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£57.50Contemporary Chorales for Band
Is your band tired of playing traditional style chorales for warm-ups? John Moss' fresh approach is a unique set of five chorales with contemporary harmonies, interesting inner parts and moving lines to teach balance and ensemble technique. As you'll hear, these are sounds that your students hear on TV and movie scores-an innovative way to start a band rehearsal!
Estimated dispatch 7-14 working days
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£57.50March for A Festive Occasion - Eric Osterling
If you're looking for an appealing march that will make your band sound more full and mature, look no further! This Eric Osterling concert march is ideal for getting any performance off to a solid start.
Estimated dispatch 7-14 working days
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£64.99Splashes of Gold - James L. Hosay
This extraordinary celebration of rhythm and sound is infused with relentless energy from start to finish. For the band that can play at this level this is an experience you mustn't miss. James L. Hosay has crafted a mostremarkable composition that will take your band to vigorous new heights. (Grade 4)
Estimated dispatch 7-14 working days
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£53.50Celtic Air and Dance No. 3
Continuing with Michael's popular series of Celtic Air and Dance arrangements, the third installment opens with Red is the Rose (or Loch Lomond) in a flowing ballad treatment. The lively Bill Sullivan's Polka follows and featuresvarious sections of the band. The flutes start things off followed by the rest of the woodwinds, trumpets, percussion, low brass and finally the entire ensemble in an energetic finish. Dur: 3:10
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£48.00Danza De Espaa
This flexible arrangement of Danza de Espaa, from Carol Brittin Chambers, can be played with as few as five wind or string players. It is a Spanish style piece in a lilting 3/4 time that will get your developing band off to a great start at your next concert. This Carol Brittin Chambers piece has flowing melodic lines and lots of interplay between the percussion and winds. Carol also explores different colors and textures in the winds to make the piece a more interesting addition to the repertoire for developing band.
Estimated dispatch 12-14 working days
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£90.00
Global Variations - Nigel Hess
Around the world in just over eight minutes! Although commissioned for a Youth Band, no concessions are made here for lack of technical ability, particularly in the percussion department. The chimes of Big Ben herald the start of a whistle-stop global journey, calling in turn at France, Spain, South Africa, Egypt, Russia, India, China, Australia, South America, and the USA, with a final detour through Ireland and Scotland before hearing Big Ben once more as we arrive home!
In stock: Estimated delivery 1-3 days
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£175.0060 Warm-Up Chorales (Concert Band - Score and Parts) - Cesarini, Franco
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organised according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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£49.00Winds of Joy (Concert Band - Score and Parts) - Weller, Travis
If you are seeking an uplifting way to start your next concert, look no further than the positive energy and feeling created by "Winds of Joy!" With every section of the band given opportunities to bring joy into the sound canvas, this piece provides an excellent showcase for your young band at their next performance. Suitable for concert or festival performances, this work is uplifting and vibrant from start to finish! Duration: 2.00
Estimated dispatch 7-14 working days
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