Results
-
£84.99Chorale and Canzone (Concert Band - Score and Parts) - De Haan, Jan
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.Duration: 2:45
Estimated dispatch 7-14 working days
-
£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£3.50Andrew Lloyd Webber: A Concert Celebration (2 Part Choral Octavo) - Lloyd Webber, Andrew - Brymer, Mark
The music of Andrew Lloyd Webber continues to dominate the entertainment scene and is now available in this spectacular medley for band, choir, and strings. What better way to close a concert with the combined ensembles! Includes: The Phantom of the Opera, Music of the Night, Don't Cry for Me Argentina, Superstar, King Herod's Song, Memory and Go Go Go Joseph.
Estimated dispatch 7-14 working days
-
£3.75
Andrew Lloyd Webber: A Concert Celebration (SAB Choral Octavo) - Lloyd Webber, Andrew - Brymer, Mark
The music of Andrew Lloyd Webber continues to dominate the entertainment scene and is now available in this spectacular medley for band, choir, and strings. What better way to close a concert with the combined ensembles! Includes: The Phantom of the Opera, Music of the Night, Don't Cry for Me Argentina, Superstar, King Herod's Song, Memory and Go Go Go Joseph.
Estimated dispatch 7-14 working days
-
£2.99
Andrew Lloyd Webber: A Concert Celebration (SATB Choral Octavo) - Lloyd Webber, Andrew - Brymer, Mark
The music of Andrew Lloyd Webber continues to dominate the entertainment scene and is now available in this spectacular medley for band, choir, and strings. What better way to close a concert with the combined ensembles! Includes: The Phantom of the Opera, Music of the Night, Don't Cry for Me Argentina, Superstar, King Herod's Song, Memory and Go Go Go Joseph.
Estimated dispatch 7-14 working days
-
£76.99Andrew Lloyd Webber: A Concert Celebration (Concert Band - Score and Parts) - Lloyd Webber, Andrew - Custer, Calvin
The music of Andrew Lloyd Webber continues to dominate the entertainment scene and is now available in this spectacular medley for band, choir, and strings. What better way to close a concert with the combined ensembles! Includes: The Phantom of the Opera, Music of the Night, Don't Cry for Me Argentina, Superstar, King Herod's Song, Memory and Go Go Go Joseph.
Estimated dispatch 7-14 working days
-
£60.00Derbyshire Cavalry Marches (Concert Band - Score and Parts) - Haydn, Joseph - Hash & Walters
Haydn wrote these marches during his second trip to London in 1794-95. The original autograph is titled "Two Marches Composed by J. Haydn for Sir Henry Harpur... to the Volunteer Cavalry of Derbyshire, embodied in the year 1794". Scored for the typical military band of the time, the instrumentation included a trumpet, two horns, two clarinet, two bassoons and a serpent (a curved bass instrument played with a cupped mouthpiece). Percussion parts would have been added by the regimental drum major and played by soldiers, not regular musicians. Due to a lack of printed marching books at the time, selection had to be short to facilitate easier memorisation. In this arrangement for modern concert band, the marches have been transposed from the original keys to Bb and F Major. Percussion parts have also been added by the arrangers and can be used at the director's discretion. Though these marches have been scored with the intermediate level band in mind, the integrity of the originals have been maintained, making them of interest to musicians and music students alike, at all levels.
Estimated dispatch 7-14 working days
-
£49.95Little Brown Jug (Tuba Solo) (Concert Band - Score and Parts) - Winner, Joseph - Johnson, Stuart
This feature is suitable for soloists or section. Why not sit the tubas in front of the band and let the audience see them enjoying themselves? The accompaniment is straightforward but effective in true Johnson, Stuart style.
Estimated dispatch 7-14 working days
-
£9.95
Little Brown Jug (Tuba Solo) (Concert Band - Score Only) - Winner, Joseph - Johnson, Stuart
This feature is suitable for soloists or section. Why not sit the tubas in front of the band and let the audience see them enjoying themselves? The accompaniment is straightforward but effective in true Johnson, Stuart style.
Estimated dispatch 7-14 working days
View Music