Results
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£123.20Rcitatif et Ronde - Francis de Bourguignon
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated delivery 7-14 working days
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£87.20Guitenstreken-Gaminerie - Theo Dejoncker
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated delivery 7-14 working days
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£89.99
In Onore Di - Wouter Lenaerts
The magnificent hymn was written for the "Royal Brass Band St. Katarina and Peter Benoit" and is dedicated to their chairman, Paul van Montfort on the occasion of his 30th anniversary as chairman of the association. A splendid fanfare is followed by an expansive and solemn melody which is played by different groups. A refreshing trio is followed by a triumphant ending.
Estimated delivery 7-14 working days
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£95.95
Crown and Scepter - Gregory B. Rudgers
Crowns and scepters have been an essential part of the royal celebration since medieval times. This piece suggests the declaration of an opening ceremony with a bold militaristic fanfare, followed by a regal processional, reminding the listener of kings and queens receiving admiration from their people as they process on a stately occasion. Besides its potential as a piece for contest or festival performance, it will also work well for graduation ceremonies.
Estimated delivery 7-14 working days
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£72.99LOL (Laugh Out Loud) (Concert Band - Score and Parts) - Buckley, Robert
LOL (Laugh Out Loud) is a wacky, fast-and-furious barn-burner reminiscent of a circus march or screamer. It was written for the Naden Band of the Royal Canadian Navy in celebration of their 75th anniversary and as an opportunity to display their dazzling technical facility and humour. Cartoon-like trombone glissandi, flying woodwinds, dizzying brass and laughing rhythms create a zany and thrilling off the wall highlight to any occasion.Duration: 3.00
Estimated delivery 7-14 working days
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£84.99The Torch of Liberty (Concert Band - Score and Parts) - De Haan, Jan
The Torch of Liberty has been commissioned by the Band of the Royal Netherlands Military Police, on the occasion of their 200th anniversary. The music is based on a monument, a torch that is symbolically being passed on by the fallen ones to the new generation. This versatile composition features a beautiful hymn and unique military sound effects in a festive and heroic style. Duration: 3.15
Estimated delivery 7-14 working days
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£110.00Fiesta (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
Despite its Spanish title, the concert overture Fiesta is really Italian, recalling a festival that I saw several times as a child in the late 1960s while holidaying in a village at the southern tip of the bay of Naples. The date is August 15, the occasion the feast of the Assumption of the Virgin Mary, celebrated with colourful processions and ritual (some, one imagines, pre-Christian in origin), all rounded off with brass bands and home-made fireworks. - Matthew Curtis. Fiesta was originally written for the orchestra of St. Paul's School in London, It has had performances in London's Queen Elizabeth Hall and the Royal Festival Hall where it opened a live broadcast concert in the BBC's International Festival of Light Music, and has made intermittent appearances on the radio ever since. This arrangement for Wind Band will make an excellent festival opener for accomplished bands and is a sure crowd pleaser with its dynamic flare and energy.
Estimated delivery 7-14 working days
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£75.00This is the Day (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Commissioned by the Dean and Chapter of Westminster Abbey as a wedding gift for Prince William and Kate Middleton, this anthem was composed early in 2011, with a brief that it should be about 4 - 5 minutes in length, for choir and organ, with a text from the psalms. The composer writes: 'My first thought was that the text should embrace both rejoicing and blessing, and I chose verses from five psalms which seemed to encompass what I wanted to express on behalf of us all. My next thought was that I wanted to write music which would be welcoming in spirit to the royal couple, their families, and to all the people witnessing this happy occasion all over the world.' This arrangement for Concert Band and Chorus may be performed by band alone.
Estimated delivery 7-14 working days
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£49.95March; 1919 (Concert Band - Score and Parts) - Smith, Judge
March: 1919 is an imaginative recreation of the bizarre occasion in 1919 when a Royal Air Force band played on top of the R33 airship while in flight, as part of a government publicity campaign. The band was crammed onto the machine-gun platform on top of the hull as the giant machine cruised low over Sheffield, Bradford, Manchester and Liverpool in England, dropping leaflets advertising Victory Bonds.
Estimated delivery 7-14 working days
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£9.95
March; 1919 (Concert Band - Score Only) - Smith, Judge
March: 1919 is an imaginative recreation of the bizarre occasion in 1919 when a Royal Air Force band played on top of the R33 airship while in flight, as part of a government publicity campaign. The band was crammed onto the machine-gun platform on top of the hull as the giant machine cruised low over Sheffield, Bradford, Manchester and Liverpool in England, dropping leaflets advertising Victory Bonds.
Estimated delivery 7-14 working days
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