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£53.50Symphony No.3, Finale to (Concert Band - Score and Parts) - Mahler, Gustav - Saucedo, Richard L.
Introduce your young players to this important composer with Richard Saucedo's richly scored adaptation of the moving Finale from Mahler's Symphony No.3. Perfect for reinforcing the musical concepts of ensemble blend, phrasing and chorale-style playing.
Estimated delivery 7-14 working days
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£16.09Finale from Symphony No.3 (Organ Symphony) (Brass Band) Additional Parts
Saint-Sans' magnificent Finale from Symphony No.3 (widely known as the 'Organ Symphony') has here been arranged for brass band with optional organ by Kevin Norbury. It was recorded by The International Staff Band on its CD Manuscripts, although this version has been revised in places. Saint-Sans decided to add the organ and piano to his 3rd symphony as a pragmatic orchestration innovation. The composition of this symphony was probably started in 1885 and a first draft was completed in Prague in 1886. Saint-Sans later recalled its eventful genesis: 'The Symphony in C was three-quarters sketched out when I found it impossible to write the finale. I did not know how to resolve this situation, until one night I suddenly woke up and, in a sort of hallucination, I heard the whole finale, which I hastily wrote down in outline, knowing that if I went back to sleep without having put anything on paper, I would have forgotten it all the next day.' The symphony was first performed under the composer's direction at Saint James's Hall in London on May 19, 1886. This arrangement by Kevin Norbury can both function as a stand-alone brass band piece, and be performed with an organ by omitting the notes found in square brackets in the parts and score. To view a rolling score video please visit www.youtube.com/watch?v=OlUd_FppBY8 PDF download includes additional parts as listed below. Full set including score available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.30 mins. Alternative Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Tuba 1 B.C. (Bass Eb equivalent) Tuba 2 B.C. (Bass Bb equivalent)
In stock: Estimated delivery 1-3 days
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£399.00Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00
Estimated delivery 7-14 working days
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£53.50Finale to Symphony No. 3
Introduce your young players to this important composer with Richard Saucedo's richly scored adaptation of the moving Finale from Mahler's Symphony No. 3. Perfect for reinforcing the musical concepts of ensemble blend, phrasing and chorale-style playing.
Estimated delivery 7-14 working days
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£150.00Symphony No.3, Finale from (Organ Symphony) (Concert Band - Score and Parts) - Saint-Saens, Camille - VanDoren, Evan
The Finale to Saint-Saens' 3rd Symphony (with Organ) is a shimmering, sparkling explosion of color that stands out among the classical repertoire as one of its most exciting endings! Evan VanDoren has masterfully captured Saint-Saens' unique compositional color and style, adjusting the key for maximum playability, while staying true to the original work! Duration: 8.00
Estimated delivery 7-14 working days
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£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated delivery 7-14 working days
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£214.99Symphony No. 3 - Alfred Reed
We are proud to publish Alfred Reed's Third Symphony. From the intensity of the opening meovement to the exquisite counterpoint of the finale, Dr. Reed draws the most from the resources of the contemporary concert band. Written for the U.S. Air Force Band, this powerful three-movement work is certain to be a lasting contribution to the world of band literature.
Estimated delivery 7-14 working days
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£58.50
Finale (Symphony No. 4) - Pyotr Ilyich Tchaikovsky
Tchaikovsky's Finale from Symphony No. 4 is one of the most stirring pieces in the symphonic repertoire. This outstanding arrangement makes it quite accessible for younger players and highlights the major themes throughout the movement. An ideal choice for directors searching for well-known classical transcriptions that will not be overly taxing on students. (3:24)
Estimated delivery 7-14 working days
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£53.50Brahms Finale (from Symphony No.1) (Concert Band - Score and Parts) - Brahms, Johannes - Bocook, Jay
Jay Bocook is always our first choice for well-crafted arrangements of orchestral masterworks. His catalogue of outstanding adaptations continues to dominate Grade 2 and 3 contest lists. Thisedition of the Brahms' famous Symphony No.1 can also be used as an inspiring graduation processional.
Estimated delivery 7-14 working days
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£37.95SYMPHONY No.2 (Novello Symphonic) Score only - Bedford, David
Symphony No.2 contains four movements and a coda, all played without a break, following the traditional symphonic pattern. The Introduction presents the main thematic material of the piece which is characterized by rising and falling 5ths a semitone apart. The Quaver Machine has a repeated, relentless constant quaver pulse from the vibraphone. The harmony circles around only 3 chords and the section builds with more and more instruments being played in harmony and in canon. A shift in tonality gradually leads to Adagio, an almost opulently romantic presentation of the main theme with a rippling accompaniment. After a massive climax, the music leads to Finale with the main theme presented as an Ostinato gradually introducing the full band to another large climax. Gradually, everything quietens down for the Coda, a varied repetition of the Introduction but ending with a last reminiscence of the Adagio. Duration: 14 mins.
Estimated delivery 7-14 working days
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