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£49.60
SWING LOW SWEET CHARIOT - Traditional - Dance Colin G.
Estimated dispatch 7-14 working days
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£24.60
SWING LOW SWEET CHARIOT (Partitur/Score) - Traditional - Dance Colin G.
Estimated dispatch 7-14 working days
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£49.60
SWING THE PRELUDE - Charpentier Marc-Antoine - McKenzie Jock
Estimated dispatch 7-14 working days
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£24.60
SWING THE PRELUDE (Partitur/Score) - Charpentier Marc-Antoine - McKenzie Jock
Estimated dispatch 7-14 working days
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£49.60
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£24.60
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£84.99Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£79.99Jitterbug! - Robert Buckley
At the height of the jazz age, each of the major swing bands had their own signature sound, immediately recognizable to their enthusiastic fans. This composition puts these various sounds and rhythms together in homage to a vibrant and innovative time in American music. This piece is a fun way to teach your ensemble to swing and get your audience tapping their toes! Commissioned by the West Vancouver (BC) Youth Band - Douglas Macaulay, director - in tribute to Canada's King of Swing, Dal Richards. Dur: 4:55.
Estimated dispatch 7-14 working days
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£72.99Harlem Suburb Shuffle (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
From the beginning of the Middle Ages, we have known performance practices in which the duration of the notes can differ from the actual notation. In some cases, binary written melodies were performed in a ternary way. This is also the case in the present-day shuffle: the written quavers are performed in a long-short system in which the ratio is 2:1. In other words, the performance practice is based on a triplet feel. In this composition, all ingredients of the shuffle are featured: a vigorous swing rhythm, a walking bass, the successions of thirds in the accompaniment and the frequent use of triplets. To make sure that the binary written rhythms in the accompaniments are performed in the correct ternary manner, Peter Kleine Schaars has notated the melody themes in triplets as much as possible. Thus, this composition is a very useful exercise for the swing development of your ensemble. Additionally, the work is a treat to listen to, so your audience will really appreciate this up-tempo big band like composition. All ternary rhythmic cells 17 till 24 pass in revue, further more much attention had been paid to a correct performance of cell 4 in swing feel.Duration: 3.00
Estimated dispatch 7-14 working days
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£104.99It Don't Mean a Thing (Concert Band - Score and Parts) - Ellington & Mills - Mashima, Toshio
Edward Kennedy 'Duke' Ellington's influence on the swing era as musician, bandleader and composer is unparalleled. His arrangement of his own composition It Don't Mean a Thing (If It Ain't Got That Swing) is perhaps the first to carry the word 'swing' in the title, thereby coining a musical phrase. Toshio Mashima's stylish arrangement of this jazz standard for concert band hits the perfect note.Duration: 4:20
Estimated dispatch 7-14 working days
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