Results
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£68.00Contrapunctus IX (Concert Band - Score and Parts) - Bach, Johann Sebastian - Clark, Andy
Composed in the last year of Bach's life, "Contrapunctus IX" is an exciting double fugue that has been adapted to provide an exciting and challenging work for the modern concert band-wind ensemble. Full of independence throughout, every part is important and all sections get plenty of chances to shine in this powerful arrangement which will be a true showcase for better bands. An impressive choice for any concert or contest performance!Duration: 3.30
Estimated dispatch 7-14 working days
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£104.99Sing, Sing, Sing (Concert Band - Score and Parts) - Prima, Louis - Iwai, Naohiro
The swing classic Sing, Sing, Sing, which in 1937 was a major hit for the Benny Goodman Orchestra,was written by its trumpet player Louis Prima. Prima, born in New Orleans, did not only later become known for his spectacular live and radio performances, he also created his own jazz style, a mix of dixieland and swing. This arrangement for concert band brings the unforgettable sound of the big bands from the thirties back to life.Duration: 5:30
Estimated dispatch 7-14 working days
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£53.50If I Didn't Have You (from Monster's Inc.) (Concert Band - Score and Parts) - Newman, Randy - Brown, Michael
After years of writing clever and memorable tunes for the movies (Toy Story and A Bug's Life to name a few) Randy Newman finally won a much deserved Grammy for this song from the hit movie "Monsters, Inc." Michael Brown has skilfully arranged it for young players in a medium 2-beat swing style.
Estimated dispatch 7-14 working days
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£74.95Marcia A Montecelio (Concert Band - Score and Parts) - Naumann, Siegfried
Monticello is the name of a little place northeast of Rome where my wife and I have rented a simple home for more than 20 years. We participated intensively in the cultural life of the community where there was also a little band, the Banda Municipale Cornicolana, which consisted of about 55 wind players, mostly youngsters. One day, the "Il Direttore" came to me and asked if I would like to write a march for them, which I naturally did. It became the Marcia a Montecelio. After 14 rehearsals, with everyone tired, perspiring and red in the face, we were forced to give up. The march was too difficult for them. I then wrote another, easier march for them to perform at the forthcoming feast of San Michaeli. The Montecelio march was composed on pure inspiration in just two days. It is written in the Italian style - with a pinch of Sousa.
Estimated dispatch 7-14 working days
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£14.95
Marcia A Montecelio (Concert Band - Score Only) - Naumann, Siegfried
Monticello is the name of a little place northeast of Rome where my wife and I have rented a simple home for more than 20 years. We participated intensively in the cultural life of the community where there was also a little band, the Banda Municipale Cornicolana, which consisted of about 55 wind players, mostly youngsters. One day, the "Il Direttore" came to me and asked if I would like to write a march for them, which I naturally did. It became the Marcia a Montecelio. After 14 rehearsals, with everyone tired, perspiring and red in the face, we were forced to give up. The march was too difficult for them. I then wrote another, easier march for them to perform at the forthcoming feast of San Michaeli. The Montecelio march was composed on pure inspiration in just two days. It is written in the Italian style - with a pinch of Sousa.
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax (Concert Band - Score and Parts) - Van der Roost, Jan
This piece was commissioned by the Concert Band Vlamertinge and is a plea for peace: the title translates as Peace on Earth. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words Et In Terra Pax, an appeal for peace, at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the first explosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently coloured sound: the words Et in Terra Pax bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming chorale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words Et in Terra Pax are repeated again and again by the rest of the ensemble. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.Duration: 13:45
Estimated dispatch 7-14 working days
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£84.99Bread and Games Wind Band Set (Score & Parts)
Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the people was asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward. 06:00
Estimated dispatch 7-14 working days
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£41.58
Robin Hood and the Golden Arrow (Concert Band - Score and Parts)
The legend of Robin Hood has stirred the imaginations of countless millions over the generations. "Robin Hood and the Golden Arrow" by Robert W. Smith brings the legend to life for the beginning band. Using only six notes, the composition evokes exciting imagery through the use of soaring melody, energetic accompaniment figures and dynamic contrasts. The percussion section explores a variety of colors creating a musically rewarding experience for all. Suitable for concert and festival performance, this is beginning band writing at its finest!
Estimated dispatch 7-14 working days
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£144.99
Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
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£199.99Suite Pastorale - Franco Cesarini
Suite Pastorale, made up of three movements - Idyll, Playful Shepherd Boys, Rain Upon the Fields - is characterized by an idealization of the simplicity of country life in close contact with nature. Suite Pastorale depicts the eternal and fascinating myth of Arcadia: a world in which man lives in harmony with nature, immersed in bucolic forest landscapes, one of the most important imaginary places to escape to for those who were, and still are, tired of culture and civilization. The evocative Arcadian world is made almost mythological by the attention dedicated to it by poets, writers, playwrights, painters, and composers who over the centuries have drawn lifeblood from it for their works. Full of metaphorical meanings, it is a place of shelter, a place to live and sing about love, even if it means disappointment, and it is the place of civilization opposed to barbarism. It is a symbol of happiness, a real and intact image of reality, motionless in space and time, where nothing changes. The myth of the "locus amoenus" has not disappeared but has kept all its charm intact over the centuries.Suite Pastorale was commissioned to Franco Cesarini by the concert band of Aldeno (Trento/Italy) for the 100th anniversary of its foundation (1923-2023.Suite Pastorale: an ideal concert piece that will delight your audience!
Estimated dispatch 7-14 working days
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