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£34.95SURPRISE SYMPHONY, The (Simply Classics Concert Band) - Burton, Denis
Franz Joseph Haydn, a prolific composer, wrote over 100 symphonies. Many of these symphonies had nicknames, including 'The Drum Roll', The Military', and this, No.94, 'The Surprise'. History tells us that Haydn, wearied of audiences losing attention at his concerts, wrote in a 'surpirse', in the second, tranquil, movement with a sudden loud chord. No doubt Haydn held the audience's attention through the rest of the performance! American Grade 1 Duration 0:44
Estimated dispatch 7-14 working days
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£84.99The Brigadier (Concert Band - Score and Parts) - Cesarini, Franco
Brigadier is a senior military rank who typically commands a Brigade consisting of three battalions, approximately 3000 soldiers. The appointment to a high-ranking officer in the Army provides a lot of Swiss communities with the opportunity to celebrate. When Heinrich Tanner was promoted to Brigadier, the 'Knabenmusik der Stadt St. Gallen' wanted to pay tribute by dedicating a march to him. The result was this rousing march by Franco Cesarini.Duration: 3:20
Estimated dispatch 7-14 working days
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£137.99Three Onegin Dances Wind Band Set (Score & Parts)
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ?Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can be considered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg. 0:09:30
Estimated dispatch 7-14 working days
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£39.50Treason and Plot (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 1.5Duration: 02:00
Estimated dispatch 7-14 working days
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£64.95Bolivar (Trombone Solo with Concert Band) - Cook, Eric - Richardson, Norman
Boosey & Hawkes Standard Military Band Journal No.57Please note that this set comes with a condensed conductor score
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£225.99Los Libros Olvidados - Johan de Meij
1. Barcelona 19452. Los Libros Olvidados - El Cementerio3. Las Ramblas - Els Quatre Gats4. Coubert - El Hombre sin Rostro5. Bea (Beatriz)6. El Inspector Fumero7. La Ciudad de las SombrasThis is a story wrapped within a story that unfolds in Barcelona 1945, following World War II. The protagonist, Daniel Sempere, is the teenage son of an antiquarian book dealer, who one day takes him to the Cemetery of Forgotten Books, a mysterious place with labyrinthine corridors where rare and banned books are stacked in massive dusty piles. His father tells Daniel to select a book, but it will be his responsibility to protect it. Daniel picks La Sombra del Viento (The Shadow of the Wind), a novel by a forgotten author Julin Carax. Daniel immediately starts reading the book, and the story unwinds itself into a compelling and complicated plot. As he reads, Daniel finds himself and his own life merging into the story's plot. It transpires that there is a mysterious man named Lan Coubert ('the man without a face') who is determined to destroy all copies of Carax's books. Daniel is threatened by Coubert and is determined to find out what happened to Carax, who fled to Paris and subsequently disappeared. Daniel finds that his own life has much in common with the author's. The book mixes magic realism, page-turning mystery, and Daniel's own real life. Daniel's once ordinary teenage existence is now filled with larger-than-life colorful and at times, terrifying characters. Among them are Fermn Romero de Torres, a beggar who Daniel and his father befriend and employ in the family bookstore; the evil police inspector Javier Fumero, who could be compared to Scarpia in Puccini's opera Tosca or Javert in Les Misrables. The corrupt Fumero uses the war as an excuse to practice his sadism and is widely feared in Barcelona. He is represented in the music by a fascist military march. The city of Barcelona becomes a character in the book and in the music. The Ramblas, the boulevard running through Barcelona's Gothic Quarter and the famous caf Els Quatre Gats (the four cats) come alive in the score through a Cobla, the traditional wind ensemble playing a sardana, typical Catalan folk music. Two parallel love stories turn up the heat: Julin Carax's passionate, forbidden love for Penlope, and Daniel's equally passionate and forbidden love for Beatriz (Bea). Bea's sultry love theme is based on the first three letters of her name, with the ascending intervals B-E-A. Johan de Meij New York, October 17th, 2023
Estimated dispatch 7-14 working days
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£64.99Battlefield 1942 Theme - Joel Eriksson
One of the best-known video game themes of all time, Battlefield 1942 Theme features a driving military pulse and a memorable soaring melody. Paul Murtha's powerful version stays true to the original and brings all of the heart-pounding excitement to the concert stage.
Estimated dispatch 7-14 working days
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£128.60og min elskede - Terje Nilsen
Along with "Mjelle," this is one of Terje Nilsen's very best and most well-known songs. And together with Halvdan Sivertsen, he is regarded as Northern Norway's greatest singer/songwriter.Nilsen, a native of Bod, was soloist with the Military Band in Harstad on several occasions, and this arrangement was made for one of these.In more recent times, other Norwegian artists like Maria Haukaas Mittet and Eva Trones have performed excellent renditions of the same song, both on record and on stage.
Estimated dispatch 7-14 working days
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£128.60Det e min snn - Lars Bremnes
The composer's sister, Kari Bremnes, has had great success with this song through her album "Det vi har" from 2017. Subsequently, Elisabeth Andreassen has also performed it on the TV program "Hver gang vi mtes".The lyrics are about the thoughts one has when their son has to leave for military service and the new life it brings in an increasingly uncertain world.Lars Bremnes has been a soloist with the bands of the Norwegian Armed Forces several times, and this arrangement is written for such an occasion.
Estimated dispatch 7-14 working days
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