Results
-
£84.50Symphonic Dance No.2 (The Maskers) (Concert Band - Score and Parts) - Williams, Clifton
Symphonic Dance No.2 (The Maskers) is one of group of five works originally commissioned by the Minnie Stevens Piper Foundation commemorating the twenty-fifth anniversary of the San Antonio Symphony Orchestra. In refashioning the dances for symphonic band, composer Clifton Williams achieves a new dimension of sound and colour while adding fresh excitement to contemporary band literature.The Maskers is programmatic only in that the listener's imagination may conjure up visions of colourfully costumed dancers at a masked ball.Duration: 3.30
Estimated dispatch 7-14 working days
-
£164.99Wilten Festival Overture (Concert Band - Score and Parts) - Sparke, Philip
To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare, led by the horns, forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone, horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme, again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with a short Coda. A great experience for the whole band!Duration: 8:00
Estimated dispatch 7-14 working days
-
£57.50A Holiday Swing-Along (Concert Band - Score and Parts) - Murtha, Paul
Featuring the Christmas favourites Frosty The Snow Man; Jingle Bells and Let It Snow! Let It Snow! Let It Snow! here is a clever medley all in swing style that will brighten up your Christmas concert. Easy to put together and fun to play!
Estimated dispatch 7-14 working days
-
£76.95Christmas Fantastique (Concert Band - Score and Parts) - Lopez, Victor
This medley contains "Frosty the Snowman," "Jingle Bell Rock," "Up on the Housetop" and "Santa Claus Is Coming to Town." A great collection of winter favourites that will complete your winter concert. Get in the Christmas spirit with Victor Lopez' Christmas Fantastique.Duration: 3.45
Estimated dispatch 7-14 working days
-
£62.95How the Grinch Stole Christmas Concert Medley (Concert Band - Score and Parts) - Hague & Seuss - Story, Michael
All the most popular tunes from Dr. Seuss' infamous special including: Welcome Christmas, Trim Up The Tree, and You're A Mean One, Mr. Grinch.
Estimated dispatch 7-14 working days
-
£57.50The Saxophone Rag (Concert Band - Score and Parts) - Curnow, James
The saxophone has emerged as one of the most popular instruments in bands. James Curnow has come up with a clever way to feature your budding artists with this delightful rag, based on 'The Maple Leaf Rag.' This can be a great showpiece for a spring concert.
Estimated dispatch 7-14 working days
-
£60.50You're a Mean One, Mr. Grinch (Concert Band - Score and Parts) - Hague & Seuss - Story, Michael
A mean old Grinch who steals Christmas? Who ever heard of such a thing? From the delightful television program that lights up our television screen (and our holidays) every year comes this nasty villian's theme song. It's a quick-rehearsing and easy-to-play piece that will be immediately recognised by your holiday concert audience. Duration: 1.45
Estimated dispatch 7-14 working days
-
£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£55.50(We're Gonna) Rock Around the Clock (Concert Band - Score and Parts) - DeKnight & Freedman - Sebesky, Gerald
This classic anthem of rock 'n' roll was sent screaming up the charts not once but twice by Bill Haley and his back-up band The Comets. It was a time when all the boys and girls were devoted 24 hours a day to the celebration of every new rock tune and dance craze. Who would have thought that forty years later, kids (of all ages) still remember, whistle and hum this hip swingin' winner. Program this with your band and you'll be declared 'right on time'! Duration: 1.30
Estimated dispatch 7-14 working days
View Music