Results
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£106.99Summer Isles (from Hymn of the Highlands) (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, originally written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and band. This piece will surely be enjoyed by any audience.Duration: 4:00
Estimated dispatch 7-14 working days
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£106.99Madrigalum (Concert Band - Score and Parts) - Sparke, Philip
The idea behind this work was to create an opening piece, something to start a concert in an unusual way. The title is a portmanteau word derived from madrigal. The work indeed begins in Renaissance mood however gradually tries to shake of its modal start and, by contrasting different instrumental families, the work changes into modern clothes. Why not add a little Renaissance splendour to any concert with this unique work?Duration: 4:30
Estimated dispatch 7-14 working days
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£176.50Masquerade (Concert Band - Score and Parts) - Sparke, Philip
Masquerade was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year.1. Overture: The first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement.2. Elegy: The slow movement opens intensely with a bare two-part theme, which leads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close.3 Interlude: A short movement which changes the mood to introduce...4 Finale: Three violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.Duration: 15:30
Estimated dispatch 7-14 working days
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£106.99Music (Concert Band - Score and Parts) - Miles, John - Sparke, Philip
Born in Jarrow, northeast England, in 1949, John Miles was something of a child prodigy, learning the piano from the age of five. In the early '60s he persuaded his father to buy him a guitar and by the end of the decade he had joined a semi-professional band, The Influence. The group soon disbanded and by 1969 Miles was recording with his own group, The John Miles Band, releasing a dozen singles in the early '70s. In 1975 Miles decided to move to London and secured a deal with Decca Records. By October that year, a newly formed band, John Miles and Co, had released their debut single, Highfly, but their greatest hit, which stormed the British charts in March 1976, was Music.Duration: 6.00
Estimated dispatch 7-14 working days
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£69.99Infinity and Beyond... (Concert Band - Score and Parts) - Sparke, Philip
The last decades of the 20th century saw man's first steps in space exploration. Since the first moon landing by Neil Armstrong in 1969, these adventures in outer space have captured the public's imagination and have given birth to scores of science fiction movies, books and TV series that have tackled the subject. Infinity and Beyond... takes as its inspiration the wonderful film scores of composers such as John Williams and Jerry Goldsmith, who have almost invented a style which could be called 'space music'.Opening with a rhythmic bass figure, Infinity and Beyond... begins with a robust introduction in 3/4, which leads to the main theme in 4/4, played by the full band. A short bridge passage, utilising the interval of a fourth, leads to a modal central section, featuring first the trumpets and then played by the whole band; this in turn leads back to a repeat of the introduction until the main theme returns to bring the piece to a close.Duration: 3:00
Estimated dispatch 7-14 working days
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£132.95Music for Arosa (Concert Band - Score and Parts) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£37.95
Music for Arosa (Concert Band - Score only) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£164.95Sinfonietta No.2 (Concert Band - Score and Parts) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£32.95
Sinfonietta No.2 (Concert Band - Score only) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£32.95Music for a Festival (Concert Band - Score only) - Sparke, Philip
Extra Score. This work falls into three movements which are played without a break. The outer two movements are full of energy and surround a tender central section with delicate quartet writing and a broad climax for the whole band. Performance time 12'32" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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