Results
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£164.99Overture for a Special Occasion - Philip Sparke
The special occasion that Philip Sparke was honoured to write this piece for was the 200th anniversary of the Stadtmusik Bad Sckingen. Since Bad Sckingen is known as the 'Trompeterstadt', or trumpeter city, Sparke's creative process was influenced by Joseph Victor Scheffel's poem, Der Trompeter von Sckingen (The Trumpeter from Sckingen), which is based on a true story. The overture starts with a majestic fanfare, followed by a lively molto vivace. It is joined by a brilliant trumpet call in honour of the city's famous resident.
Estimated dispatch 7-14 working days
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£65.99
Wind Castle - Joseph Pappas
This wonderful work will capture every ones attention! The opening features eerie chords and wind-sounds and then transitions to the fast and driving Phrygian melody. The mood once again changes with a beautiful euphonium solo and climaxes to the dramatic Da Capo Finale. This colorful work will delight your players and audience. Lots of good things in one small piece!
Estimated dispatch 7-14 working days
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£130.70Concerto for Trumpet in E-flat major - Franz Joseph Haydn
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£134.99Zampa - Louis Joseph Ferdinand Hérold
The overture from the opera Zampa by Ferdinand Hrold is well-known and well-loved with many people knowing it as a work for piano duet. Thanks to this great arrangement by Wil van der Beek it is now also available for concert bands. Why not play this great opening work at your next concert!
Estimated dispatch 7-14 working days
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£84.99Chorale and Canzone - Hans Leo Hassler
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.
Estimated dispatch 7-14 working days
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£104.99A Flemish Christmas - Jan Hadermann
In A Flemish Christmas, Jan Hadermann tells the Christmas story by means of four Old Flemish Christmas Songs.Mary is chosen to bring Jesus Christ, the son of God, into the world: Het was een maged uitverkoren ('She was a virgin chosen').On the occasion of a census, Mary, who is with child, and Joseph, her husband to be, travel from Nazareth to Bethlehem, where Jesus will be born in a humble stable: Maria die zoude naar Bethlehem gaan (Mary would go to Bethlehem').O kerstnacht, schoner dan de dagen ('Oh Christmas Night, more beautiful than the days') is a stately chorale that sings the praises of Jesus' birth.Three wise men from the East, Caspar,Melchior and Balthazar, follow a bright star in the sky, which leads them to Bethlehem. There, they worship the newborn King, and offer him gold, frankincense and myrrh: Wij komen van Oosten (We've come from the East').This musical Christmas story ends with a festive repeat of the third movement, the stately chorale.
Estimated dispatch 7-14 working days
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£46.00Happy Flutes - Joseph Robert Eastman
Estimated dispatch 7-14 working days
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£117.80Freedom Defended - Rossano Galante
Inspired by the non-violent civil rights protest of February 1, 1960 against a segregated lunch counter in Greensboro, NC, Freedom Defended strives to encapsulate the story of this now historic event. Commissioned by the band directors of the North Carolina Central District and East Central District Bandmasters Associations, this four movement piece honors each of the North Carolina Agricultural and Technical State University students known as the "Greensboro Four", Joseph McNeil, Franklin McCain, Ezell Blair Jr., and David Richmond. Their actions directly led to the Civil Rights Act of 1964 which mandated desegregation in public spaces. Movement 1 (Da Sogno) - The opening thematic material is dream-like and idyllic as the "Greensboro Four" enter the Woolworth Store at 132 South Elm Street and peacefully sit at the lunch counter and order coffee. Movement 2 (Con Fuoco) - The piece takes a dark turn when they are refused service and are told "We don't serve Negros here". The music is somewhat dissonant and rhythmic but a heroic theme captures the tenacity and courage of these brave young men. Movement 3 (Molto Cantabile) - A plaintiff theme portrays the hopelessness the four freshmen faced as they continued to be refused service until they leave when the store closed that night. Movement 4 (Con Spirito) - Undeterred, the "Greensboro Four" returned the next day, this time joined by more than twenty other black students. While they were again refused service, the sitins began to attract media attention and each day more and more students, both black and white, joined the cause. By February 4th, over 300 students staged sit-ins not only at the Woolworth Store but also the lunch counter at Greensboro's S. H. Kress & Co. The music is rejoicing and uplifting, similar to the opening statement, but now fully orchestrated and more fully developed. Coda - a quiet theme based on the motives from the opening thematic material brings the work to a reflective close as we remember these four men who, in the face of adversity, stood up for equality for all men and women.
Estimated dispatch 7-14 working days
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£79.99Concerto for Bb Cornet or Trumpet - Franz Joseph Haydn
Grades 3-5
Estimated dispatch 7-14 working days
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