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£60.99Soda Pop
Getting students to practice will never be easier! Perfectly scored to be accessible and engaging to every section of the ensemble, this amazing arrangement of the popular song from the Netflix smash hit movie will have your young musicians learning 16th note rhythms, syncopations and simple chromaticism, all while having fun. Optional trumpet solo. Sure to be the highlight of your next concert!
Estimated dispatch 7-14 working days
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£68.95Handel In The Strand - P. Grainger
This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's "four-some" edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the "room music" quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)
Estimated dispatch 7-14 working days
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£79.50Joy Dance - Scott Watson
Joy Dance, by Scott Watson, musically conveys an unrestrained expression of happiness and exhilaration. Inspired by David's ecstatic dance of praise in 2 Samuel 6:14 ("And David danced before the Lord with all his might..."), the piece combines artifacts of popular and contemporary music, including bold syncopations, a driving 5/4 meter groove, and use of contemporary and gospel harmonies. A large percussion section (7 players, including two mallet parts and timpani) adds essential color and energy. Whether it's worship, thankfulness, celebration, or blissful abandon, this composition reflects the radiant rejoicing of those who revel in all life's goodness! (4:10)
Estimated dispatch 7-14 working days
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£76.99
China Doll
The year 1951 was very productive for Leroy Anderson. For a recording project with Decca records in June of that year he composed a number of his most popular pieces, many of which were played for the first time in these sessions, including this delightful composition, China Doll. It's a great choice for any time of year, but is also an ideal substitute to the perennial holiday favorite, Sleigh Ride. This publication is the first-ever to offer a full score, edited by Mark Rogers.
Estimated dispatch 7-14 working days
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£60.99
This Is Halloween - Danny Elfman
Boys and girls of every age. Would you like to see something strange? Young concert bands are now able to enjoy one of the most popular movie songs of all time. An excellent choice for reinforcing chromaticism, this is perfect for programming at anytime of the year!
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£133.80Voi Voi - Georg Elgaaen
"Voi Voi" was written by Georg Elgaaen for the very first edition of the Melodi Grand Prix in Norway in 1960. Nora Brockstedt performed the song, which became a huge success. The song is still one of her biggest hits and an important reason why she became a major icon in Norwegian entertainment music during the 1950s and 1960s. The song is typically lively and colorful, and this arrangement offers challenges in most instrument sections!Georg Elgaaen (1923-2017) was a Norwegian musician, composer, and lyricist primarily active in the fields of entertainment and popular music. He wrote music for a number of artists and was also active as an orchestra leader and arranger.
Estimated dispatch 7-14 working days
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£76.99Santa's Spring Break - Larry Clark
Take a fun and engaging trip with Santa as he enjoys his spring vacation! This creative piece is a treasure of musical concepts wrapped up in one accessible package! Spring from The Four Seasons is cleverly woven amongst a medley of popular holiday songs. Creative orchestration puts the music in a variety of settings from festive to march-like to Middle Eastern. Beginning players will reinforce a wide variety of musical concepts, and young trombonists will work on developing first to sixth position. A guaranteed holiday favorite!
Estimated dispatch 7-14 working days
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£115.60Our Last Summer - Benny Andersson
An exciting arrangement where almost all players have a bit of the melody line. There are many opportunities to give individual musicians soloistic challenges. Any bandmember should find something interesting in this piece. It will be possible to add vocals to the arrangement. A lovely melody with great expressions.Our Last Summer" is a song by the Swedish pop group ABBA from their seventh studio album, "Super Trouper," released in 1980. The song is indeed featured in the musical "Mamma Mia!", a little bit shortened and with small changes in the lyrics. The musical premiered in London's West End in 1999 and is a duet performed by the characters Harry Bright and Donna Sheridan, reflecting on their past romance during a summer spent in Paris.The song is primarily sung by Bjrn Ulvaeus, with backing vocals provided by Agnetha Fltskog and Anni-Frid Lyngstad, the female members of ABBA. Their harmonies contribute to the song's nostalgic and wistful atmosphere. The lyrics vividly describe the memories of the summer spent together, including scenes of walking along the Seine River in Paris and listening to French songs. The song also touches on the passage of time and the realization that the summer romance has ended.While not released as an official single in most countries, "Our Last Summer" still received considerable airplay and became a fan favorite. It charted in some European countries and has remained popular among ABBA fans over the years.
Estimated dispatch 7-14 working days
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£76.99Country Gardens - Percy Grainger
One of Grainger's most popular piano encores was improvisations on English Morris Dance tunes that he programmed as COUNTRY GARDENS.Adolf Schmid's 1925 orchestration displays many features that bear witness to his deep knowledge of Percy Grainger's orchestral palette, making it ideal for symphonic wind band adaptation. Grainger's mature concept of the wind band is seen in CHILDREN'S MARCH, LINCOLNSHIRE POSY, and LADS OF WAMPHRAY. With this knowledge in hand, Mark Rogers has created a wind-band scoring (appearing for the first time with full score) that should delight conductors looking for a concise introduction into the world of Percy Grainger.
Estimated dispatch 7-14 working days
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