Results
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£39.99Jubilation, An Overture - Robert Ward
Complete Band Set includes a full score, condensed score and parts:1 - Piccolo2 - Flute I2 - Flute II1 - Oboe I1 - Oboe II1 - Eb Clarinet1 - Solo Bb Clarinet3 - Bb Clarinet I3 - Bb Clarinet II3 - Bb Clarinet III1 - Eb Alto Clarinet1 - Bb Bass Clarinet1 - Bb Contrbass Clarinet1 - Bassoon I1 - Basson II1 - Eb Alto Saxophone I1 - Eb Alto Saxophone II1 - Bb Tenor Saxophone I1 - Bb Tenor Saxophone II1 - Eb Baritone Saxophone2 - Solo Bb Cornet I1 - Bb Cornet II1 - Bb Cornet III1 - Trumpet I1 - Trumpet II1 - F Horn I1 - F Horn II1 - F Horn III1 - F Horn IV1 - Trombone I1 - Trombone II1 - Trombone III1 - Bass Trombone1 - Bb Baritone TC1 - Bb Baritone BC3 - Basses2 - Percussion (Drum, Cymbals, Xylophone)1 - Timpani
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£64.35Love's Old Sweet Song
This beautiful song from the turn-of-the-century is Andrew Glover's latest addition to the Barnhouse "Spotlight" series for solo instrument or voice with band accompaniment. Most effective as a solo for euphonium, trombone, or cornet/trumpet, it includes solo parts and is also playable by solo flute, violin, oboe, clarinet, alto saxophone, or horn. It may also be performed as a vocal solo (medium range from low D up to top-line F.) A masterful arrangement of a wonderful classic song!
Estimated dispatch 7-14 working days
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£228.70Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed in concerts and in competitions as well. The work includes solo passages for most instrument groups. Duration 7 minutes. Form: Fast slow fast. The piece is built around two themes. Theme 1 (Allegro con spirito) is the first one presented as a clarinet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from theopening bars. The solos for cornet and euphonium may be played by saxophone soli cued in at bars 114 and 128. Parts that are marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 7-14 working days
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£60.99Eine Kleine Morgenmusik - Bruce Fraser
An "unintended" play on words on the title of Mozart's famous composition forms the basis of this solo piece. It was composed in 2004 by the Scottish composer, Bruce Fraser, and features a solo for flugel or cornet. It is not a very difficult piece for both the soloist and the band, but is that always necessary? A lovely, highly recommended intermezzo for your concert.
Estimated dispatch 7-14 working days
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£104.99Praise to the Lord - Carl Wittrock
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage?
Estimated dispatch 7-14 working days
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£68.00Oh, My Heart Belongs to Ireland (Concert Band - Score and Parts) - Swearingen, James
It's virtually impossible to visit Ireland without feeling an instant appreciation for the scenic countryside, the endearing charm of its many citizens, and for the deep-rooted history of the country's many crowning achievements. Solo trumpet/cornet (cued for euphonium) packaged with a brief, but optional, vocal solo highlights the beginning and ending of this beautiful piece. The middle section is pure Irish charm with a light and lively theme performed over the drones of bagpipes along with the rudimental sounds of drummers drumming. Simply stunning! Duration: 3.30
Estimated dispatch 7-14 working days
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£60.99
Eine Kleine Morgenmusik Wind Band Set (Score & Parts) - Fraser, Bruce
An "unintended" play on words on the title of Mozart's famous composition forms the basis of this solo piece. It was composed in 2004 by the Scottish composer, Bruce Fraser, and features a solo for flugel or cornet. It is not a very difficult piece for both the soloist and the band, but is that always necessary? A lovely, highly recommended intermezzo for your concert. 02:30
Estimated dispatch 7-14 working days
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£104.99
Praise to the Lord Wind Band Set (Score & Parts)
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage? 05:35
Estimated dispatch 7-14 working days
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£49.95
Emerald Skies - Paul Lovatt-Cooper
A beautiful medium tempo solo for either cornet or flugal commissioned by Ross Johnson and the Camberwell Citadel Band in Australia. Circa 4'00". Soloist: Grade 3 ABRSM.
Estimated dispatch 3-5 days
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