Results
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£95.00
The Gilded Theatre - Kenneth Hesketh
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre.The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The music narative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
In stock: Estimated delivery 1-3 days
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£75.00
Vranjanka - Kenneth Hesketh
Vranjanka (pronounced VRAHN-yahn-kah) means "From Vranje," a town in southern Serbia. It is loosely based on the traditional folksong ano Duo. The melody is extant in two versions, one in 7/8 and one in 3/4. The musical form of the piece starts with a fairly slow introductory section, a faster second section cast in a set of variations on the folksong. Vranjanka was commissioned by Timothy and Hilary Reynish in memory of their son William.
In stock: Estimated delivery 1-3 days
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£34.95
Dreaming of Dreams - Thomas Kelly
Dreaming of Dreams is a slow-paced and 'feel-good' piece, written for grade 2 Wind Band. After a short reflective introduction, the light and delicate main melody is introduced by the first clarinets followed by a broad and nostalgic counter melody at letter B played by the tenor saxophone, bassoon, first trombone and euphonium. At section D the main melody returns in the first clarinets, this time augmented by the first trumpets and at E we hear the main melody and counter melody together. After a repeat of the opening material, a new melody is featured at letter G played by the first flutes in a new key. The main melody and counter melody are then heard for one final, triumphant time, back in the home key. Fragments of the main melody are then heard throughout different sections of the band as the piece fades away to the final chord.
Estimated dispatch 7-14 working days
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£69.95
The Proclamation of Christmas - Score and Parts - Stephen Bulla
Program NotesOriginally written as the 'show opener' for one of The Salvation Army's spectacular annual Christmas Carol concerts in London, and premiered by The International Staff Band, Stephen Bulla's overture The Proclamation of Christmas is an extended work that features a number of popular Christmas tunes, including Hark The Herald Angels Sing, Ding Dong Merrily on High, and The First Nowell. There are also two slightly less well-known tunes that are linked to the carols - While Shepherds Watched and Angels from the Realms of Glory - and the piece concludes with a final flourish from O Come, All Ye Faithful.Its dramatic opening and imaginative structure make it a rewarding piece to rehearse and perform, and it certainly fulfills all the requirements of a Christmas show opener! So, we firmly believe that this overture will be a popular addition to Christmas repertoire for concert band in the same way as it was in its original version for brass band.
Estimated dispatch 7-14 working days
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£13.95
The Proclamation of Christmas - Score only - Stephen Bulla
Program NotesOriginally written as the 'show opener' for one of The Salvation Army's spectacular annual Christmas Carol concerts in London, and premiered by The International Staff Band, Stephen Bulla's overture The Proclamation of Christmas is an extended work that features a number of popular Christmas tunes, including Hark The Herald Angels Sing, Ding Dong Merrily on High, and The First Nowell. There are also two slightly less well-known tunes that are linked to the carols - While Shepherds Watched and Angels from the Realms of Glory - and the piece concludes with a final flourish from O Come, All Ye Faithful.Its dramatic opening and imaginative structure make it a rewarding piece to rehearse and perform, and it certainly fulfills all the requirements of a Christmas show opener! So, we firmly believe that this overture will be a popular addition to Christmas repertoire for concert band in the same way as it was in its original version for brass band.
Estimated dispatch 7-14 working days
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£29.95
Share My Yoke - Score and Parts - Joy Webb
Program NotesMajor Joy Webb has a unique and special gift for writing songs that achieve massive popularity, both for the purity of their musical integrity and for the depth of their poetic and literal strength. One of the members of The Salvation Army's 1960s phenomenon "The Joystrings," Joy Webb has a string of popular songs to her name, several of which contributed to the charts successes of enjoyed by the group. In more recent years, many of her tunes have found their why into instrumental repertoire.A prime example of Joy's remarkable gifting is her beautiful Share My Yoke. Although the deeply spiritual words of Share My Yoke may be unfamiliar to some, the sheer beauty of the melody is without doubt. The chorus is reproduced here to offer an insight into the song's meaning:Your slightest movement I will feel and understand.Share my yoke, and come the way that I must go,In our togetherness my peace you'll know.The world beholding us will see it's so.Calling for real sensitivity both from soloist and accompanying group, this is an extremely rewarding piece to play - and a moving listening experience for the audience.The arranger, Ivor Bosanko, who lives in California following retirement from the post of Territorial Music Director in The Salvation Army's USA Western Territory, is himself a respected songwriter, composer and arranger. He has produced this wonderfully sensitive and evocative arrangement of the song for cornet soloist and band. Already widely used and recorded in its original brass band form, this arrangement for concert band will undoubtedly be a useful and valuable addition to repertoire.
