Results
-
£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
-
£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
-
£60.99How to Train Your Dragon, Highlights from (Concert Band - Score and Parts) - Powell, John - Vinson, Johnnie
Composed by John Powell, the exciting and emotionally powerful music from the DreamWorks film How to Train Your Dragon has taken on a life of its own. Here is an adaptation for younger bands by Johnnie Vinson that includes the tender lyricism as well as dramatic heroic moments of the original.
Estimated dispatch 7-14 working days
-
£5.50Walking in the Air (from The Snowman) (Voice and Piano) - Blake, Howard
Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of the award-winning cartoon film The Snowman.Here the classic Walking In The Air, made popular by Aled Jones is arranged for Voice and Piano. Music and lyrics by Howard Blake.
Estimated dispatch 7-14 working days
-
£72.99Disney Film Favorites (Flexible Ensemble - Score and Parts) - Vinson, Johnnie
Music from Disney's animated classics has become a part of our culture and reaches across generations with its appeal. This medley of familiar melodies will bring back fond memories for players and audience alikeIncludes:Under the Sea (The Little Mermaid)Circle of Life (The Lion King)Friend Like Me (Aladdin)Beauty and the Beast
Estimated dispatch 7-14 working days
-
£47.50Glee, The Best of (Concert Band - Score and Parts) - Brown, Michael
Don't be left behind as the Glee phenomenon continues to bolster excitement and interest in school music programs all across the country! Here is an entertaining and energetic medley of familiar hits in a very playable arrangement for young bands. Includes: Don't Stop Believin', Lean on Me, Sweet Caroline, and My Life Would Suck Without You
Estimated dispatch 7-14 working days
-
£73.50Salute to the Cinema (Concert Band - Score and Parts) - Strommen, Carl
No other American art for is more revered globally. The rich history of film music is explored opening with "Hooray for Hollywood" and including "Singin' in the Rain," "Over the Rainbow," "As Time Goes By," and "A Day in the Life of a Fool" building to a dramatic conclusion. A salute indeed to the classic film music that continues to bring smiles to the faces of generations. Duration: 7.30
Estimated dispatch 7-14 working days
-
£45.00Defeating the Giant (Concert Band - Score and Parts) - Grice, Rob
Energetic and exciting are only two of the words that describe Defeating the Giant, Rob Grice's inspiring contribution to the beginning band repertoire. Your students will love to rehearse and perform this piece as they bring their vivid imaginations to life through music. An excellent teaching piece in the Rob Grice style, Defeating the Giant is sound programming for concert and festival alike.Duration: 2.00
Estimated dispatch 7-14 working days
-
£73.50Gershwin Prelude Suite (Concert Band - Score and Parts) - Gershwin, George - Lucas, Elena Roussanova
Featuring: Prelude #1; Prelude #2 (Blue Lullaby); Prelude #3 (Spanish Prelude)This through-composed setting brings to life George Gershwin's beloved "Three Piano Preludes" in a contemporary setting for concert band that can be effective within the context of any of your concert programs. This music will inspire students and audiences alike. Just Gershwin!Duration: 5.15
Estimated dispatch 7-14 working days
-
£85.00Walking the Dog (Clarinet Solo with Concert Band - Score and Parts) - Gershwin, George - Bourgeois, Derek
Walking The Dog is one of Gershwin's lighter numbers. It is a clarinet showpiece that is just as much fun as the title suggests. Taken from the movie Shall We Dance, staring none other than the great Fred Astaire and Ginger Rogers, Walking The Dog catches George Gershwin at the very height of his powers. Rather than the bustling, complex symphonic scores he was by-now accustomed to knocking out, it's a simple, elegant little stroll, as the title suggests. In fact, in the 1937 film, it accompanies a scene of dog-walking, aboard the luxury deck of an ocean liner. Since its use in the film, though, the song has taken on a life of its own and become a popular showing-off piece for clarinettists everywhere. Interestingly, it's also the only section of score from the whole of Shall We Dance that remains - the rest of the movie's music remains sadly unpublished.Duration: 3.00
Estimated dispatch 7-14 working days
View Music