Results
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£73.60True Sorry - Ibrahim Maalouf
Lebanese-born French trumpeter Ibrahim Maalouf is part of the modern jazz and blues movement. This now famous trumpeter recorded "True Sorry" for his 2013 album Illusions. This album but especially the song "True Sorry" made him known to the general public. The trumpet solo is impressive, yet very playable for many. The music transports us between jazz, pop, rock and eastern sounds. It alternates soft melodies with powerful, tormented, heady passages.
Estimated dispatch 7-14 working days
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£72.99Music from Stranger Things
The popular TV series Stranger Things has reminded us of some of the great songs from the 1980s! With songs supporting key moments in the storyline, here is an emotion-packed medley of classic rock hits along with the iconic theme. Includes: Stranger Things Main Theme Should I Stay or Should I Go Master of Puppets Separate Ways (Worlds Apart) and Running Up That Hill.
Estimated dispatch 7-14 working days
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£53.95Awesome Sauce - Scott Watson
You're cool, likeable, and confident. You don't walk, you strut. When you enter a party, a hush falls over the room and heads turn because you have a certain "je ne sais quoi!" People say you're "the bee's knees" and "the cat's meow." You're Awesome Sauce and this piece is the soundtrack of your life! With its fun, blues-like melody and cool rock beat, Awesome Sauce by Scott Watson is sure to be a player favorite. The limited chromaticism, accessible jazz-esque rhythms, and style-important articulations offer excellent teaching moments for the director. (2:57) Awesome Sauce correlates to Book 1, Level 6 of Sound Innovations for Concert Band.
Estimated dispatch 7-14 working days
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£102.99Music Xperience - Jacob de Haan
The town of Zevenhuizen (Seven Houses) in the Dutch province of Groningen conceived the idea to assemble 777 musicians for an experimental open air concert. Within that context, Jacob de Haan was commissioned to write a special composition for the local music society Concordia on the occasion of its fiftieth anniversary. The full number of musicians could not be realized entirely, but the performance was a great happening nonetheless. Now, the music has been published in a compilation, with the most appealing melodies in a varying style of rock music and ballads. The compelling closing theme of Music Xperience will linger in the minds of many listeners and players long after the concert has ended.
Estimated dispatch 7-14 working days
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£118.99Tribute to ROXETTE
As a great fan of the Swedish pop rock duo Roxette, the top German arranger Wolfgang Wssner created a catchy pop medley for wind band as an ode to its lead vocalist Marie Fredriksson - who passed away in December 2019. Hits like 'Joyride', 'Listen To Your Heart', 'It Must Have Been Love' and 'The Look' can practically guarantee a good deal of enjoyment and demonstrate that this band is more than deserving of both its international recognition and its place in the Swedish Music Hall of Fame. Tribute to ROXETTE is sure to not only entertain your musicians, but also captivate the audience!
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£114.99Citadel - James Barnes
Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer, a saxophone choir introduces a slower, more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final, dramatic outburst of sound and color.
Estimated dispatch 7-14 working days
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£127.30Urban Song - John Philip Hannevik
Storbystev has a catchy tune, and incorporates a mix of funk-, samba- and rock rythms. The alto saxophone and trumpet are featured as soloists, but the piece also show-cases the tuba- and percussion sections.The piece works especially well as a concert opener (or the first piece after an interval). One can start the piece with only the triangle-player on stage, and the rest of the band can take their places and join in when ready.Storbystev was written for the Oslofjord Brass Band and their participation in the Siddis Brass entertainment contest in Stavanger in 1996. The band won the first section that year.Published with support from Norwegian Society of Composers.
Estimated dispatch 7-14 working days
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£37.95
Saxcapade - David A. Myers
This saxophone feature has all the elements you can imagine to bring the house down in your next concert. A rock groove sets the stage for your entire sax section. Your audience is sure to get involved as the rest of the band starts clapping to the beat. The slight use of syncopation provides some great teaching opportunities at this level. A great way to change the pace of your next concert.
Estimated dispatch 7-14 working days
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£54.99Onward!
A brief history: Pentecost Monday was a special day for schools in Yorkshire (England). There were a variety of activities. The pupils of Sabine Baring-Gould would meet with the children of a nearby village. It seemed like a good idea that during the walk would be sung. But she could not find a suitable song and decided to write one by herself. "Onward Christian Soldiers" was the result. It soon became very popular, though she herself was not entirely satisfied with the rhyme scheme. The melody used (St. Gertrude) was by the famous English composer Sir Arthur S. Sullivan. Back to now: Gawan Roberts, has given the hymn a proper update. He gave the still popularsong a solid rock beat and added daring harmonies. So it's popular, for current generations, again for years. Onward!
Estimated dispatch 7-14 working days
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