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£84.99
Charming Salzburg - Wolfgang Amadeus Mozart
Salzburg, birthplace of Wolfgang Amadeus Mozart, inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflte, which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflte was his last.
Estimated dispatch 7-14 working days
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£94.99Ballad for Band - Morton Gould
Morton Gould's Ballad For Band for Symphonic Band. Score and parts.Born in Richmond Hill, New York, on 10 December 1913, Morton Gould was recognised early on as a child prodigy with theability to improvise and compose. At the age of six he had his first composition published. He studied at the Institute of Musical Art (now the Juilliard School), but his most important teachers were Abby Whiteside (Piano) andVincent Jones (composition).Gould enjoyed an illustrious career. In addition to gaining a Pulitzer Prize for 'Stringmusic', he was Musical America's 1994 Composer-of-the-Year and recieved a Kennedy Center Honor inrecognition of lifetime contributions to American culture.A long-time member of the American Society of Composers, Authors, and Publishers, Gould was elected president of ASCAP in 1986, a post he held until 1994.In 1986 he was elected to the American Academy and Institute of Arts and Letters. He also served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts music panel.
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£139.99Flight - Benjamin Yeo
Flight is a programmatic work that is divided into six short segments, each describing a different aspect of a young pilot's experience in the sky. The motor can be heard starting up. The plane finally takes off and an exciting musical journey gets underway. Breath-taking views, scary turbulence, and finally a full-fledged storm are all part of the view from above. Fortunately all goes well. Special musical effects, such as the sound of the propeller, add a sense of realism to this Flight.
Estimated dispatch 7-14 working days
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£339.99Ensemble Concepts for Band - Value Pak
Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read, rehearse, and perform band repertoire with precision and artistry. Using proven methods for superior sound production and ensemble technique, your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert band setting. Ensemble Concepts is designed to help ensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually, in developmental order, then combined for more advanced practice. Also available in the Essential Musicianship curriculum: Masterwork Studies (HL00960078 - 00960095) focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included, featuring: 1. Exemplary recordings of each work, performed by some of the world's finest ensembles 2. Practice loops on the more difficult passages for each individual instrument, including tempo adjustment software, on-screen assessment, and a built-in metronome 3. Scale, arpeggio, and articulation studies in all keys Ensemble Concepts - Fundamental Level (HL00960110 - 00960127) Ensemble Concepts - Intermediate Level (HL00960129 - 00960146)
Estimated dispatch 7-14 working days
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£64.50Fantastic Beasts: Crimes of Grindelwald - James Newton Howard
J. K. Rowling's Wizarding World is awakened again in this emotionally charged, action-packed medley that includes six musical moments drawn from the stunning James Newton Howard soundtrack of the second film in the FantasticBeasts trilogy. (4:00)
Estimated dispatch 7-14 working days
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£56.50
Rock Your World - Bill Calhoun
Rock Your World is the perfect choice for your beginning students' first concert. With its gospel rock character and harmonic structure, Rock Your World provides performers with an entertaining first ensemble experience. Even though the music is written to use only the first six notes of the B flat concert scale, it is carefully crafted to produce a musical, full ensemble sound. Rock Your World is sure to become a favorite with your students.
Estimated dispatch 7-14 working days
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£103.00
Transformations (Dade Variations) - Robert Longfield
Quite possibly one of Robert Longfield's finest works for concert band, this theme and variations is based on a simple sequence of four notes. The set of six variations and a powerful finale provides the form in which Robert covers a wealth of styles, portraying the full gamut of musical textures and emotions. A fabulous piece to showcase your advanced ensemble in concert or at festival. Highly recommended!
Estimated dispatch 7-14 working days
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£50.50Colors of Christmas - Robert W. Smith
Featuring a number of standard holiday favorites, Robert W. Smith's "Colors of Christmas" provides a grand musical experience for the beginning band and their first holiday audience! Using only the first six notes introduced in most band methods, each section of the band is featured melodically. Scored for success and audience impact, this outstanding overture for the holiday season will be a favorite on your concert for years to come!
Estimated dispatch 7-14 working days
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£94.99Conzensus (Concert Band - Score and Parts) - Van der Roost, Jan
This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept. The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle is thus immediately indicated. The richness of colour of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.Duration: 2:30
Estimated dispatch 7-14 working days
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