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£87.99Old Hundredth - Louis Bourgeois
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.
Estimated dispatch 7-14 working days
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£91.99Exultation - Philip Sparke
Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music.The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in.The second theme reappears which leads back to the 'blues' melody, which leads back to the opening fanfare. Palindromic!
Estimated dispatch 7-14 working days
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£99.99Whence is that goodly Fragrance flowing?
'Whence is that Goodly Fragrance Flowing?' is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar's Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season.
Estimated dispatch 7-14 working days
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£53.50Linden Lea - Ralph Vaughan Williams
Linden Lea is a straightforward adaptation of the famous song by Ralph Vaughan Williams. The song is especially familiar in Britain, where the melody is known in virtually every household. Varied instrumental color and slighttempo changes are utilized to heighten the emotional appeal of this attractive melody. (2:45)
Estimated dispatch 7-14 working days
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£89.99Norwegian Overture - Traditional
It is not entirely sure where the melody originates that forms the basis for Norwegian Overture. Most sources point in the direction of a certain J.H. Nebelong in about 1881. It is also possible that he was the first to note down this traditional melody and put his name to it.The lyrics are by a certain A.H. Brorson and were set to the music at a later date. The original title is "store hvide flok", which means "the big white herd". Several composers have used this theme, including Edvard Grieg and the Danish Carl Nielsen.
Estimated dispatch 7-14 working days
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£102.99Leonesse - Bert Appermont
Leonesse is the name of the castle and landed estates of Lady Guinevere, from the famous story of King Arthur. This stately concert march leads us to the old England with its legendary castles and the beautiful and impressive landscapes where many knights have died. Following a festive opening, a majestic melody symbolises the atmosphere of courtly elegance and refinement. The second part of this original composition describes, with a broad and dignified melody, the beauty and extensiveness of the English hills.
Estimated dispatch 7-14 working days
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£141.99Funiculi-Funicula Rhapsody - Luigi Denza
This famous melody was written for the 1880 opening of Mt. Vesuvius' funicular railway, lyrics were by Peppino Turco. Mr. Goto's fantasy commands immediate excitement with unmuffled percussion and bold fanfares that segue into a proper tarantella and trombone soli. Carefully observe relative dynamics throughout the 6/8 section, and give all dotted quarter notes equal treatment. Dynamic contrast is critical to maintaining interest in the returning melodic line. The alto/tenor voiced counter line at G should dominate. Take advantage of the novel woodwinds solis at H emphasizing lower voices. The polyrhythmic feel at J and K is best conducted in one; have all "play to" the melody. Enjoy the romantic potential of section L and do not exceed the indicated tempo. Sections N and O can be decidedly mechanical. Certainly "pull out the stops" at the concluding 6/8, but continue to observe all tempi and dynamics for a most effective finale.
Estimated dispatch 7-14 working days
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£104.99
Sayonara
This traditional melody is known worldwide as a song of farewell. Jan Van der Roost treated it as an anthem in this splendid arrangement. The melody is brought to us in whole or in part by various instruments and is surrounded by logical yet original - sometimes surprising - chords that dare to fluctuate. After a broad tutti, the ensemble begins to die out. The piece ends with an impressive diminuendo of the final chord, almost as if the orchestra itself were saying goodbye.
Estimated dispatch 7-14 working days
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£139.99Singapura Suite - Jan Van der Roost
Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival."Singapura" is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourre. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
Estimated dispatch 7-14 working days
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£89.99Artemis - Jan Van der Roost
Artemis is the Greek goddess of hunting and forests. In western art she is often pictured with deer, lions or bears with a bow in her hand. The tempo of this march is stately and the themes are "concertante" in character making Artemis best suited as a concert march rather than a street march. Technically this march is not too difficult although at times some dexterous fingering is necessary. The trio melody is especially lyrical and offers various sections within the band the possibility to show off their skill in playing the expressive melody. This excellent new concert march is sure to become a classic and be performed time and time again.
Estimated dispatch 7-14 working days
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