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£199.00Suite from Mass - Leonard Bernstein
Bernstein's Mass was a monumental 90-minute work written for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. in 1971. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Dur: c.14:00 (Grade 5)
Estimated dispatch 7-14 working days
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£195.00Mass, Suite from (Brass Quintet with Concert Band - Score and Parts) - Bernstein, Leonard - Sweeney, Michael
Bernstein's Mass is a monumental 90-minute work, written in 1971 for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Duration: 15.00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£60.99First Suite in E Flat, Themes from (Concert Band - Score and Parts) - Holst, Gustav - Sweeney, Michael
Never before have the magical melodies of Holst's masterpiece been made available at this easy level. Using excerpts from the first and third movements, but still maintaining the integrity and sound of the original, this adaptation allows even young players to experience the landmark band classic, First Suite in E-flat. Also, the March movement is very effective when performed by itself.Duration: 4.45
Estimated dispatch 7-14 working days
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£86.50Harry Potter and the Goblet of Fire, Symphonic Suite from (Concert Band - Score and Parts) - Doyle, Patrick - Sheldon, Robert
Robert Sheldon has crafted this exemplary medley from Harry Potter and the Goblet of Fire. With all the exuberance and passion of the original Patrick Doyle blockbuster film score, the symphonic suite contains, "Harry In Winter," "The Quidditch World Cup (The Irish)," "Hogwarts' Hymn," "Hogwarts' March" and "Voldemort!" A comprehensive musical journey to accompany the fourth classic book in the series.Duration: 9.30
Estimated dispatch 7-14 working days
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£82.95Carmen Suite (Concert Band - Score and Parts) - Bizet, Georges - Bullock, Jack
The story of Carmen is set in Seville, Spain, in 1820. It is story of a passionate, fickle, gypsy girl, Carmen, who is one of six major roles in the opera. The story, in four acts, is action-packed, animated, flowing, and never uninteresting. Bizet was well acquainted with Spanish folklore and folk music through his many visits to Spain. For Carmen, he composed a score that is rhythmical, tuneful, and characteristic of the gypsy lifestyle. The adaptation for concert band is a suite in four movements that retains the spirit of the original production.
Estimated dispatch 7-14 working days
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£104.99The Great Gate of Kiev Wind Band Set (Score & Parts)
The Russian composer Modest Mussorgsky (1839-1881) was self-educated to a large extent but went on to become one of the ?Mighty Five? which also included Balakirev, Cui, Borodin and Rimsky-Korsakov. Today he is considered the innovator of Russian music par excellence. He composed Pictures at an Exhibition in 1874, inspired by ten pictures produced by his then recently deceased friend, the Russian architect and artist Victor Hartmann. The French composer Maurice Ravel made an orchestration of Mussorgsky?s composition in 1922 which is now more well-known and more performed than the original piano suite. For his transcription of Pictures at an Exhibition, Tohru Takahashi made use of the original piano composition by Mussorgsky. The Great Gate of Kiev, issued here separately, is probably the best known melody from this classical masterpiece. 0:05:45
Estimated dispatch 7-14 working days
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£137.99Suite of Old American Dances (Deluxe Edition) - Robert Russell Bennett
MusicWorks - Grade 4 Score and Parts One of the band repertoire treasures of all time, this uniquely American work by Robert Russell Bennett continues to stand the test of time as it moves triumphantly into its sixth decade! This marvelous new printing features a full score detailing all parts, as well as program notes and extensive historical background information. Carefully researched by Dr. Edward Higgins from the original editions, many inconsistencies and part errors have also been corrected. This beautifully engraved deluxe edition is destined to become a staple in every band's library of serious works.
Estimated dispatch 7-14 working days
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£79.99Symphonic Suite from Star Trek - Alexander Courage
Boldly go where no band has gone before! The 2009 blockbuster movie features spectacular new and exciting themes in a dramatic soundtrack by Michael Giacchino. In addition, the original classic TV theme is reworked in a creative fashion. Here's an impressive setting for the concert stage.
Estimated dispatch 7-14 working days
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£79.99Star Trek, Symphonic Suite from (Concert Band - Score and Parts) - Bocook, Jay
Boldly go where no band has gone before! The 2009 blockbuster movie features spectacular new and exciting themes in a dramatic soundtrack by Michael Giacchino. In addition, the original classic TV theme is reworked in a creative fashion. Here's an impressive setting for the concert stage.Duration: 4:30
Estimated dispatch 7-14 working days
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