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£138.00San Pedro de Alcntara - Valdemar Gomes
The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the "salero" of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the "grand finale", in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.
Estimated dispatch 7-14 working days
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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£82.50See Jack Slide - Robert E. Foster
This original trombone feature, a "smear" for trombones, was written in memory of C. Jack McCurley, a young, energetic, fun-loving trombone player who lost his life in an accident. He was a member of his middle school band in Jefferson City, Missouri, and his fellow students and teachers commissioned this work as a memorial to him. But they wanted a happy piece because he was a happy person.
Estimated dispatch 7-14 working days
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£71.50To Soar with Broken Wings - Tyler Arcari
To Soar with Broken Wings was commissioned in memory of Alex McClurg, a young man lost too soon. A Celebration of life, and a reminder that no matter what struggles you might face, you can still soar.
Estimated dispatch 7-14 working days
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£109.99Little Suite for Peace - AndrĂ© Waignein
This dazzling suite portrays the side of the armed forces that is oftenoverlooked - the vital role they play as peacekeepers throughout theworld. Each of the four movements shows an aspect of military life- the precision of a military parade, the splendour of the officers ball,the sadness of remembering those who have lost their lives and thehope that someday there will be peace throughout the world. This trulycompelling work will make a great addition to any concert.
Estimated dispatch 7-14 working days
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£149.99Omaggio a Bellini - Saverio Mercadante
Inspired by the operas of Bellini, Saverio Mercadante created this richly contrasting overture from lyrical and dramatic moments in his own works. This arrangement offers modern concert bands access to a composition that, due to its obsoleteinstrumentation, is otherwise lost forever.
Estimated dispatch 7-14 working days
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£137.99El Cid - Bert Appermont
El Cid was the name of the legendary knight and folk hero Rodrigo D az de Vivar Cameador, the man who never lost a duel. After a typically Spanish opening, a slower section follows in which the composer makes reference to Albinoni'sAdagio and to the slow movement from Joaqu n Rodrigo's Concierto d'Aranjuez. The music is whipped up with Spanish passion at the close, and castanets are a must! The solo part can be played by trumpet, flugelhorn, cornet oralto saxophone and is also available in a simplified version.
Estimated dispatch 7-14 working days
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£109.99
A Ray Charles Anthology
The jazz icon Ray Charles died at the age of 73. With his death, the music scene probably lost one of its most significant personalities: his soul has influenced many generations of musicians. This was a very good reason for Stef Minnebo to write a medley of his greatest hits: Georgia on my mind", This little girl of mine", Hallelujah I love her so" and What d'I say".
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£202.99
Porco Rosso - Joe Hisaishi
From the 1992 Japanese animated film about an Italian World War I flying ace who, for a wartime misdeed, was transformed into an anthropomorphic pig. The flamboyant post-war story of Porco Rosso (Crimson Pig) battling air pirates is full of intrigue and romance, and the film's diverse and lush soundtrack is one of the more rare Studio Ghibli scorings. Mr. Tomoki Ubata, (band director at Ina Gakuen Sr. High School) assisted with medley design as we both became intrigued with the music.The sixth song, Kyouki ~ hishou (insanity & soaring), appearing on Joe Hisaishi's album "My Lost City", is often performed for his concerts. Due to its complexity I am sure this is one of Hisaishi's favorites. I also added the French chanson "Le Temps des cerises" (Antoine Renard) that Madame Gena sings in the film. This is my favorite of all chansons; I was happy to include this bittersweet, beautiful melody.The following themes are contained in the arrangement:1. Le Temps des cerises2. Jidai no kaze (Wind of the Times)3. Mammaito4. Pikkoro no onnatachi (Women of Piccolo)5. Porco e Bella6. Kyouki ~ hishou (Insanity & Soaring)7. Tooki jidai o momomede (Seeking for Far Times)You can hear how the story folds without a screen.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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