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£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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£118.99Condacum (Concert Band - Score and Parts) - Van der Roost, Jan
Condacum' was composed on the occasion of the 25th anniversary of the Arts Council in the Belgian district of Kontich, the home town of the composer Jan Van der Roost. It is an interesting composition in which the history of this Belgian community is depicted in sound. The opening reminds one of the advance of the Roman army, whilst the dynamic development is full of vitality!Duration: 5:30
Estimated dispatch 7-14 working days
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£89.95First Blow - Level 1 (Value Set) - Waites, Ernie
The Value Set includes a score and 1 of each part.The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
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£19.95
First Blow - Level 1 (Piano Conductor Score) - Waites, Ernie
The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
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£179.99Austrian Overture (Concert Band - Score and Parts)
Austria is an industrious country. During the last century--which was characterized by extreme changes--the hard-working and ambitious people achieved a great deal, enduring two world wars and numerous political skirmishes. Despite all the problems involved in a change from a dual monarchy to a small state, Austria has found its independence. With his Austrian Overture, Thomas Doss looks toward the future. The first part of the composition provides an optimistic outlook; along with the happiness and energy, some musical humor is also present: while the horns powerfully express joy, small yodeling melodies sound throughout. As the rhythm continues in search of new ways to go, catchy tunes compete to be heard. However, in addition to the energetic, diligent Austria, there's also the quiet landscape where one can enjoy repose and beauty. These aspects - as well as the freedom of spirit and cultural life -are conveyed in the second part of the work through the surprising linking of chords, romantic phrasing, and tender melodies. But life never stands still: creativity, ambition, and work are the driving forces of our existence. Embracing this thought, a reprise of the first part provides a compelling ending. 10:26
Estimated dispatch 7-14 working days
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£204.99Credentium Wind Band Set (Score & Parts)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There follows a rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. 0:13:15
Estimated dispatch 7-14 working days
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£179.99
Outback (Concert Band - Score and Parts)
This work was commissioned by the "?sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans marked their decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with the world around them. Maintaining the deli?cate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era called Dreamtime - the Aborigines' creation myth - play an important role in not only their be?liefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this very day.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also known as Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although it did not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, they were unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions of years. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire. 11:55
Estimated dispatch 7-14 working days
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£144.99
Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
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£67.32
Shenandoah
This rich arrangement of a popular traditional American melody is aimed at the younger band who wish to showcase their development of a warm sound and expressive phrasing. The palette of colors changes throughout to allow each section to shine as the melodic responsibilities are passed around the various sections of the ensemble. As the piece ebbs and flows from subtle splashes of light to dramatic presentations of the melody, the overall effect is contemporary and picturesque in its essence while remaining accessible to less experienced bands. While performance markings are indicated, the arranger would encourage directors to flavor their interpretation of the score with personal choices of expression, flexibility of tempo and dynamic contrast.
Estimated dispatch 7-14 working days
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£39.95
Hammond - Score and Parts - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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