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£59.40Voices of America
An inspiring arrangement of a popular new patriotic song arranged for Vocal Solo, Small Vocal Group, or Chorus with Concert Band. Starting out simply and building to an incredibly strong finish, this wonderful arrangement has a contemporary sound and feeling and allows you to feature a vocalist or singing group with your band in a manner that presents both groups in a fantastic light. Perfect for any occasion or performance where a patriotic number is appropriate. The vocal parts are MEDIUM EASY and the band parts are MEDIUM.
Estimated delivery 7-14 working days
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£184.99Liquid Compass - Alex Shapiro
Continuing in the tradition of her innovative electroacoustic band works including Paper Cut, Immersion, and Tight Squeeze, Alex Shapiro's Liquid Compass takes the musicians and the audience on a journey that spans the mysticaland the triumphant. A subliminal connection to the sea is conveyed through the creative use of metal bowls filled with water, and flutists will particularly enjoy the otherworldly ooh-wah effect that wends through the piece.Commemoratingthe 140th anniversary of Carthage College's wind band, this workmigrates to different places, but never loses its bearings in pursuit of a musical true north. To perform the piece, you'll need an audio systemcapable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece. Dur: 9:00 Recorded by the CentralWashington University Wind Ensemble, Lewis Norfleet - Director.
Estimated delivery 7-14 working days
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£149.99St. Martin's Suite - Jan Van der Roost
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the 'Koninklijke Sint Martinusfanfare' (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the 'Sint Martinusfanfare' from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace', could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle.
Estimated delivery 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated delivery 7-14 working days
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£76.99St. Louis Blues
Based on the famous Canadian Brass version by master arranger Luther Henderson, here is a wonderful adaptation for concert band by Michael Brown. Opening with a bluesy medium swing feel, the tuba section is featured on the melodyalong with a small group of players. Mid-way through the arrangement, the style changes to an up-tempo Dixieland style with the melody cleverly traded between various sections of the band. This rousing number is sure to be afavorite.
Estimated delivery 7-14 working days
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£121.50Divertimento - Leonard Bernstein
Clare Grundman's band transcription features various soloists and small groups within the band.
Estimated delivery 7-14 working days
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£45.70Bluin' the Blues
First recorded by the famous Original Dixieland Jazz Band in 1918, "Bluin' The Blues" is revived in a fresh new arrangement that is perfect for mid-level bands. Features a small dixie combo (all parts are completely written out) inside the full band. Solidly scored and very playable, it's sure to be a crowd pleaser at any performance. Very Highly recommended!
Estimated delivery 7-14 working days
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£66.00Barnyard Blues
A terrific novelty tune with a Dixieland swing beat! Originally recorded in 1917 by the Original Dixieland Jazz Band, Andy's arrangement gives a small Dixieland combo a chance to shine before turning the whole band loose with duck calls, horse whinnies and cow moos that are all part of the fun in this timeless classic! Sure to be a hit on any concert!
Estimated delivery 7-14 working days
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£60.90Fantasia on the Dargason - Gustav Holst
Scott Stanton's arrangement of this classic Gustav Holst band composition now makes Holst's entire Second Suite in F available in the Build-A-Band format. Playable with any instrumentation as long as you have the four main parts covered by the instrument of your choice, the arrangement includes optional piano, guitar, mallet percussion and percussion parts. Now bands with extreme instrumentation problems or groups of very small size can experience performing this staple of the concert band repertoire. A true classic!
Estimated delivery 7-14 working days
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£73.10Classical Rondo - Antonio Capuzzi
Originally composed for solo double-bass and orchestra, the latest addition to the Barnhouse "Spotlight" series presents almost endless opportunities for featuring your soloist with concert band or a small wind ensemble. Parts are included to provide solo instrument options for any wind (or string) instrument in C, Bb, Eb, F, or bass clef. The accompaniment may be performed with full band: or, for balance purposes while accompanying string or higher woodwinds, it may also be performed by a smaller wind ensemble of flutes, oboe, clarinets, bass clarinet, bassoon, horns, and timpani. An excellent way to feature your star player or a guest artist!
Estimated delivery 7-14 working days
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