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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£134.99Absolute Crossover (Concert Band - Score and Parts) - Schwarz, Otto M.
This composition is made up of three themes, which feature all the facets of the instrumentation of a concert band as well as that of a big band. The symphonic passages, reminiscent of film music, enable the full tone and colour of the concert band to be heard, whilst the big band sound is represented in the rock segments and slow swing sections. The musical journey travels along practically all styles, ending with an impressive tutti, in which the shuffle rhythm of the big band melts together with the grand, classic film music sound of the concert band.Duration: 7:45
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
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£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
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£60.50
Vulcan Rising! - Webb
"Vulcan Rising!" will make your budding instrumentalists sound like real pros! Vulcan, the Roman god of fire, volcanoes, and smithing, is depicted in music as he rises from the ashes of the mountains and appears in his awesomeness before the people of Rome. How great will this sound on your students' first concert! Exciting music for your first-year band!
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
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£179.99Austrian Overture - Thomas Doss
Austria is an industrious country. During the last century--which was characterized by extreme changes--the hard-working and ambitious people achieved a great deal, enduring two world wars and numerous political skirmishes. Despite all the problems involved in a change from a dual monarchy to a small state, Austria has found its independence. With his Austrian Overture, Thomas Doss looks toward the future. The first part of the composition provides an optimistic outlook; along with the happiness and energy, some musical humor is also present: while the horns powerfully express joy, small yodeling melodies sound throughout. As the rhythm continues insearch of new ways to go, catchy tunes compete to be heard. However, in addition to the energetic, diligent Austria, there's also the quiet landscape where one can enjoy repose and beauty. These aspects - as well as the freedom of spirit and cultural life -are conveyed in the second part of the work through the surprising linking of chords, romantic phrasing, and tender melodies. But life never stands still: creativity, ambition, and work are the driving forces of our existence. Embracing this thought, a reprise of the first part provides a compelling ending.
Estimated dispatch 7-14 working days
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£179.99Outback - Thomas Doss
This work was commissioned by the "-sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans markedtheir decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with theworld around them. Maintaining the delicate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era calledDreamtime - the Aborigines' creation myth - play an important role in not only their beliefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this veryday.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also knownas Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although itdid not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, theywere unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions ofyears. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire.
Estimated dispatch 7-14 working days
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£118.99Condacum - Jan van der Roost
Condacum' was composed on the occasion of the 25th anniversary of the Arts Council in the Belgian district of Kontich, the home town of the composer Jan Van der Roost. It is an interesting composition in which the history of this Belgian community is depicted in sound. The opening reminds one of the advance of the Roman army, whilst the dynamic development is full of vitaliy!
Estimated dispatch 7-14 working days
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