Results
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£87.99Ballad for Benny (Concert Band - Score and Parts) - Sparke, Philip
The birth of Philip Sparke's second son, Benjamin, was the inspiration for composing Ballad for Benny. A short calm introduction leads to the main ballad theme, a gentle waltz melody. Following the work's climax in which the complete band plays the main theme the sound fades and the piece ends in calm and serenity.Duration: 5:00
Estimated dispatch 7-14 working days
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£13.95YORKSHIRE OVERTURE, A (Progress Concert Band Extra Score) - Sparke, Philip
Extra Score. A brilliant example of Philip Sparke's mastery of wind band orchestration, bursting with rhythmic energy. Performance time 5'28" (Recorded on QPRM117D FESTIVAL OF MUSIC 1991 (Massed Bands of the Royal Air Force); QPRM153D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£67.95
YORKSHIRE OVERTURE, A (Progress Concert Band) - Sparke, Philip
A brilliant example of Philip Sparke's mastery of wind band orchestration, bursting with rhythmic energy. Performance time 5'28" (Recorded on QPRM117D FESTIVAL OF MUSIC 1991 (Massed Bands of the Royal Air Force); QPRM153D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£378.99Of Myths and Monsters (Concert Band - Score and Parts) - Sparke, Philip
Philip Sparke's Of Myths and Monsters links thematically to his work Music of the Spheres. The Hydra, Cassiopeia, Orion and Pegasus are the constellations and corresponding Greek myths depicted in this impressive three-movement work.Duration: 21:30
Estimated dispatch 7-14 working days
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£69.99Tallis' Canon (Concert Band - Score and Parts) - Tallis, Thomas - Sparke, Philip
The well-known 16th Century canon by Thomas Tallis is as effective as it is simple. This arrangement includes four verses of the melody: the first in the form of canon; the second for brass; the third for woodwind and the fourth for the entire orchestra. Philip Sparke's arrangement is also well suited for incomplete brass ensembles.Duration: 2:30
Estimated dispatch 7-14 working days
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£306.99Sinfonietta No.4 (Concert Band - Score and Parts) - Sparke, Philip
Philip Sparke's Sinfonietta No. 4 is comprised of three parts that are played as an uninterrupted whole. The first movement begins with a lyrical fugato passage, framing a brisker and more rhythmical middle section. The second movement is slower and contains a long and expressive euphonium solo. The third movement is a salute to the sponsor of this commission: various percussion instruments conjure up sounds reminiscent of a carpenter's workshop, accompanied by a unison orchestral passage in a scat style.Duration: 18:45
Estimated dispatch 7-14 working days
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£141.99Three Klezmer Miniatures (Concert Band - Score and Parts) - Sparke, Philip
Three Klezmer Miniatures is Philip Sparke's third work based on traditional Jewish klezmer melodies, after Shalom and A Klezmer Karnival. Klezmer music originated in the shtetl (villages) and ghettos of Eastern Europe, where itinerant Jewish troubadours, known as klezmorim, had performed at celebrations, particularily weddings, since the early Middle Ages. Three Klezmer Miniatures uses the following traditional tunes:Sham Harei Golan (There are the mountains of Golan) and Nigun Shel Yossi, a circle dance.Tumbalalaika, a Russian Jewish love song.Hava Nagila, the most famous of all Jewish folk dances; the title means "let us rejoice."Duration: 7:00
Estimated dispatch 7-14 working days
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£137.99Strathcarron (from Hymn of the Highlands) (Concert Band - Score and Parts) - Sparke, Philip
Sword Dance from Hymn of the HighlandsStrathcarron is a movement from Philip Sparke's Hymn of the Highlands, in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron, named after a village at the head of Loch Carron, near the Isle of Skye, takes the form of a sword dance which alternates between fast and slow tempi.Duration: 5:40
Estimated dispatch 7-14 working days
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£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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