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£144.99Ross Roy - Jacob de Haan
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax - Jan van der Roost
This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Estimated dispatch 7-14 working days
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£84.99Bread and Games - William Vean
'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.
Estimated dispatch 7-14 working days
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£53.50If I Didn't Have You (from Monsters, Inc.) - Randy Newman
After years of writing clever and memorable tunes for the movies (Toy Story and A Bug's Life to name a few) Randy Newman finally won a much deserved Grammy for this song from the hit movie Monsters, Inc. Michael Brown has skillfully arranged it for young players in a medium 2-beat swing style.
Estimated dispatch 7-14 working days
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£75.00
The Building Of The House - Benjamin Britten
A lively and rousing concert opener written for the opening concert of the celebrated Snape Maltings concert hall arranged here for wind band by Thad Marciniak. Performable with or without chorus, Britten makes dramatic use of a chorale tune most often associated with Bach, but here given a new lease of life with telling effect.
In stock: Estimated delivery 1-3 days
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£65.00O Come All Ye Faithful (Flexible Ensemble - Score and Parts) - Clark, Paul
If your holiday audiences seem to have settled down for a long winter's nap, you can wake them up with this exciting arrangement of a seasonal classic! Fresh harmonies and driving rhythms combine to give this holiday chestnut new life. A guaranteed energizer for your holiday concerts!Duration: 3.00
Estimated dispatch 7-14 working days
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£109.99Back on Track (Concert Band - Score and Parts) - Schwarz, Otto M.
Back on Track is a spectacular composition for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short 'teaser' at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.Duration: 3.00
Estimated dispatch 7-14 working days
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£72.00We Shall Overcome (Concert Band - Score and Parts) - Galvin, Lisa
The beloved gospel song, "We Shall Overcome," which became the great anthem of the civil rights movement, is now available in this inspiring and very playable arrangement by Lisa Galvin. Providing an inspiring backdrop for healing and triumph, this timely piece is appropriate for any performance, and can offer a number of learning opportunities across the curriculum. Whatever life's obstacles may be, your advancing musicians can help conjure a sense of hope and fortitude with lush harmonies and expressive transitions that build to an exuberant finish. Powerful! Duration: 3.45
Estimated dispatch 7-14 working days
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£79.00Into Heaven's Hands (Concert Band - Score and Parts) - Shaffer, David
Opening with a lush flute soli, "Into Heaven's Hands" explodes with power, emotion and jubilation in celebration of a beautiful life. The powerful opening gives way to a lyrical and whimsical faster section. David Shaffer's mastery of intricate harmonic progression is on full display throughout this work. A slower, lyrical middle section compliments the entire piece with a balance of pure musical emotion. The percussion writing is simple but very effective in producing an exciting and musical experience for both the players and the listeners. An excellent choice for contest or festival! Duration: 6.30
Estimated dispatch 7-14 working days
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£85.00Ghillie Dhu (Elf of the Forest) (Concert Band - Score and Parts) - Earp, Joseph Benjamin
Ghillie Dhu (Gill-e Dew) "Elf of the Forest" is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. A wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance. Duration: 2.45
Estimated dispatch 7-14 working days
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