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£54.99Blues Is My Favorite Color - Paul Clark
A tasty little swing tune that is perfect for teaching the swing style to young players. As part of the Barnhouse Jazz For Developing Concert Bands Series this arrangement includes parts for all of the regular Jazz Ensemble instruments plus Flute, Oboe, Clarinet, Bass Clarinet, F Horns, Baritone and Tuba. A great teaching tool and an enjoyable selection for your next concert. First rate in every respect!
Estimated dispatch 7-14 working days
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£67.95
Blast From The Past - Joseph Compello
Get your students swinging with this delightful original swing tune from composer Joseph Compello. This piece is reminiscent of the big band era and the melodies and harmonies evoke the feeling of all the great big bands of the '30s and '40s. Students love to play swing music and this is a great opportunity for young musicians to get into the style.
Estimated dispatch 7-14 working days
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£79.99
Wade In The Water - Stephen Bulla
Big band swing sounds for your concert band ! A master of jazz styles, Stephen Bulla has crafted an authoritative big-band style arrangement for your concert band. The well known spiritual WADE IN THE WATER has been a huge popular hit in the past so your audiences are sure to recognize it. Concert bands don't often get a chance to play in a shuffle swing style, and that's a shame. It's so much fun ! Now's your chance !Knee-deep in jazz harmonies and rhythms, you and your band will want to dive into this one right away !
Estimated dispatch 7-14 working days
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£60.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 7-14 working days
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£76.99Jazz Cocktail Suite - III. Xplosion - Marc Jeanbourquin
Jazz Cocktail Suite is a sparkling work in three movements where every note is an explosion of flavours! The light and festive first movement (Spicy) begins with sparkling brass and dancing rhythms, then we're off to Latin America, with its bewitching rhythms and sunny melodies, for the second movement (Caliente). Finally, the third movement (Xplosion) tops it all off with a musical explosion of swing, groove, solos, and pure energy.This piece can be performed as a whole, but it is also possible to play just one of the movements, which can be ordered by way of the following edition numbers:2260-26-010 MI. SPICY2261-26-010 MII. CALIENTE2262-26-010 MIII. XPLOSION
Estimated dispatch 7-14 working days
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£72.99Jazz Cocktail Suite - I. Spicy - Marc Jeanbourquin
Jazz Cocktail Suite is a sparkling work in three movements where every note is an explosion of flavours! The light and festive first movement (Spicy) begins with sparkling brass and dancing rhythms, then we're off to Latin America, with its bewitching rhythms and sunny melodies, for the second movement (Caliente). Finally, the third movement (Xplosion) tops it all off with a musical explosion of swing, groove, solos, and pure energy.This piece can be performed as a whole, but it is also possible to play just one of the movements, which can be ordered by way of the following edition numbers:2260-26-010 MI. SPICY2261-26-010 MII. CALIENTE2262-26-010 MIII. XPLOSION
Estimated dispatch 7-14 working days
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£68.99Jazz Cocktail Suite - II. Caliente - Marc Jeanbourquin
Jazz Cocktail Suite is a sparkling work in three movements where every note is an explosion of flavours! The light and festive first movement (Spicy) begins with sparkling brass and dancing rhythms, then we're off to Latin America, with its bewitching rhythms and sunny melodies, for the second movement (Caliente). Finally, the third movement (Xplosion) tops it all off with a musical explosion of swing, groove, solos, and pure energy.This piece can be performed as a whole, but it is also possible to play just one of the movements, which can be ordered by way of the following edition numbers:2260-26-010 MI. SPICY2261-26-010 MII. CALIENTE2262-26-010 MIII. XPLOSION
Estimated dispatch 7-14 working days
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£126.00Romjulsdrm - Thoralf Borg
The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -
Estimated dispatch 7-14 working days
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£73.60A Cool Six - Mark Hendriks
A Cool Six' is a small tribute to Miles Davis and Dave Brubeck. Two giants who renewed jazz just after the Second World War. Miles Davis with his modal 'cool' jazz and Dave Brubeck with his unusual timing. 'A Cool Six' combines concepts of both gentlemen. A simple melody alternated in E-dorian and E-minor in a 6/4 beat time, however, including all characteristics of Big Band Swing Music. The title of this piece refers to the albums 'Birth of the Cool' from Davis (1957) and 'Time Out' from Brubeck (1959)Both albums inspired Mark Hendriks to write this mesmerizing piece for Concert Band nd Big Band!
Estimated dispatch 7-14 working days
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£155.90Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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