Results
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£84.50Irish Songs (Vocal or Instrumental Solo with Concert Band - Score and Parts) - Smith, Robert W.
Robert W. Smith has captured the wide variety of folk themes from Ireland in four movements. Scored for a choice of soloists or even a vocalist, this is a musical reminder of Ireland's important contribution to our repertoire. Stunning! Includes: Deirin De; Jug of Punch; The Beggarman; Danny Boy
Estimated dispatch 7-14 working days
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£405.99Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Sparke, Philip
Duration: 25.30
Estimated dispatch 7-14 working days
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£154.99Sirina (Violin Solo with Concert Band - Score and Parts) - Doss, Thomas
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Estimated dispatch 7-14 working days
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£85.00Walking the Dog (Clarinet Solo with Concert Band - Score and Parts) - Gershwin, George - Bourgeois, Derek
Walking The Dog is one of Gershwin's lighter numbers. It is a clarinet showpiece that is just as much fun as the title suggests. Taken from the movie Shall We Dance, staring none other than the great Fred Astaire and Ginger Rogers, Walking The Dog catches George Gershwin at the very height of his powers. Rather than the bustling, complex symphonic scores he was by-now accustomed to knocking out, it's a simple, elegant little stroll, as the title suggests. In fact, in the 1937 film, it accompanies a scene of dog-walking, aboard the luxury deck of an ocean liner. Since its use in the film, though, the song has taken on a life of its own and become a popular showing-off piece for clarinettists everywhere. Interestingly, it's also the only section of score from the whole of Shall We Dance that remains - the rest of the movie's music remains sadly unpublished.Duration: 3.00
Estimated dispatch 7-14 working days
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£84.50Have Yourself a Merry Little Christmas (Vocal or Instrument Solo with Concert Band - Score and Parts) - Blane & Martin - Wagner, Douglas E.
This cherished holiday classic has been scored to permit a vocal soloist, either male or female, or your alto sax or trumpet soloist to present the melody. In the key of B-flat, the vocal range is from B-flat to E-flat. A new holiday treat for your winter program.Duration: 3:20
Estimated dispatch 7-14 working days
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£528.99Wings (Piano Solo with Concert Band - Score and Parts) - Swerts, Piet
Duration: 25:00
Estimated dispatch 7-14 working days
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£56.99Pennywhistle Jig (Piccolo Solo with Concert Band - Score and Parts) - Mancini, Henry - Moss, John
From the film The Molly Macquires
Estimated dispatch 7-14 working days
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£184.99Colors (Trombone Solo with Concert Band - Score and Parts) - Appermont, Bert
This work was written especially for the Belgian trombonist Ben Haemhouts and was created on Dec. 29, 1998 in Ravels. Colors for trombone is a virtuous composition based on four colors, "Yellow", "Red", "Blue" and "Green". Each Color characterizes a typical musical quality. This masterpiece of Bert Appermont is undoubtedly a superb addition to the trombone repertoire! Duration: 15.45
Estimated dispatch 7-14 working days
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£209.95Euphonium Concerto (Euphonium Solo with Concert Band - Score and Parts) - Horovitz, Joseph
The three movement structure reflects a classical outlook concerning concertos. Traditionally, this design favours the listener, first in the head, then the heart and finally in the toes. In the first movement, the soloist combines clear strong phrases with gentle melismatic meandering as well as negotiating many acute-angled leaps which justify themselves by enharmonic changes beneath. The slow movement has a long main melody and contains the only cadenza element in the work: two pastoral passages, homage to the mysteriously beautiful Border Country. The finale opens with a driving, motoric introduction followed by a cheeky rondo theme. Repeated quotations of this are elaborated with increasingly intricate variations until an unaccompanied whole-tone version of the theme brings the work to a fast close.
Estimated dispatch 7-14 working days
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£44.95
Euphonium Concerto (Euphonium Solo with Concert Band - Score only) - Horovitz, Joseph
The three movement structure reflects a classical outlook concerning concertos. Traditionally, this design favours the listener, first in the head, then the heart and finally in the toes. In the first movement, the soloist combines clear strong phrases with gentle melismatic meandering as well as negotiating many acute-angled leaps which justify themselves by enharmonic changes beneath. The slow movement has a long main melody and contains the only cadenza element in the work: two pastoral passages, homage to the mysteriously beautiful Border Country. The finale opens with a driving, motoric introduction followed by a cheeky rondo theme. Repeated quotations of this are elaborated with increasingly intricate variations until an unaccompanied whole-tone version of the theme brings the work to a fast close.
Estimated dispatch 7-14 working days
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