Results
-
£13.95EARTH, WATER, SUN WIND (Philip Sparke) (The Johan Willem Friso Military Band)
The Johan Willem Friso Military Band conducted by Alex Schillings. Includes: Victory Fanfare (from Five Festive Fanfares); To a New Dawn; Time Remembered; Navigation Inn; Hanover Festival; Overture for Woodwinds; Earth, Wind, Sun Wind (Symphony No.1)
Estimated dispatch 7-14 working days
-
£13.95Masquerade (Philip Sparke) (The Johan Willem Friso Military Band/Rundfunk-Blasorchester Leipzig) (CD)
This CD is now out of print.The Johan Willem Friso Military Band conducted by Tijmen Botma and Rundfunk-Blasorchester Leipzig conducted by Jan Cober. Includes: A Huntingdon Celebration; Kaleidoscope; Strathcarron; Masquerade; Pastime with Good Company; Out of the Darkness, Into the Light; Clarinet Concerto (soloist: Linda Merrick)
Estimated dispatch 7-14 working days
-
£144.99Downtown Divertimento - Johan de Meij
The inspiration for Downtown Divertimento comes from Johan de Meijs daily wanderings in Chelsea, in lower Manhattan. The day begins with a leisurely walk to Madison Square Park with his dog Alice. They visit the dog run where she meets up withother city canines. On the way back they have a moment of reflection looking at the nearby Flatiron Building, the striking triangular city landmark. Johan goes for a run later in the day. His jogging shoes naturally head for The Highline, anabandoned railway viaduct that was transformed into a lushly landscaped National Park. He absorbs the spectacular views of the Hudson River and the majestic New York skyline as if seeing them for the first time.The movements are:1) Dog Play (at Madison Square Park)2) Flatiron Reverie3) Hitting the Highline
Estimated dispatch 7-14 working days
-
£240.99Dutch Masters Suite - Johan de Meij
For this exciting work Johan de Meij took his inspiration from Rembrandt's The Night Watch, Vermeer's Love Letter and Steen's Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer's Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This new work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009.
Estimated dispatch 7-14 working days
-
£378.99Casanova - Johan de Meij
Who doesn't know the classical womaniser Casanova? Johan de Meij depicts a musical portrait of Giacomo Casanova, who lived in Venice from 1725 to 1798. Casanova captured every woman's heart with great ease and as a result made the Venetian men quite resentful. Accused by the inquisition, he fled the oppressive town of Venice. Johan de Meij created this fantastic work for solo cello and concert band based on this infamous story.
Estimated dispatch 7-14 working days
-
£229.99Sinfonietta no. 1 - Johan de Meij
Sinfonietta No. 1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra.Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with thesame fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.
Estimated dispatch 7-14 working days
-
£89.99Hobbits Dance & Hymn - Johan de Meij
The famous trilogy The Lord of the Rings by English writer J. R. R. Tolkien, published in 1955, has brought enjoyment to several generations of readers. Johan de Meij himself took the inspiration for his first symphony for Concert Band, The Lord of the Rings, from this great series. This easy arrangement of two movements from the symphony, Hobbits Dance & Hymn, has been carefully carried out by Paul Lavender. An ideal work for all junior bands who wish to play the music of the Concert Band master, Johan de Meij.
Estimated dispatch 7-14 working days
-
£118.99Songs from the Catskills - Johan de Meij
The Catskill Mountains is a beautifully preserved region in Upstate New York, flanked to the east by the Hudson River. From the moment my Johan de Meij and his wife settled in 2008 in Saugerties, a quaint Hudson Valley town 100 miles north of Manhattan, he started immersing himself into the area's rich musical history. Discovering a fascinating mix of American, Irish and Scottish folk music, ultimately, it was not easy to choose from such abundance. In the end Johan de Meij ended up using the following songs The Foggy Dew, Last Winter was a Hard One, A Poor and Foreign Stranger, The Bluestone Quarries, and
Estimated dispatch 7-14 working days
-
£140.00Elegy & Scherzo - Johan de Meij
Elegy & Scherzo was written at the request of cellist Yuki Ito, to commemorate the 150th birthyear in 2023 of Russian composer Sergei Rachmaninoff (1873 - 1943). Composer Johan de Meij used some hints and quotes from Rachmaninoff's 2nd Symphony (opus 27) and the Symphonic Dances (opus 45), to embrace the sound world of the Russian master. Elegy & Scherzo was premiered on October 27, 2023, in the Cankarjev Dom in Ljubljana, Slovenia by the Band of the Slovenian Armed Forces, with Yuki Ito as the cello soloist. Soon after the premiere, the work was adapted for solo euphonium and wind orchestra. It received its premiere during the ITEC, the International Tuba- and Euphonium Conference 2025 in Valencia, Spain, with Shoichiro Hokazono as the soloist, and the composer conducting.
Estimated dispatch 7-14 working days
-
£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
View Music