Estimated dispatch 7-14 working days
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£5.95
Share My Yoke - Score only - Joy Webb
Program NotesMajor Joy Webb has a unique and special gift for writing songs that achieve massive popularity, both for the purity of their musical integrity and for the depth of their poetic and literal strength. One of the members of The Salvation Army's 1960s phenomenon "The Joystrings," Joy Webb has a string of popular songs to her name, several of which contributed to the charts successes of enjoyed by the group. In more recent years, many of her tunes have found their why into instrumental repertoire.A prime example of Joy's remarkable gifting is her beautiful Share My Yoke. Although the deeply spiritual words of Share My Yoke may be unfamiliar to some, the sheer beauty of the melody is without doubt. The chorus is reproduced here to offer an insight into the song's meaning:Your slightest movement I will feel and understand.Share my yoke, and come the way that I must go,In our togetherness my peace you'll know.The world beholding us will see it's so.Calling for real sensitivity both from soloist and accompanying group, this is an extremely rewarding piece to play - and a moving listening experience for the audience.The arranger, Ivor Bosanko, who lives in California following retirement from the post of Territorial Music Director in The Salvation Army's USA Western Territory, is himself a respected songwriter, composer and arranger. He has produced this wonderfully sensitive and evocative arrangement of the song for cornet soloist and band. Already widely used and recorded in its original brass band form, this arrangement for concert band will undoubtedly be a useful and valuable addition to repertoire.
Estimated dispatch 7-14 working days
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£65.00Freyja's Call - Andrew Duncan
According to Viking mythology, following a battle the bravest souls of the slain would be divided between two Gods, Odin and Freyja. Freyja was the Goddess of Love and War and before going into battle many Viking warriors would pray that they would die bravely so that Freyja would take their soul to join her personal army made up of the souls of the bravest of men.'Freyja's Call' describes one of these, a young Scottish soldier, going into battle as part of the Viking army who occupied parts of Scotland for four centuries. First, a slow theme is heard, Freyja's theme, which is the soldier praying to Freyja to keep a watch on him. Then the drums introduce a new rhythm which announces the beginning of the battle.A Celtic Jig is used to describe the progress of the battle with the jig played quietly at first then gradually louder with more percussion being added until a full ff section signifies the soldier fighting the enemy directly.Suddenly, the music drops back to the quiet Jig theme. The soldier has been slain, but will he be chosen by Frejya? After a short time, Freyja's theme is heard as the brave soldier is taken to Freyja's heavenly army of brave warriors, and the piece then ends in triumph.
In stock: Estimated delivery 1-3 days
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£70.00
Whirlegigg - Kenneth Hesketh
Whirlegigg is the middle English word for a contraption that continuously spins. A great fascination with many inventors of the medieval period was to develop a perpetual motion machine constantly turning and giving off energy. This idea is particularly apt for this piece. A simple ternary structure gives ample opportunity for both boisterous and reflective material with gyrating accompanimental figures never far away. The machine almost stops near the end, but finally musters one last burst of excitement and energy to bring the work to its close.
In stock: Estimated delivery 1-3 days
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£60.00
Capriccio - Gustav Holst
Holst composed this short, light-hearted but tuneful work in 1932, while on a visit to the USA, for Nathaniel Shilkret's concert jazz band. He was asked to use a folk tune but invented one of his own. The piece was not performed and remained in manuscript. This version for wind band was arranged by John Boyd with the approval of Imogen Holst.
In stock: Estimated delivery 1-3 days
