put the other piece aside to start work on this special march immediately. Excited to get his music into writing and share it with the world, the march was completed in just three short days. Full of fun and playful sounds, Playday! opens up many imaginative possibilities within the familiar concert march form.
Estimated dispatch 7-14 working days
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£37.50
Canto and Caprice - James Curnow
What an excellent way to lift your beginning band up to a higher level of musicianship! This outstanding new work for the beginning band is perfect for that first festival experience or for any concert venue. With accents, staccato, and lots of dynamic and stylistic contrasts there is much to teach in this piece, and yet it remains accessible to the last exciting note. Be sure to pay close attention to this significant new beginning band composition. An important addition to the repertoire
Estimated dispatch 7-14 working days
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£84.99For Whom the Bell Tolls - Philip Sparke
For Whom the Bells Tolls was commissioned by the Irish Symphonic Wind Orchestra, who gave the premiere in their 10th anniversary concert, held in the Artane School of Music, Dublin, on the 31st August 2024.The commission was funded by money raised to provide a piece which commemorated friends and members of the orchestra who had recently passed away. This prompted the choice of title, taken from the famous poem by English writer John Donne (1572 - 1631), which reminds us that the death of anyone affects us all.The work opens with an enigmatic duet between oboe and clarinet. This is taken up by the full band and leads to the work's main theme, a lyrical chorale, which builds to a passionate climax. A central section, introduced by the English horn (cue clarinet), eventually leads back to a triumphal return of the chorale on full band. The mood subsides to introduce an echo of the opening material, which brings the work to a peaceful close.
Estimated dispatch 7-14 working days
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£61.95First Carols of Christmas
Let your beginning band shine with a delightful new arrangement for your next holiday concert, featuring popular tunes Up on the Housetop and O Come Little Children. All sections of the band share important melodic material, including the low brass and woodwinds,who begin the piece! Inspire all of your students with this arrangement.
Estimated dispatch 7-14 working days
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